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| Author | : Margot Gayle Backus |
| Publisher | : Post-Contemporary Intervention |
| Total Pages | : 312 |
| Release | : 1999 |
| Genre | : Literary Criticism |
| ISBN | : |
Uses 19th and 20th-century Irish Gothic literary texts to argue that capitalism, the nuclear patriarchal family and Protestantism coincided with and reinforced the conditions for the plantation of Ireland and the colonization which followed.
| Author | : |
| Publisher | : Art of Darkness: Ingenious |
| Total Pages | : 281 |
| Release | : |
| Genre | : |
| ISBN | : |
| Author | : Lori A. Paige |
| Publisher | : McFarland |
| Total Pages | : 191 |
| Release | : 2018-09-19 |
| Genre | : Literary Criticism |
| ISBN | : 1476634173 |
The late 1960s and early 1970s saw the birth of modern feminism, the sexual revolution, and strong growth in the mass-market publishing industry. Women made up a large part of the book market, and Gothic fiction became a higher popular staple. Victoria Holt, Mary Stewart and Phyllis Whitney emerged as prominent authors, while the standardized paperback Gothic sold in the millions. Pitched at middle-class women of all ages, Gothics paved the way for contemporary fiction categories such as urban fantasy, paranormal romance and vampire erotica. Though not as popular today as they once were, Gothic paperbacks retain a cult following—and the books themselves have become collectors’ items. They were also the first popular novels to present strong heroines as agents of liberation and transformation. This work offers the missing chapters of the Gothic story, from the imaginative creations of Ann Radcliffe and the Brontë sisters to the bestseller 50 Shades of Grey.
| Author | : Rosemary Clement-Moore |
| Publisher | : Delacorte Press |
| Total Pages | : 418 |
| Release | : 2011-07-12 |
| Genre | : Young Adult Fiction |
| ISBN | : 0375898107 |
Amy Goodnight knows that the world isn't as simple as it seems. She also understands that "normal" doesn't mix with magic, and she's worked hard to build a wall between the two worlds. Not only to protect her family, who are all practicing witches, but to protect any hope of ever having a normal life herself. Ranch-sitting for her aunt in Texas should be exactly that: good old ordinary, uneventful hard work. Only, Amy and her sister, Phin, aren't alone. There's someone else in the house with them--and it's not the living, breathing, amazingly hot cowboy from the ranch next door. It's a ghost, and it's more powerful than the Goodnights and all their protective spells combined. It wants something from Amy, and none of her carefully built defenses can hold it back. This is the summer when the wall between Amy's worlds is going to come crashing down. A Kirkus Reviews Best Book of the Year An ALA-YALSA Best Book for Young Adults Praise for Texas Gothic: [Star] "You can't get much more Nancy Drew. . . . This engaging mystery has plenty of both paranormal and romance, spiced with loving families and satisfyingly packed with self-sufficient, competent girls."--Kirkus Reviews, Starred [Star] "Teens looking for a rollicking adventure filled with paranormal events, dastardly evildoers, and laugh-out-loud moments as Amy and Ben argue and snipe their way to love will adore this book."--School Library Journal, Starred "The author mixes suspense, humor, and lots of local flavor. . . . The enjoyable sum is a lively teen ghost story with sex appeal."--The Horn Book "A deeply affectionate rendering of Texas landscapes and legends combines with an appealing cast of well-developed characters to give texture to this well-plotted mystery; truly scary moments are balanced by the humorous bumbles of the awkwardly developing romance between Amy and Ben, as well as Phin's sublime cluelessness about the way her eccentricities appear to other people."--The Bulletin
| Author | : Ed Cameron |
| Publisher | : McFarland |
| Total Pages | : 216 |
| Release | : 2014-01-10 |
| Genre | : Literary Criticism |
| ISBN | : 0786462027 |
This book uses clinical psychoanalytic theory to illustrate how early British Gothic fiction reveals undercurrents of psychopathological behavior. It demonstrates that psychological insights gained from Gothic romance anticipate the later scientific findings of psychoanalysis. Chapters consider the division of the Gothic novel's critical reception between allegory and romance; how the structure of early British Gothic romance parallels Freud's notion of the uncanny; the genre's perverse origins in Walpole's The Castle of Otranto; sexual differentiation and the parallel between development of Gothic romance an development of the psyche; Ann Radcliffe and the terror of hysteria; Matthew Lewis and obsessional neurosis; and the confusion between self and other in Hogg's The Private Memoirs and Confessions of a Justified Sinner.
| Author | : Lee Mandelo |
| Publisher | : Tordotcom |
| Total Pages | : 336 |
| Release | : 2021-09-28 |
| Genre | : Fiction |
| ISBN | : 1250790301 |
Lee Mandelo's debut Summer Sons is a sweltering, queer Southern Gothic that crosses Appalachian street racing with academic intrigue, all haunted by a hungry ghost. Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom that hungers for him. As Andrew searches for the truth of Eddie’s death, he uncovers the lies and secrets left behind by the person he trusted most, discovering a family history soaked in blood and death. Whirling between the backstabbing academic world where Eddie spent his days and the circle of hot boys, fast cars, and hard drugs that ruled Eddie’s nights, the walls Andrew has built against the world begin to crumble. And there is something awful lurking, waiting for those walls to fall. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
| Author | : Dale Townshend |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 432 |
| Release | : 2019-09-26 |
| Genre | : Literary Criticism |
| ISBN | : 0198845669 |
Gothic Antiquity: History, Romance, and the Architectural Imagination, 1760-1840 provides the first sustained scholarly account of the relationship between Gothic architecture and Gothic literature (fiction; poetry; drama) in the late eighteenth and early nineteenth centuries. Although the relationship between literature and architecture is a topic that has long preoccupied scholars of the literary Gothic, there remains, to date, no monograph-length study of the intriguing and complex interactions between these two aesthetic forms. Equally, Gothic literature has received only the most cursory of treatments in art-historical accounts of the early Gothic Revival in architecture, interiors, and design. In addressing this gap in contemporary scholarship, Gothic Antiquity seeks to situate Gothic writing in relation to the Gothic-architectural theories, aesthetics, and practices with which it was contemporary, providing closely historicized readings of a wide selection of canonical and lesser-known texts and writers. Correspondingly, it shows how these architectural debates responded to, and were to a certain extent shaped by, what we have since come to identify as the literary Gothic mode. In both its 'survivalist' and 'revivalist' forms, the architecture of the Middle Ages in the long eighteenth century was always much more than a matter of style. Incarnating, for better or for worse, the memory of a vanished 'Gothic' age in the modern, enlightened present, Gothic architecture, be it ruined or complete, prompted imaginative reconstructions of the nation's past--a notable 'visionary' turn, as the antiquary John Pinkerton put it in 1788, in which Gothic writers, architects, and antiquaries enthusiastically participated. The volume establishes a series of dialogues between Gothic literature, architectural history, and the antiquarian interest in the material remains of the Gothic past, and argues that these discrete yet intimately related approaches to vernacular antiquity are most fruitfully read in relation to one another.
| Author | : Henry James |
| Publisher | : Good Press |
| Total Pages | : 24 |
| Release | : 2021-04-11 |
| Genre | : Fiction |
| ISBN | : |
"The Romance of Certain Old Clothes" is a terrifying ghost story by American-British author Henry James. It begins in the 18th century in Massachusetts and features the Willoughby family, with a widowed mother, one son named Bernard, and two daughters. The main plot follows the two sisters of the family who want the same man.
| Author | : Gillian Harkins |
| Publisher | : U of Minnesota Press |
| Total Pages | : 339 |
| Release | : 2009 |
| Genre | : Literary Criticism |
| ISBN | : 081665347X |
In the 1990s, a boom in autobiographical novels and memoirs about incest emerged, making incest one of the hottest topics to connect daytime TV talk shows, the self-help industry, and the literary publishing circuit. In Everybody's Family Romance, Gillian Harkins places this proliferation of incest literature at the center of transformations in the political and economic climate of the late twentieth century. Harkins's interdisciplinary approach reveals how women's narratives about incest were co-opted by-and yet retained resistant strains against-the cultural logics of the neoliberal state. Across chapters examining legal cases on recovered memory, popular journalism, and novels and memoirs by Dorothy Allison, Carolivia Herron, Kathryn Harrison, and Sapphire, Harkins demonstrates that incest narratives look backward into the past. In these accounts, images of incest forge links between U.S. chattel slavery and the distributive impasses of the welfare state and between decades-distant childhoods and emergent memories of the present. In contrast to recent claims that incest narratives eclipse broader frameworks of political and economic power, Harkins argues that their emergence exposes changing structural relations between the family and the nation and, in doing so, transforms the analyses of American familial sexual violence.
| Author | : Eleanor Wasserberg |
| Publisher | : Penguin |
| Total Pages | : 285 |
| Release | : 2017-04-04 |
| Genre | : Fiction |
| ISBN | : 110199309X |
“Unrelentingly eerie . . . packed with subtle, skin-crawling suspense . . . When it comes to crafting an immersive atmosphere of fear and unease, Foxlowe is a delicious slice of darkness.” —NPR An astonishing literary debut about a young girl’s coming of age in the haunting, enchanting world of an English commune—a modern gothic novel with echoes of Room and Never Let Me Go Foxlowe is a crumbling old house in the moors—a wild, secluded, and magical place. For Green, it is not just home, but everything she knows. Outside, people live in little square houses, with unhappy families and tedious jobs. At Foxlowe, Green runs free through the hallways and orchards, in the fields and among the Standing Stones. Outside, people are corrupted by money. At Foxlowe, the Family shares everything. Outside, the Bad is everywhere. At Foxlowe, everyone in the Family is safe—as long as they follow Freya’s rules and perform her rituals. But as Green’s little sister, Blue, grows up, she shows more and more interest in the Outside. Before long she starts to talk about becoming a Leaver. . . . Building inexorably to its terrifying climax, Foxlowe tells a chilling, irresistible story of superstition and survival, betrayal and redemption, and a utopia gone badly wrong.
