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The Genres and Genders of Surrealism

The Genres and Genders of Surrealism
Author: Annette S. Levitt
Publisher:
Total Pages: 166
Release: 1999
Genre: Arts, Modern
ISBN: 9780333765142

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A look at the varied dimensions of the surrealist movement, placing surrealism back into its central position in the modernist movement. While most of the artists of the 1924 surrealist group are dead, the movement itself and its impact on all of the arts has continued and still thrives throughout the world today. These ideas, these arts, have powerfully influenced later creators, inspiring the Theater of the Absurd, the later films of Bunuel and Jodorowski, the operas of Philip Glass and Robert Wilson, performance art, the comedy of Ernie Kovacs, MTV, and the cleverest of television advertising. The author of this book shows that to study the arts of surrealism is to see a creative culture of revolution in progress, and to understand it fully is to see modernism at its most vital.


Surrealist Women

Surrealist Women
Author: Penelope Rosemont
Publisher: University of Texas Press
Total Pages: 824
Release: 2010-07-05
Genre: Literary Criticism
ISBN: 0292787693

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Beginning in Paris in the 1920s, women poets, essayists, painters, and artists in other media have actively collaborated in defining and refining surrealism's basic project—achieving a higher, open, and dynamic consciousness, from which no aspect of the real or the imaginary is rejected. Indeed, few artistic or social movements can boast as many women forebears, founders, and participants—perhaps only feminism itself. Yet outside the movement, women's contributions to surrealism have been largely ignored or simply unknown. This anthology, the first of its kind in any language, displays the range and significance of women's contributions to surrealism. Letting surrealist women speak for themselves, Penelope Rosemont has assembled nearly three hundred texts by ninety-six women from twenty-eight countries. She opens the book with a succinct summary of surrealism's basic aims and principles, followed by a discussion of the place of gender in the movement's origins. She then organizes the book into historical periods ranging from the 1920s to the present, with introductions that describe trends in the movement during each period. Rosemont also prefaces each surrealist's work with a brief biographical statement.


Surrealism, Feminism, Psychoanalysis

Surrealism, Feminism, Psychoanalysis
Author: Natalya Lusty
Publisher: Routledge
Total Pages: 313
Release: 2017-03-02
Genre: Literary Criticism
ISBN: 1351896806

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How did women Surrealists such as Leonora Carrington and Claude Cahun take up the question of female identity in terms of their own aesthetic and intellectual practice? What was the response of women analysts such as Joan Riviere to Freud's psychoanalytic construction of femininity? These are among the questions that Natalya Lusty brings to her sophisticated and theoretically informed investigation into the appropriation of 'the feminine' by the Surrealist movement. Combining biographical and textual methods of analysis with historically specific discussions of related cultural sites such as women's magazines, fashion, debutante culture, sexology, modernist lesbian subculture, pornography, and female criminality, the book examines the ambiguities and blind spots that haunt the work of more central figures such as André Breton, Georges Bataille, Jacques Lacan, Walter Benjamin, and the Surrealist photographer Hans Bellmer. Lusty's examination of a series of psychoanalytic Surrealist themes, including narcissism, fantasy, masquerade, perversion, and 'the double', illuminates a modernist preoccupation with the crisis of subjectivity and representation and its ongoing relevance to more recent work by Cindy Sherman and Judith Butler. Her book is an important contribution to modernist studies that will appeal to scholars and students working across a diverse range of fields, including literary studies, gender studies, visual culture, cultural studies, and cultural history.


Surrealism and Women

Surrealism and Women
Author:
Publisher:
Total Pages: 240
Release: 1995
Genre:
ISBN:

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J.G. Ballard's Surrealist Imagination

J.G. Ballard's Surrealist Imagination
Author: Jeannette Baxter
Publisher: Routledge
Total Pages: 253
Release: 2016-12-05
Genre: Literary Criticism
ISBN: 1351925814

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Making the case that J. G. Ballard's fictional and non-fictional writings must be read within the framework of Surrealism, Jeannette Baxter argues for a radical revisioning of Ballard that takes account of the political and ethical dimensions of his work. Ballard's appropriation of diverse Surrealist aesthetic forms and political writings, Baxter suggests, are mobilised to contest official narratives of postwar history and culture and offer a series of counter-historical and counter-cultural critiques. Thus Ballard's work must be understood as an exercise in Surrealist historiography that is politically and ethically engaged. Placing Ballard's illustrated texts within this critical framework permits Baxter to explore the effects of photographs, drawings, and other visual symbols on the reading experience and the production of meaning. Ballard's textual spectacles raise a variety of questions about the shifting role of the reader and the function of the written text within a predominantly visual culture, while acknowledging the visual contexts of Ballard's Surrealist writings allows a very different historical picture of the author and his work to emerge.


Beholding Violence in Medieval and Early Modern Europe

Beholding Violence in Medieval and Early Modern Europe
Author: Allie Terry-Fritsch
Publisher: Routledge
Total Pages: 298
Release: 2017-07-05
Genre: Art
ISBN: 1351574248

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Interested in the ways in which medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, the essays in this interdisciplinary collection explore the concept of beholding and the experiences of individual and collective beholders of violence during the period. Addressing a range of medieval and early modern art forms, including visual images, material objects, literary texts, and performances, the contributors examine the complexities of viewing and the production of knowledge within cultural, political, and theological contexts. In considering new methods to examine the process of beholding violence and the beholder's perspective, this volume addresses such questions as: How does the process of beholding function in different aesthetic conditions? Can we speak of such a thing as the 'period eye' or an acculturated gaze of the viewer? If so, does this particularize the gaze, or does it risk universalizing perception? How do violence and pleasure intersect within the visual and literary arts? How can an understanding of violence in cultural representation serve as means of knowing the past and as means of understanding and potentially altering the present?


With Friends

With Friends
Author: Robert Cozzolino
Publisher: Chazen Museum of Art
Total Pages: 190
Release: 2005
Genre: Art
ISBN: 9780932900005

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This exhibition catalogue focuses on the art and friendships of the American artists Gertrude Abercrombie (1909-1977), Sylvia Fein (b. 1919), Marshall Glasier (1902-1988), Dudley Huppler (1917-1988), Karl Priebe (1914-1976), and John Wilde (b. 1919). The first intensive study of this close-knit group explores the artistic and personal relationships they shared. Cozzolino provides insight into a figurative branch of postwar American modernism that has been often neglected in favor of abstract expressionism. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison


Angela Carter and Surrealism

Angela Carter and Surrealism
Author: Anna Watz
Publisher: Routledge
Total Pages: 216
Release: 2016-07-15
Genre: Literary Criticism
ISBN: 113496854X

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In 1972, Angela Carter translated Xavière Gauthier’s ground-breaking feminist critique of the surrealist movement, Surréalisme et sexualité (1971). Although the translation was never published, the project at once confirmed and consolidated Carter’s previous interest in surrealism, representation, gender and desire and aided her formulation of a new surrealist-feminist aesthetic. Carter’s sustained engagement with surrealist aesthetics and politics as well as surrealist scholarship aptly demonstrates what is at stake for feminism at the intersection of avant-garde aesthetics and the representation of women and female desire. Drawing on previously unexplored archival material, such as typescripts, journals, and letters, Anna Watz’s study is the first to trace the full extent to which Carter’s writing was influenced by the surrealist movement and its critical heritage. Watz’s book is an important contribution to scholarship on Angela Carter as well as to contemporary feminist debates on surrealism, and will appeal to scholars across the fields of contemporary British fiction, feminism, and literary and visual surrealism.


Surrealism

Surrealism
Author: Natalya Lusty
Publisher: Cambridge University Press
Total Pages: 768
Release: 2021-08-12
Genre: Literary Criticism
ISBN: 1108851614

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This book examines the salient ideas and practices that have shaped Surrealism as a protean intellectual and cultural concept that fundamentally shifted our understanding of the nexus between art, culture, and politics. By bringing a diverse set of artistic forms and practices such as literature, manifestos, collage, photography, film, fashion, display, and collecting into conversation with newly emerging intellectual traditions (ethnography, modern science, anthropology, and psychoanalysis), the essays in this volume reveal Surrealism's enduring influence on contemporary thought and culture alongside its anti-colonial political position and international reach. Surrealism's fascination with novel forms of cultural production and experimental methods contributed to its conceptual malleability and temporal durability, making it one of the most significant avant-garde movements of the twentieth century. The book traces how Surrealism's urgent political and aesthetic provocations have bequeathed an important legacy for recent scholarly interest in thing theory, critical vitalism, new materialism, ontology, and animal/human studies.