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The Gendered Object

The Gendered Object
Author: Pat Kirkham
Publisher: Manchester University Press
Total Pages: 244
Release: 1996
Genre: Antiques & Collectibles
ISBN: 9780719044755

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EU security governance assesses the effectiveness of the EU as a security actor. The book has two distinct features. Firstly, it is the first systematic study of the different economic, political and military instruments employed by the EU in the performance of four different security functions. The book demonstrates that the EU has emerged as an important security actor, not only in the non-traditional areas of security, but increasingly as an entity with force projection capabilities. Secondly, the book represents an important step towards redressing conceptual gaps in the study of security governance, particularly as it pertains to the European Union. The book links the challenges of governing Europe's security to the changing nature of the state, the evolutionary expansion of the security agenda, and the growing obsolescence of the traditional forms and concepts of security cooperation.


The Gendered Object. Hitchcock’s Objectification of the Feminine

The Gendered Object. Hitchcock’s Objectification of the Feminine
Author: Lena Dassonville
Publisher: GRIN Verlag
Total Pages: 13
Release: 2016-12-07
Genre: Art
ISBN: 3668358923

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Essay from the year 2016 in the subject Art - Photography and Film, grade: A, , course: Art of Film, language: English, abstract: Alfred Hitchcock’s 1958 film Vertigo is the story of an acrophobic detective and his descent into deceit, obsession, and madness. Vertigo has frequently been criticized by feminist commentators as a reflection of the often misogynistic male gaze and desire. In the same vein of criticism, this essay attempts to examine how Hitchcock weakens male characters by feminizing them and strengthens female characters by masculinizing them, effectively creating a dichotomy between the masculine and feminine which propagates pre-existing structures of male dominance and female submission. Hitchcock also uses formal and stylistic elements of film to convey this dichotomy, further enforcing the idea of the powerful, positive masculine and the submissive, negative feminine. Additionally, Vertigo can be analyzed through a Lacanian psychoanalytic lens in which Scottie’s relationship with Madeline can be deconstructed into the interplay between Lacan’s three psychosexual stages: the Real, the Imaginary, and the Symbolic. Finally, I will examine how Hitchcock not only plays into traditional gender roles, but how he totally and completely objectifies the feminine.


The Material Culture of Gender, the Gender of Material Culture

The Material Culture of Gender, the Gender of Material Culture
Author: Katharine Martinez
Publisher: Winterthur Museum
Total Pages: 476
Release: 1997
Genre: Design
ISBN: 9780912724409

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Moving beyond traditional notions of gender as a static concept wherein human beings are passively molded into gender-appropriate behavior, 23 scholars instead view it as a negotiated, contested, and interactive process. In showing some of the ways gender is made visible, they explore avenues such as the gender of things that surround us; subtle and invisible processes of inclusion and exclusion from valuation; fusing form and content, practice and product; and how the material culture of gender produces gendered beings.


The Gender of Things

The Gender of Things
Author: Maria Rentetzi
Publisher: Taylor & Francis
Total Pages: 244
Release: 2023-09-29
Genre: Social Science
ISBN: 1000952460

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The Gender of Things is a highly interdisciplinary book that explores the power relationship between gender and the material culture of technoscience, addressing a seemingly straightforward question: How does a thing—such as a spacesuit, a humanoid robot, or a surgical instrument—become a gendered object? These 14 short chapters cover an original selection of “things”: from cosmeceuticals to early motor scooters, from Scrum boards to border walls, and from robots to the human body and its parts. By historically examining how significance has been attached to specific things and how things were designed and produced, the chapters reveal how the concept of gender has been embedded and finds expression in the material world of science and technology. With insights from science and technology studies (STS), anthropology, the history of ergonomics, museum studies, the history of science, technology, and medicine but also the philosophy and sociology of technology and feminist new materialism, this collection reminds us that our material creations not only bear knowledge about our world. The Gender of Things will be of key interest to undergraduate and graduate students and research scholars of STS as well as gender studies.


Sex Object

Sex Object
Author: Jessica Valenti
Publisher: HarperCollins
Total Pages: 133
Release: 2016-06-07
Genre: Biography & Autobiography
ISBN: 0062435108

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New York Times Bestseller - An NPR Best Book of the Year “Sharp and prescient… The appeal of Valenti’s memoir lies in her ability to trace objectification through her own life, and to trace what was for a long time her own obliviousness to it…Sex Object is an antidote to the fun and flirty feminism of selfies and self-help.” — New Republic Author and Guardian US columnist Jessica Valenti has been leading the national conversation on gender and politics for over a decade. Now, in a darkly funny and bracing memoir, Valenti explores the toll that sexism takes from the every day to the existential. Sex Object explores the painful, funny, embarrassing, and sometimes illegal moments that shaped Valenti’s adolescence and young adulthood in New York City, revealing a much shakier inner life than the confident persona she has cultivated as one of the most recognizable feminists of her generation. In the tradition of writers like Joan Didion and Mary Karr, this literary memoir is sure to shock those already familiar with Valenti’s work and enthrall those who are just finding it.


Object-Oriented Feminism

Object-Oriented Feminism
Author: Katherine Behar
Publisher: U of Minnesota Press
Total Pages: 249
Release: 2016-11-01
Genre: Philosophy
ISBN: 1452952094

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The essays in Object-Oriented Feminism explore OOF: a feminist intervention into recent philosophical discourses—like speculative realism, object-oriented ontology (OOO), and new materialism—that take objects, things, stuff, and matter as primary. Object-oriented feminism approaches all objects from the inside-out position of being an object too, with all of its accompanying political and ethical potentials. This volume places OOF thought in a long history of ongoing feminist work in multiple disciplines. In particular, object-oriented feminism foregrounds three significant aspects of feminist thinking in the philosophy of things: politics, engaging with histories of treating certain humans (women, people of color, and the poor) as objects; erotics, employing humor to foment unseemly entanglements between things; and ethics, refusing to make grand philosophical truth claims, instead staking a modest ethical position that arrives at being “in the right” by being “wrong.” Seeking not to define object-oriented feminism but rather to enact it, the volume is interdisciplinary in approach, with contributors from a variety of fields, including sociology, anthropology, English, art, and philosophy. Topics are frequently provocative, engaging a wide range of theorists from Heidegger and Levinas to Irigaray and Haraway, and an intriguing diverse array of objects, including the female body as fetish object in Lolita subculture; birds made queer by endocrine disruptors; and truth claims arising in material relations in indigenous fiction and film. Intentionally, each essay can be seen as an “object” in relation to others in this collection. Contributors: Irina Aristarkhova, University of Michigan; Karen Gregory, University of Edinburgh; Marina Gržinić, Slovenian Academy of Science and Arts; Frenchy Lunning, Minneapolis College of Art and Design; Timothy Morton, Rice University; Anne Pollock, Georgia Tech; Elizabeth A. Povinelli, Columbia University; R. Joshua Scannell, CUNY Graduate Center; Adam Zaretsky, VASTAL.


The Lives of Objects

The Lives of Objects
Author: Maia Kotrosits
Publisher: Class 200: New Studies in Religion
Total Pages: 252
Release: 2020
Genre: Church history
ISBN: 022670758X

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"Judaism and Christianity as condensed illustrations of how people across time struggle with the materiality of life and death. Speaking across many fields, including classics, history, anthropology, literary, gender, and queer studies, the book journeys through the ancient Mediterranean world by way of the myriad physical artifacts that punctuate the transnational history of early Christianity. By bringing a psychoanalytically inflected approach to bear upon her materialist studies of religious history, Kotrosits makes a contribution not only to our understanding of Judaism and early Christianity, but also our sense of how different disciplines construe historical knowledge, and how we as people and thinkers understand our own relation to our material and affective past"--


A Taste for Pop

A Taste for Pop
Author: Cécile Whiting
Publisher:
Total Pages: 304
Release: 1997
Genre: Social Science
ISBN: 9780521450041

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When Pop Art paintings depicted Campbell soup cans or comic-book scenes of teen romance, did they stoop to the level of their mundane sources, or did they instead transform the detritus of consumer culture into high art? In this study, Ccile Whiting declares this issue fundamentally irresolvable and instead takes the question itself, along with the varied answers it has generated, as the object of her analysis. Whiting presents case studies that focus on works by four artists - Tom Wesselmann, Roy Lichtenstein, Andy Warhol, and Marisol Escobar - who are closely associated with the Pop Art movement. Throughout her engaging analyses, Whiting unravels the gendered overtones of their cultural manoeuvrings, noting how the connotations of masculinity as attached to the seriousness of high art, and the presumed frivolity and caprice of a feminine world of consumption repositioned cultural frontiers and reformulated the relation between sexes.


Object Lessons

Object Lessons
Author: Robyn Wiegman
Publisher: Duke University Press
Total Pages: 411
Release: 2012-01-11
Genre: Literary Criticism
ISBN: 0822351609

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A passionate advocate of identity studies and a keen reader of U.S. institutional politics, Robyn Wiegman turns her attention in Object Lessons to the critical practices and political ambitions of identity-based fields. In a series of case studies drawn from womens studies, queer studies, ethnic studies, and American studies, she examines the unspoken belief that better theory will produce progressive social change in order to consider the political desire that fuels current scholarly debate. Her metacritical analysis is neither a defense nor a dismissal of such political commitment but a sustained inquiry into the hope it generates, the thinking it inspires, and the conformity it inadvertently demands.


The Witness as Object

The Witness as Object
Author: Steffi de Jong
Publisher: Berghahn Books
Total Pages: 282
Release: 2018-01-31
Genre: Art
ISBN: 1785336436

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Today more than ever before, the historical witness is now a “museum objectâ€_x009d_ in the form of video interviews with individuals remembering events of historical importance. Such video testimonies now not only are part of the collections and research activities of museums, but become deeply intertwined with narrative and exhibit design. With a focus on Holocaust museums, this study scrutinizes for the first time this new global process of “musealisationâ€_x009d_ of testimony, exploring the processes, prerequisites, and consequences of the transformation of video testimonies into exhibits.