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The Function of Criticism at the Present Time

The Function of Criticism at the Present Time
Author: Matthew Arnold
Publisher: ReadHowYouWant.com
Total Pages: 56
Release: 2006
Genre: Literary Criticism
ISBN: 1458705722

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Arnold believes that the ultimate function of humankind lies in exercising its creative powers. He delineates the function of criticism in this work saying that it filters the contents that will reach society. That a critic can judge the greatness of a literary piece has been asserted.


Essays in Criticism

Essays in Criticism
Author: Matthew Arnold
Publisher:
Total Pages: 406
Release: 1893
Genre: Criticism
ISBN:

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God & the Bible

God & the Bible
Author: Matthew Arnold
Publisher:
Total Pages: 396
Release: 1898
Genre: Bible
ISBN:

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Function of Criticism at the Present Tim

Function of Criticism at the Present Tim
Author: Matthew Arnold
Publisher: ReadHowYouWant.com
Total Pages: 70
Release: 2006
Genre: Philosophy
ISBN: 1425022901

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The Well Wrought Urn

The Well Wrought Urn
Author: Cleanth Brooks
Publisher: Houghton Mifflin Harcourt
Total Pages: 328
Release: 1947
Genre: Literary Criticism
ISBN: 9780156957052

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Critical analyses of ten English poems reveal changing styles from Donne to Yeats.


The World, the Text, and the Critic

The World, the Text, and the Critic
Author: Edward W. Said
Publisher: Harvard University Press
Total Pages: 340
Release: 1983
Genre: Literary Criticism
ISBN: 9780674961876

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Said demonstrates that critical discourse has been strengthened by the writings of Derrida and Foucault and by influences like Marxism, structuralism, linguistics, and psychoanalysis. But, he argues, these forces have compelled literature to meet the requirements of a theory or system, ignoring complex affiliations binding the texts to the world.


The Female Complaint

The Female Complaint
Author: Lauren Berlant
Publisher: Duke University Press
Total Pages: 370
Release: 2008-03-17
Genre: Literary Criticism
ISBN: 0822389169

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The Female Complaint is part of Lauren Berlant’s groundbreaking “national sentimentality” project charting the emergence of the U.S. political sphere as an affective space of attachment and identification. In this book, Berlant chronicles the origins and conventions of the first mass-cultural “intimate public” in the United States, a “women’s culture” distinguished by a view that women inevitably have something in common and are in need of a conversation that feels intimate and revelatory. As Berlant explains, “women’s” books, films, and television shows enact a fantasy that a woman’s life is not just her own, but an experience understood by other women, no matter how dissimilar they are. The commodified genres of intimacy, such as “chick lit,” circulate among strangers, enabling insider self-help talk to flourish in an intimate public. Sentimentality and complaint are central to this commercial convention of critique; their relation to the political realm is ambivalent, as politics seems both to threaten sentimental values and to provide certain opportunities for their extension. Pairing literary criticism and historical analysis, Berlant explores the territory of this intimate public sphere through close readings of U.S. women’s literary works and their stage and film adaptations. Her interpretation of Uncle Tom’s Cabin and its literary descendants reaches from Harriet Beecher Stowe to Toni Morrison’s Beloved, touching on Shirley Temple, James Baldwin, and The Bridges of Madison County along the way. Berlant illuminates different permutations of the women’s intimate public through her readings of Edna Ferber’s Show Boat; Fannie Hurst’s Imitation of Life; Olive Higgins Prouty’s feminist melodrama Now, Voyager; Dorothy Parker’s poetry, prose, and Academy Award–winning screenplay for A Star Is Born; the Fay Weldon novel and Roseanne Barr film The Life and Loves of a She-Devil; and the queer, avant-garde film Showboat 1988–The Remake. The Female Complaint is a major contribution from a leading Americanist.