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| Author | : Lewis Mumford |
| Publisher | : Freedom Press (CA) |
| Total Pages | : 184 |
| Release | : 1986 |
| Genre | : Philosophy |
| ISBN | : 9780900384325 |
A brilliant survey of our response to changing technology, which sets out the prerequisites for a rational use of our discoveries and inventions as a means of human liberation rather than enslavement.
| Author | : Lewis Mumford |
| Publisher | : University of Chicago Press |
| Total Pages | : 524 |
| Release | : 2010-10-30 |
| Genre | : History |
| ISBN | : 0226550273 |
Technics and Civilization first presented its compelling history of the machine and critical study of its effects on civilization in 1934—before television, the personal computer, and the Internet even appeared on our periphery. Drawing upon art, science, philosophy, and the history of culture, Lewis Mumford explained the origin of the machine age and traced its social results, asserting that the development of modern technology had its roots in the Middle Ages rather than the Industrial Revolution. Mumford sagely argued that it was the moral, economic, and political choices we made, not the machines that we used, that determined our then industrially driven economy. Equal parts powerful history and polemic criticism, Technics and Civilization was the first comprehensive attempt in English to portray the development of the machine age over the last thousand years—and to predict the pull the technological still holds over us today. “The questions posed in the first paragraph of Technics and Civilization still deserve our attention, nearly three quarters of a century after they were written.”—Journal of Technology and Culture
| Author | : Lewis Mumford |
| Publisher | : Peter Smith Pub Incorporated |
| Total Pages | : |
| Release | : 1984 |
| Genre | : Technology & Engineering |
| ISBN | : 9780844661155 |
This is a history of the machine and a critical study of its effects on civilization. Mumford has drawn on every aspect of life to explain the machine and to trace its social results. "An extraordinarily wide-ranging, sensitive, and provocative book about a subject upon which philosophers have so far shed but little light" (Journal of Philosophy). Index; illustrations.
| Author | : Giancarlo Genta |
| Publisher | : Springer Nature |
| Total Pages | : 289 |
| Release | : 2019-09-05 |
| Genre | : History |
| ISBN | : 3030255832 |
Our natural world has been irretrievably altered by humans, for humans. From domesticated wheat fields to nuclear power plants and spacecraft, everything we see and interact with has in some way been changed by the presence of our species, starting from the Neolithic era so many centuries ago. This book provides a crash course on the issues and debates surrounding technology’s shifting place in our society. It covers the history of our increasingly black-box world, which some theorize will end with technology accelerating beyond our understanding. At the same time, it analyzes competing trends and theories, the lack of scientific knowledge of large sections of the population, the dogmas of pseudoscience, and the growing suspicion of science and technology, which may inevitably lead to scientific stagnation. What will the future of our civilization look like? How soon might scientific acceleration or stagnation arrive at our doorstep, and just how radically will such technological shifts change our culture? These are issues that we must address now, to insure our future goes the way we choose.
| Author | : Lewis Mumford |
| Publisher | : Mariner Books |
| Total Pages | : 495 |
| Release | : 1963 |
| Genre | : Technology & Engineering |
| ISBN | : 9780156882545 |
Traces the evolution of the machine and describes its effects on man and his environment
| Author | : Jean Gimpel |
| Publisher | : |
| Total Pages | : 192 |
| Release | : 1994 |
| Genre | : Civilization, Western |
| ISBN | : 9780744901177 |
This book represents the first calm, detailed, and rational description of the imminent end of western industrial civilization as we know it. Despite this alarming premise Gimpel is far from pessimistic, save in the short term: with the sure hand of the historian, he emphasizes how humanity has always recovered from its previous collapses in the past, and will certainly do so again. The unique value of this book is that it gives us a baseline from which we can now work into the future. This book represents the first calm, detailed, and rational description of the coming end of our current world culture. The author seeks to show that, particularly when we compare actual technological reality in the 1990s with the heady predictions of futurologists back in the 1960s, technology has levelled off, reached a plateau--even in the leading-edge areas like infomatics, space, and medicine. Even that plateau will prove to be temporary, claims Gimpel, and the end of western industrial society as we know it will inevitably ensue. However exceptional, our civilization has no reason to expect that it will evolve any differently from every civilization before it: decadence and decay have engulfed them all, one after the other. The unique value of this book is that it gives us a baseline from which we can now work into the future. The conclusion, which is not pessimistic--save in the short term--points out that humanity has always recovered from such collapses, and gone on again to reach new heights. By way of making his case, Gimpel leaves us with a final simple thought: The future, he asserts, is China.
| Author | : Jenny Andersson |
| Publisher | : Oxford University Press |
| Total Pages | : 288 |
| Release | : 2018-07-26 |
| Genre | : History |
| ISBN | : 0192545515 |
The Future of the World is devoted to the intriguing field of study which emerged after World War Two, futurism or futurology. Jenny Andersson explains how futurist scholars and researchers imagined the Cold War and post Cold War world and the tools and methods they would use to influence and change that world. Futurists were a motley crew of Cold War warriors, nuclear scientists, journalists, and peace activists. Some argued it should be a closed sphere of science defined by delimited probabilities. They were challenged by alternative notions of the future as a potentially open realm. Futurism also drew on an eclectic range of repertoires, some of which were deduced from positivist social science, mathematics, and nuclear physics, and some of which sprung from alternative forms of knowledge in science fiction, journalism, or religion. These different forms of prediction laid very different claims to how accurately futures could be known, and what kind of control could be exerted over what was yet to come. The Future of the World carefully examines these different engagements with the future, and inscribes them in the intellectual history of the post war period. Using unexplored archival collections, The Future of the World reconstructs the Cold War networks of futurologists and futurists.
| Author | : Neil Postman |
| Publisher | : Vintage |
| Total Pages | : 240 |
| Release | : 2011-06-01 |
| Genre | : Technology & Engineering |
| ISBN | : 030779735X |
In this witty, often terrifying work of cultural criticism, the author of Amusing Ourselves to Death chronicles our transformation into a Technopoly: a society that no longer merely uses technology as a support system but instead is shaped by it—with radical consequences for the meanings of politics, art, education, intelligence, and truth.
| Author | : Lewis Mumford |
| Publisher | : Columbia University Press |
| Total Pages | : 200 |
| Release | : 2000 |
| Genre | : Art |
| ISBN | : 9780231121057 |
Lewis Mumford was the author of more than thirty influential books, many of which expounded his views on the perils of urban sprawl and a society obsessed with technics. This text provides the essence of Mumford's views on the distinct yet interpenetrating roles of technology and the arts in modern culture.
| Author | : Lewis Mumford |
| Publisher | : |
| Total Pages | : 184 |
| Release | : 1952 |
| Genre | : Art |
| ISBN | : |
Featuring a new introduction by Casey Nelson Blake, this classic text provides the essence of Mumford's views on the distinct yet interpenetrating roles of technology and the arts in modern culture. Mumford contends that modern man's overemphasis on technics has contributed to the depersonalization and emptiness of much of twentieth-century life. He issues a call for a renewed respect for artistic impulses and achievements. His repeated insistence that technological development take the Human as its measure -- as well as his impassioned plea for humanity to make the most of its "splendid potentialities and promise" and reverse its progress toward anomie and destruction -- is ever more relevant as the new century dawns.
