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| Author | : Irwin Shapiro |
| Publisher | : |
| Total Pages | : 180 |
| Release | : 1962 |
| Genre | : Art |
| ISBN | : |
Many colored paintings illustrate this account of a vivid period in world history. Grades 7-9.
| Author | : Mary Elting |
| Publisher | : |
| Total Pages | : 64 |
| Release | : 1988 |
| Genre | : Dinosaurs |
| ISBN | : 9780307155672 |
An introduction to the physical characteristics, habits, and natural environment of a variety of dinosaurs.
| Author | : Irwin 1911-1981 Shapiro |
| Publisher | : Hassell Street Press |
| Total Pages | : 176 |
| Release | : 2021-09-09 |
| Genre | : |
| ISBN | : 9781013449529 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : John S. Mebane |
| Publisher | : U of Nebraska Press |
| Total Pages | : 340 |
| Release | : 1992-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780803281790 |
For all their pride in seeing this world clearly, the thinkers and artists of the English Renaissance were also fascinated by magic and the occult. The three greatest playwrights of the period devoted major plays (The Tempest, Doctor Faustus, The Alchemist) to magic, Francis Bacon often referred to it, and it was ever-present in the visual arts. In Renaissance Magic and the Return of the Golden Age John S. Mebane reevaluates the significance of occult philosophy in Renaissance thought and literature, constructing the most detailed historical context for his subject yet attempted.
| Author | : Andrew Pettegree |
| Publisher | : |
| Total Pages | : 421 |
| Release | : 2010 |
| Genre | : History |
| ISBN | : 9780300110098 |
The dawn of print was a major turning point in the early modern world. It rescued ancient learning from obscurity, transformed knowledge of the natural and physical world, and brought the thrill of book ownership to the masses. But, as Andrew Pettegree reveals in this work of great historical merit, the story of the post-Gutenberg world was rather more complicated than we have often come to believe. The Book in the Renaissance reconstructs the first 150 years of the world of print, exploring the complex web of religious, economic, and cultural concerns surrounding the printed word. From its very beginnings, the printed book had to straddle financial and religious imperatives, as well as the very different requirements and constraints of the many countries who embraced it, and, as Pettegree argues, the process was far from a runaway success. More than ideas, the success or failure of books depended upon patrons and markets, precarious strategies and the thwarting of piracy, and the ebb and flow of popular demand. Owing to his state-of-the-art and highly detailed research, Pettegree crafts an authoritative, lucid, and truly pioneering work of cultural history about a major development in the evolution of European society.
| Author | : Norbert Wolf |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2021-10-05 |
| Genre | : Art |
| ISBN | : 3791386433 |
A luxurious and definitive exploration of how and why the Renaissance flourished in Italy for two centuries. The idea of “renaissance,” or rebirth, arose in Italy as a way of reviving the art, science, and scholarship of the Classical era. It was also powered by a quest to document artistic “reality” according to newly discovered scientific and mathematical principles. By the late 15th century, Italy had become the recognized European leader in the fields of painting, architecture, and sculpture. But why was Florence the center of this burgeoning creativity, and how did it spread to other Italian cities? Brimming with vivid reproductions of works by Leonardo, Michelangelo, Botticelli, Raphael, Titian, and others, this book showcases the creative achievements that traveled from Florence to Rome to Venice. Art historian Norbert Wolf explores the influence of secular and religious patronage on artistic development; how the urban structure and way of life allowed for such a rich exchange of ideas; and how ideas of humanism informed artists reaching toward the future while clinging to the ideals of the past. Insightful, accessible, and fascinating, this thoroughly researched book highlights the connections and mutual influences of Florence, Rome, and Venice as well as their intriguing rivalries and interdependencies.
| Author | : André Chastel |
| Publisher | : London, Thames |
| Total Pages | : 408 |
| Release | : 1965 |
| Genre | : Architecture, Renaissance |
| ISBN | : |
| Author | : William Kerrigan |
| Publisher | : |
| Total Pages | : 284 |
| Release | : 1989 |
| Genre | : Italy |
| ISBN | : |
Awarded the Roland H. Bainton Book Prize of the Sixteenth-Century Studies Conference."The writing draws on a considerable reserve of erudition and grace (the stylistic kind) so skillfully exhibited in each author's past work... . Their familiar audience will not be disappointed by this impressively readable collaboration."--Christopher Martin, Sixteenth-Century Journal.
| Author | : Theresa Huntley |
| Publisher | : Crabtree Publishing Company |
| Total Pages | : 36 |
| Release | : 2009-07 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 9780778745983 |
Discusses the various roles women took on during the Renaissance.
| Author | : Marina Belozerskaya |
| Publisher | : Getty Publications |
| Total Pages | : 292 |
| Release | : 2005-10-01 |
| Genre | : Art |
| ISBN | : 0892367857 |
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
