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| Author | : Martin I. Gaughan |
| Publisher | : Historical Materialism |
| Total Pages | : 0 |
| Release | : 2022-10-25 |
| Genre | : |
| ISBN | : 9781642597837 |
The definitive exploration of aesthetic philosophy and practice on the German Left.
| Author | : Martin Ignatius Gaughan |
| Publisher | : Historical Materialism Book |
| Total Pages | : 0 |
| Release | : 2021 |
| Genre | : Political Science |
| ISBN | : 9789004297104 |
Franz Mehring : literary practice as a socialist form -- Political spontaneism and cultural practice -- Märten and the development of a theoretical position : from reformism to the November Revolution -- The 'German October' and reconfiguration -- Wittfogel's critique of Thalheimer's introduction.
| Author | : Ernst Bloch |
| Publisher | : Verso |
| Total Pages | : 228 |
| Release | : 1980 |
| Genre | : Philosophy |
| ISBN | : 9780860917229 |
No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.
| Author | : Theodor Adorno |
| Publisher | : Verso Books |
| Total Pages | : 257 |
| Release | : 2020-10-13 |
| Genre | : Philosophy |
| ISBN | : 1788738586 |
An intense and lively debate on literature and art between thinkers who became some of the great figures of twentieth-century philosophy and literature. With an afterword by Fredric Jameson No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.
| Author | : Theodor Adorno |
| Publisher | : Verso Books |
| Total Pages | : 0 |
| Release | : 2007-01-17 |
| Genre | : Philosophy |
| ISBN | : 184467570X |
No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.
| Author | : Lutz Peter Koepnick |
| Publisher | : U of Nebraska Press |
| Total Pages | : 296 |
| Release | : 1999-01-01 |
| Genre | : Philosophy |
| ISBN | : 9780803227446 |
Walter Benjamin and the Aesthetics of Power explores Walter Benjamin?s seminal writings on the relationship between mass culture and fascism. The book offers a nuanced reading of Benjamin?s widely influential critique of aesthetic politics, while it contributes to current debates about the cultural projects of Nazi Germany, the changing role of popular culture in the twentieth century, and the way in which Nazi aesthetics have persisted into the present. Lutz Koepnick first explores the development of the aestheticization thesis in Benjamin?s work from the early 1920s to his death in 1940. Pushing Benjamin?s fragmentary remarks to a logical conclusion, Koepnick sheds light on the ways in which the Nazis employed industrial mass culture to redress the political as a self-referential space of authenticity and self-assertion. Koepnick then examines to what extent Benjamin?s analysis of fascism holds up to recent historical analyses of the National Socialist period and whether Benjamin?s aestheticization thesis can help conceptualize cultural politics today. Although Koepnick insists on crucial differences between the stage-managing of political action in modern and postmodern societies, he argues throughout that it is in Benjamin?s emphatic insistence on experience that we may find the relevance of his reflections today. Walter Benjamin and the Aesthetics of Power is both an important contribution to Benjamin studies and a revealing addition to our understanding of the Third Reich and of contemporary culture?s uneasy relationship to Nazi culture.
| Author | : Andrei S. Markovits |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 393 |
| Release | : 1993 |
| Genre | : History |
| ISBN | : 9780195210514 |
This comprehensive, richly detailed history and political analysis of the German Left since 1945 focuses on the emergence of the Greens as the most influential anti-establishment party in Europe and possibly in the industrial, capitalist world, and shows how this process has fundamentally changed politics in the Federal Republic, transformed the style and output of one of the most important and traditional Lefts in Europe, and provided the most prominent and potent expression of "postmodern" politics in the advanced capitalist states. Uniquely broad in scope, the book gives special consideration to the East German Left and to the revolutionary changes of 1989-90 while revealing political and social implications, present and future, far beyond the immediate German context. An imaginative, insightful study of a topic of great interest to students, this book is an important resource for courses in comparative politics, political economy, and political sociology.
| Author | : Bruce Murray |
| Publisher | : University of Texas Press |
| Total Pages | : 440 |
| Release | : 2010-07-05 |
| Genre | : Performing Arts |
| ISBN | : 0292788037 |
The Weimar Republic of Germany, covering the post-World War I period of civil and governmental strife, witnessed a great struggle among a variety of ideologies, a struggle for which the arts provided one important arena. Leftist individuals and organizations critiqued mainstream art production and attempted to counter what they perceived as its conservative-to-reactionary influence on public opinion. In this groundbreaking study, Bruce Murray focuses on the leftist counter-current in Weimar cinema, offering an alternative critical approach to the traditional one of close readings of the classical films. Beginning with a brief review of pre-Weimar cinema (1896-1918), he analyzes the film activity of the Social Democratic Party, the German Communists, and independent leftists in the Weimar era. Leftist filmmakers, journalists, and commentators, who in many cases contributed significantly to marginal leftist as well as mainstream cinema, have, until now, received little scholarly attention. Drawing on exhaustive archival research and personal interviews, Murray shows how the plurality of aesthetic models represented in the work of individuals who participated in leftist experiments with cinema in the 1920S collapsed as Germany underwent the transition from parliamentary democracy to fascist dictatorship. He suggests that leftists shared responsibility for that collapse and asserts the value of such insights for those who contemplate alternatives to institutional forms of cinematic discourse today.
| Author | : Peter Thompson |
| Publisher | : Berghahn Books |
| Total Pages | : 144 |
| Release | : 2005-01-01 |
| Genre | : History |
| ISBN | : 1785330535 |
Using Nietzsche's categories of monumentalist, antiquarian and critical history, the author examines the historical and theoretical contexts of the collapse of the GDR in 1989 and looks at the positive and negative legacies of the GDR for the PDS (the successor party to the East German Communists). He contends that the Stalinization of the GDR itself was the product not just of the Cold War but of a longer inter-systemic struggle between the competing primacies of politics and economics and that the end of the GDR has to be seen as a consequence of the global collapse of the social imperative under the pressure of the re-emergence of the market-state since the mid-1970s. The PDS is therefore stuck in dilemma in which any attempt to "arrive in the Federal Republic" (Brie) is criticized as a readiness to accept the dominance of the market over society whereas any attempt to prioritize social imperatives over the market is attacked as a form of unreconstructed Stalinism. The book offers some suggestions as to how to escape from this dilemma by returning to the critical rather than monumentalist and antiquarian traditions of the workers’ movement.
| Author | : Seth Taylor |
| Publisher | : Walter de Gruyter |
| Total Pages | : 268 |
| Release | : 2013-02-06 |
| Genre | : Philosophy |
| ISBN | : 3110853418 |
Friedrich Nietzsche has emerged as one of the most important and influential modern philosophers. For several decades, the book series Monographien und Texte zur Nietzsche-Forschung (MTNF) has set the agenda in a rapidly growing and changing field of Nietzsche scholarship. The scope of the series is interdisciplinary and international in orientation reflects the entire spectrum of research on Nietzsche, from philosophy to literary studies and political theory. The series publishes monographs and edited volumes that undergo a strict peer-review process. The book series is led by an international team of editors, whose work represents the full range of current Nietzsche scholarship.
