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The German Werkbund

The German Werkbund
Author: Joan Campbell
Publisher: Princeton University Press
Total Pages: 375
Release: 2015-03-08
Genre: Art
ISBN: 1400867622

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For years one of Germany's foremost cultural organizations, the Werkbund included in its membership such pioneers of the modern movement as Henry van de Velde, Hermann Muthesius, Walter Gropius, and Mies van der Rohe. Joan Campbell traces its history from its founding in 1907 to 1934, when it was absorbed into the bureaucracy of the National Socialist State. The Werkbund set out to prove that organized effort could revitalize the applied arts and architecture. In addition to acting as an agent of reform, it provided a forum for the debate of such broad concerns as the need to restore joy and dignity to work in modem industry. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


The Werkbund

The Werkbund
Author: Lucius Burckhardt
Publisher: London : Design Council
Total Pages: 124
Release: 1980
Genre: Art
ISBN:

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The Werkbund

The Werkbund
Author: Frederic J. Schwartz
Publisher: Yale University Press
Total Pages: 278
Release: 1996-01-01
Genre: Art
ISBN: 9780300068986

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During the period before World War I, the German Werkbund tried to forge new theories of architecture and design in the light of the technological and economic developments of modernity. This work explores the ideology and aesthetic positions in the debates among those who comprised the Werkbund.


The Weissenhofsiedlung

The Weissenhofsiedlung
Author: Karin Kirsch
Publisher: Axel Menges
Total Pages: 0
Release: 2013
Genre: Architecture
ISBN: 9783936681604

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The fundamental significance of the Weissenhofsiedlung in Stuttgart for the history of early modern architecture should not be underestimated. Almost all the influential architects of the 20th century built their proposed solutions in response to the theme "a home for modern city dwellers" on the beautifully located slope on the north side of Stuttgart. The choice of architects and the fact that a project of this type could be implemented at all so few years after World War I and the inflation, is one of the outstanding characteristics of this building exhibition. How did this project ever come to Stuttgart, anyway? What made it possible was a favorable constellation of both personnel and chronological circumstances. Gustaf Stotz must be regarded as the project's initiator. It was he who managed to fire up the enthusiasm of the leadership of the German Werkbund and of the city about the project. It is also thanks to him that Mies van der Rohe undertook to be its artistic director.


Beyond the Bauhaus

Beyond the Bauhaus
Author: Deborah Ascher Barnstone
Publisher: University of Michigan Press
Total Pages: 269
Release: 2016-06-28
Genre: Art
ISBN: 0472121944

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Although the Breslau arts scene was one of the most vibrant in all of Weimar-era Germany, it has largely disappeared from memory. Studies of the influence of Weimar culture on modernism have focused almost exclusively on Berlin and the Dessau Bauhaus, yet the advances that occurred in Breslau affected nearly every intellectual field, forming the basis for aesthetic modernism internationally and having an enduring impact on visual art and architecture. Breslau boasted a thriving modern arts scene and one of the premier German arts academies of the day until the Nazis began their assault on so-called degenerate art. This book charts the cultural production of Breslau-based artists, architects, art collectors, urban designers, and arts educators who operated in the margins of Weimar-era cultural debates. Rather than accepting the radical position of the German avant-garde or the reactionary position of German conservatives, many Breslauers sought a middle ground. This richly illustrated volume is the first book in English to address this history, constituting an invaluable addition to the literature on the Weimar period. Its readership includes scholars of German history, art, architecture, urban design, planning, collecting, and exhibition history; of the avant-garde, and of the development of arts academies and arts pedagogy.


Design

Design
Author: Thomas Hauffe
Publisher: Laurence King Publishing
Total Pages: 196
Release: 1998
Genre: Art
ISBN: 9781856691345

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Aiming to place design developments in their broader context, this text describes the history of design from its emergence as a separate discipline around 1750 to the present. Arranged chronologically, and with colour-coded pages for ease of reference, the book includes time-lines and designers' biographies, as well as feature spreads on notable designers and companies. There is also a detailed list of major design museums and collections.


The Visual Arts in Germany, 1890-1937

The Visual Arts in Germany, 1890-1937
Author: Shearer West
Publisher: Manchester University Press
Total Pages: 264
Release: 2000
Genre: Art
ISBN: 9780719052798

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This work provides an introduction to the visual arts in Germany from the early years of German unification to World War II. The study is an analysis of painting, sculpture, graphic art, design, film and photography in relation to a wider set of cultural and social issues that were specific to German modernism. It concentrates on the ways in which the production and reception of art interacted with and was affected by responses to unification, conflict between left and right political factions, gender concerns, contemporary philosophical and religious ideas, the growth of cities, and the increasing important of mass culture.


The Authority of Everyday Objects

The Authority of Everyday Objects
Author: Paul Betts
Publisher: Univ of California Press
Total Pages: 366
Release: 2004-06-09
Genre: Architecture
ISBN: 0520420586

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From the Werkbund to the Bauhaus to Braun, from furniture to automobiles to consumer appliances, twentieth-century industrial design is closely associated with Germany. In this pathbreaking study, Paul Betts brings to light the crucial role that design played in building a progressive West German industrial culture atop the charred remains of the past. The Authority of Everyday Objects details how the postwar period gave rise to a new design culture comprising a sprawling network of diverse interest groups—including the state and industry, architects and designers, consumer groups and museums, as well as publicists and women's organizations—who all identified industrial design as a vital means of economic recovery, social reform, and even moral regeneration. These cultural battles took on heightened importance precisely because the stakes were nothing less than the very shape and significance of West German domestic modernity. Betts tells the rich and far-reaching story of how and why commodity aesthetics became a focal point for fashioning a certain West German cultural identity. This book is situated at the very crossroads of German industry and aesthetics, Cold War politics and international modernism, institutional life and visual culture.