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The Generation of Plays

The Generation of Plays
Author: Karin Barber
Publisher: Indiana University Press
Total Pages: 516
Release: 2003-03-21
Genre: Drama
ISBN: 9780253216175

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Since the 1980s, Yoruba popular theatre has virtually disappeared due to radio, TV and other mass media in Nigeria. This is the personal account of a theatre worker on tour with the Oyin Adejobi Company. Drawing on archives, interviews and transcribed plays, she describes a successful Yoruba drama.


A Gap in Generations

A Gap in Generations
Author: Jerry Blunt
Publisher: Dramatic Publishing
Total Pages: 116
Release: 1970
Genre: Amateur plays
ISBN: 9780871298416

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This broad, exuberant, comedy-farce, created by a professor and his students, is not only delighting other colleges and high schools but, when invited to open the American College Theatre Festival in Washington, D.C., it brought raves from the professional critics as well.--Publisher's description.


Voices of a Generation

Voices of a Generation
Author: Michelle MacArthur
Publisher:
Total Pages: 288
Release: 2021-10-26
Genre: Drama
ISBN: 9780369102966

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This collection of three Canadian plays--zahgidiwin/love by Frances Koncan, The Millennial Malcontent by Erin Shields, and Smoke by Elena Eli Belyea--speaks to millennials' complex and varied experiences and the challenges and stereotypes they often face.


Seventh Generation

Seventh Generation
Author: Mimi D'Aponte
Publisher:
Total Pages: 424
Release: 1999
Genre: Drama
ISBN:

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This first major collection of contemporary Native American writing for the theatre ranges from the groundbreaking work of Body Indian to the experimental performance style of Spiderwoman Theater. Contains: Indian Radio Days by LeAnne Howe and Roxy Gordon (Choctaw) The Story of Susannah by Victoria Nalani Kneubuhl (Hawaiian) Body Indian by Hanay Geiogamah (Kiowa) The Woman Who was a Red Deer Dressed for the Deer Dance by Diane Glancy (Cherokee) Power Pipes by Spiderwoman Theater (Kuna/Rappahannock) Only Drunks and Children Tell the Truth by Drew Hayden Tayler (Ojibway) The Independence of Eddie Rose by Willam S. Yellow Robe, Jr. (Assiniboine/Nakota) The volume includes an introduction by the editor, Mimi Gisolfi D'Aponte, Professor of Theatre at CUNY, and an epilogue by Elizabeth Theobald, director of the Manshantucket Pequot Museum in Connecticut.


Studies in the Contemporary Theatre

Studies in the Contemporary Theatre
Author: John Palmer
Publisher: London : M. Secker
Total Pages: 204
Release: 1927
Genre: Drama
ISBN:

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Design, Make, Play

Design, Make, Play
Author: Margaret Honey
Publisher: Routledge
Total Pages: 258
Release: 2013-03-12
Genre: Education
ISBN: 1136265686

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Design, Make, Play: Growing the Next Generation of STEM Innovators is a resource for practitioners, policymakers, researchers and program developers that illuminates creative, cutting edge ways to inspire and motivate young people about science and technology learning. The book is aligned with the National Research Council’s new Framework for Science Education, which includes an explicit focus on engineering and design content, as well as integration across disciplines. Extensive case studies explore real world examples of innovative programs that take place in a variety of settings, including schools, museums, community centers, and virtual spaces. Design, Make, and Play are presented as learning methodologies that have the power to rekindle children’s intrinsic motivation and innate curiosity about STEM (science, technology, engineering, and mathematics) fields. A digital companion app showcases rich multimedia that brings the stories and successes of each program—and the students who learn there—to life.


Three More Plays by Aristophanes

Three More Plays by Aristophanes
Author: Jeffrey Henderson
Publisher: Routledge
Total Pages: 301
Release: 2022-04-25
Genre: History
ISBN: 1000577538

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This volume provides modern, uncensored translations of Aristophanes’ Acharnians, Knights, and Wasps. These plays, originally a series, are the world’s earliest political satires, and are made available here for the first time in one volume, augmented by full introductions and notes. In these three works, Aristophanes launched satirical attacks on Cleon, the world’s first demagogue, and explored the vulnerability of democracy to populist manipulation and disinformation. Henderson's fresh translations and exploration of the themes within them enable readers to explore the perils facing democracy in its first century which are still with us today. The Introduction offers the reader background on Aristophanes' life, Athenian democracy, classical drama, as well as on political comedy, while introductions to each individual play provide the reader with context. An appendix also collects selected fragments from Aristophanes' lost political plays. Three More Plays by Aristophanes offers an invaluable collection of these works for students and faculty working on classical studies, theatre and theatre history, and drama. The clear translations and contextualizing introductions and notes also make these plays accessible to students of government, law, and political science, and to the general reader interested in any of these subjects.


Beat Drama

Beat Drama
Author: Deborah Geis
Publisher: Bloomsbury Publishing
Total Pages: 377
Release: 2016-07-28
Genre: Literary Criticism
ISBN: 1472567897

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Readers and acolytes of the vital early 1950s-mid 1960s writers known as the Beat Generation tend to be familiar with the prose and poetry by the seminal authors of this period: Jack Kerouac, Gregory Corso, Lawrence Ferlinghetti, Diane Di Prima, and many others. Yet all of these authors, as well as other less well-known Beat figures, also wrote plays-and these, together with their countercultural approaches to what could or should happen in the theatre-shaped the dramatic experiments of the playwrights who came after them, from Sam Shepard to Maria Irene Fornes, to the many vanguard performance artists of the seventies. This volume, the first of its kind, gathers essays about the exciting work in drama and performance by and about the Beat Generation, ranging from the well-known Beat figures such as Kerouac, Ginsberg and Burroughs, to the “Afro-Beats” - LeRoi Jones (Amiri Baraka), Bob Kaufman, and others. It offers original studies of the women Beats - Di Prima, Bunny Lang - as well as groups like the Living Theater who in this era first challenged the literal and physical boundaries of the performance space itself.


Our Generation

Our Generation
Author: Alecky Blythe
Publisher:
Total Pages: 184
Release: 2022-03-03
Genre:
ISBN: 9781839040658

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'To be honest with you, before I went secondary school I thought that the kids they would be like really mature and like by the time I reached Year Ten I'd be fully mature and everything. And I'd lose my like funsense and stuff... But, I don't know if it's just my class in particular but we really haven't matured at all... I don't want to be the serious adult and have serious children and have serious future in a serious house and serious everything.' Alecky Blythe's engrossing verbatim play tells the stories of a generation. Created from five years of interviews with twelve young people from across the UK, Our Generation is a captivating portrait of their teenage years as they journey into adulthood. Often too extraordinary to be fiction, this funny and moving play is for anyone who is - or has ever been - a teenager. It was co-produced by the National Theatre, London, and Chichester Festival Theatre in 2022, directed by Daniel Evans.


Presence in Play

Presence in Play
Author: Cormac Power
Publisher: BRILL
Total Pages: 238
Release: 2008-01-01
Genre: History
ISBN: 940120571X

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Presence in Play: A Critique of Theories of Presence in the Theatre is the first comprehensive survey and analysis of theatrical presence to be published. Theatre as an art form has often been associated with notions of presence. The ‘live’ immediacy of the actor, the unmediated unfolding of dramatic action and the ‘energy’ generated through an actor-audience relationship are among the ideas frequently used to explain theatrical experience – and all are underpinned by some understanding of ‘presence.’ Precisely what is meant by presence in the theatre is part of what Presence in Play sets out to explain. While this work is rooted in twentieth century theatre and performance since modernism, the author draws on a range of historical and theoretical material. Encompassing ideas from semiotics and phenomenology, Presence in Play puts forward a framework for thinking about presence in theatre, enriched by poststructuralist theory, forcefully arguing in favour of ‘presence’ as a key concept for theatre studies today.