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| Author | : William Pratt |
| Publisher | : J.S. Sanders Books |
| Total Pages | : 208 |
| Release | : 1991-12-03 |
| Genre | : Poetry |
| ISBN | : 1461632781 |
The indispensable anthology of poetry from the Fugitive group, this collection chronicles the impact of literary modernism on these Southern poets as their region took a “backward glance” before coming to terms with the modern world. Southern Classics Series.
| Author | : Louis D. Rubin, Jr. |
| Publisher | : LSU Press |
| Total Pages | : 408 |
| Release | : 1978-06-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780807104545 |
John Crowe Ransom, Allen Tate, Donald Davidson, and Robert Penn Warren—each began his career as one of the coterie of southern poets centered at Vanderbilt University who attracted national attention with their publication of The Fugitive magazine in the early 1920s and the celebrated essays in I’ll Take My Stand. Collectively known as the Fugitives (or Agrarians as they were later called) they became ardent and influential participants in the regionalist-proletarian literary controversies of the Depression decades. Each of the four poets was personally concerned with the connection between their creative work and the social realities around them. In The Wary Fugitives Louis Rubin masterfully explores and illustrates the relationships between their poetry, novels, and literary criticism, and their work as social critics. He conducts, in the process, a revealing and provocative inquiry into the connection between American history and the twentieth-century South.
| Author | : William Pratt |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1650 |
| Genre | : American poetry |
| ISBN | : |
| Author | : Charlotte H. Beck |
| Publisher | : LSU Press |
| Total Pages | : 320 |
| Release | : 2001-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780807125908 |
Previously, the protégés of John Crowe Ransom, Allen Tate, Donald Davidson, and Robert Penn Warren have received considerable scholarly attention only as individuals or in relation to small groups of close-knit writers within single literary genres. Now, for the first time, this far-ranging group of accomplished writers is united as part of a larger phenomenon, the Fugitive legacy, which has extended its influence far beyond the parameters of southern literature. In The Fugitive Legacy, Charlotte H. Beck demonstrates the strong influence of the Nashville Fugitives as teachers, editors, and mentors by examining the extraordinary impact on American letters of the critics, poets, and fiction writers whom they taught or sponsored. By treating the careers of these brilliant authors as a single chapter in literary history, Beck makes an invaluable contribution to the understanding of southern literature. The cultural importance of the Fugitives has too often been confused with the narrow politics of Agrarianism and relegated to a reactionary piety for regionalism and dead tradition. The Fugitive Legacy fills a void in southern literary theory by revealing the resounding echo of this group's voice in modern American literature.
| Author | : William Pratt |
| Publisher | : Andesite Press |
| Total Pages | : 164 |
| Release | : 2015-08-12 |
| Genre | : |
| ISBN | : 9781296828868 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : William Pratt |
| Publisher | : Nabu Press |
| Total Pages | : 164 |
| Release | : 2014-01-05 |
| Genre | : |
| ISBN | : 9781293452585 |
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
| Author | : Paul V. Murphy |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 368 |
| Release | : 2003-01-14 |
| Genre | : Philosophy |
| ISBN | : 0807875546 |
In 1930, a group of southern intellectuals led by John Crowe Ransom, Allen Tate, Donald Davidson, and Robert Penn Warren published I'll Take My Stand: The South and the Agrarian Tradition. A stark attack on industrial capitalism and a defiant celebration of southern culture, the book has raised the hackles of critics and provoked passionate defenses from southern loyalists ever since. As Paul Murphy shows, its effects on the evolution of American conservatism have been enduring as well. Tracing the Agrarian tradition from its origins in the 1920s through the present day, Murphy shows how what began as a radical conservative movement eventually became, alternately, a critique of twentieth-century American liberalism, a defense of the Western tradition and Christian humanism, and a form of southern traditionalism--which could include a defense of racial segregation. Although Agrarianism failed as a practical reform movement, its intellectual influence was wide-ranging, Murphy says. This influence expanded as Ransom, Tate, and Warren gained reputations as leaders of the New Criticism. More notably, such "neo-Agrarians" as Richard M. Weaver and M. E. Bradford transformed Agrarianism into a form of social and moral traditionalism that has had a significant impact on the emerging conservative movement since World War II.
| Author | : William 1927- Pratt |
| Publisher | : Legare Street Press |
| Total Pages | : 168 |
| Release | : 2021-09-09 |
| Genre | : |
| ISBN | : 9781013549359 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Alan Pelaez Lopez |
| Publisher | : Operating System - Kin(d)* Texts and Projects |
| Total Pages | : 122 |
| Release | : 2020-02-22 |
| Genre | : |
| ISBN | : 9781946031723 |
Intergalactic Travels: poems from a fugitive alien is a poetry memoir that takes up the intersections of Indigeneity, Blackness, queerness and migration as it relates to U.S. federal immigration law. The book pushes the boundaries of an "undocumented immigrant narrative"via the poet's refusal to belong to United Statian society and the refusal of a structured poetics.In fact, the chaotic geographies of the manuscript (collages + photographs + emails + negative space) formulate theories of fugitivity that position the transAtlantic slave trade and Indigenous dispossession as root causes of undocumented immigration. In this refusal of national belonging and form, the book asks for a critical kinship that the law can never account for, and thus, Pelaez Lopez negotiates legal status for new imaginaries of care. As a whole, the manuscript asks: "what does it mean that a descendant of enslaved Africans becomes an illegal alien in the same continent that subjugated their ancestors to chattel slavery?" Furthermore, "can an Indigenous subject of this continent be considered 'illegal' in the continent of their ancestors?"
| Author | : J. Howard Woolmer |
| Publisher | : |
| Total Pages | : 70 |
| Release | : 1972 |
| Genre | : American literature |
| ISBN | : |
