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The Frontier Table

The Frontier Table
Author: Martha Roberts Hartley
Publisher:
Total Pages: 224
Release: 2014-08-13
Genre: Cooking
ISBN: 9780991489305

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Once Burned

Once Burned
Author: Peter David
Publisher: Simon and Schuster
Total Pages: 292
Release: 2002-08-23
Genre: Fiction
ISBN: 0743455789

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There's a bar called "The Captain's Table," where those who have commanded mighty vessels of every shape and era can meet, relax, and share a friendly drink or two with others of their calling. Sometimes a brawl may break out but it's all in the family, more or less. Just remember, the first round of drinks is always paid for with a story...even in Thallonian space. Six years ago, long before he took command of the Starship Excalibur, a young Starfleet officer named Mackenzie Calhoun served as first officer aboard the U.S.S. Grissom. Then disaster struck, and Calhoun took the blame. A court-martial led to his own angry resignation from Starfleet...or so it appeared. At long last Captain Calhoun reveals the true story behind the greatest tragedy of his life.


Space

Space
Author: Michael Sharpe
Publisher:
Total Pages: 160
Release: 2006
Genre: Moon
ISBN: 9781844060788

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The First Frontier

The First Frontier
Author: Scott Weidensaul
Publisher: Houghton Mifflin Harcourt
Total Pages: 501
Release: 2012
Genre: Modern dance
ISBN: 0151015155

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Re-Dressing America's Frontier Past

Re-Dressing America's Frontier Past
Author: Peter Boag
Publisher: Univ of California Press
Total Pages: 272
Release: 2011-09-01
Genre: History
ISBN: 0520949951

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Americans have long cherished romantic images of the frontier and its colorful cast of characters, where the cowboys are always rugged and the ladies always fragile. But in this book, Peter Boag opens an extraordinary window onto the real Old West. Delving into countless primary sources and surveying sexological and literary sources, Boag paints a vivid picture of a West where cross-dressing—for both men and women—was pervasive, and where easterners as well as Mexicans and even Indians could redefine their gender and sexual identities. Boag asks, why has this history been forgotten and erased? Citing a cultural moment at the turn of the twentieth century—when the frontier ended, the United States entered the modern era, and homosexuality was created as a category—Boag shows how the American people, and thus the American nation, were bequeathed an unambiguous heterosexual identity.


The Frontier in American Culture

The Frontier in American Culture
Author: Richard White
Publisher: Univ of California Press
Total Pages: 145
Release: 1994-10-17
Genre: History
ISBN: 0520915321

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Log cabins and wagon trains, cowboys and Indians, Buffalo Bill and General Custer. These and other frontier images pervade our lives, from fiction to films to advertising, where they attach themselves to products from pancake syrup to cologne, blue jeans to banks. Richard White and Patricia Limerick join their inimitable talents to explore our national preoccupation with this uniquely American image. Richard White examines the two most enduring stories of the frontier, both told in Chicago in 1893, the year of the Columbian Exposition. One was Frederick Jackson Turner's remarkably influential lecture, "The Significance of the Frontier in American History"; the other took place in William "Buffalo Bill" Cody's flamboyant extravaganza, "The Wild West." Turner recounted the peaceful settlement of an empty continent, a tale that placed Indians at the margins. Cody's story put Indians—and bloody battles—at center stage, and culminated with the Battle of the Little Bighorn, popularly known as "Custer's Last Stand." Seemingly contradictory, these two stories together reveal a complicated national identity. Patricia Limerick shows how the stories took on a life of their own in the twentieth century and were then reshaped by additional voices—those of Indians, Mexicans, African-Americans, and others, whose versions revisit the question of what it means to be an American. Generously illustrated, engagingly written, and peopled with such unforgettable characters as Sitting Bull, Captain Jack Crawford, and Annie Oakley, The Frontier in American Culture reminds us that despite the divisions and denials the western movement sparked, the image of the frontier unites us in surprising ways.


The Frontier

The Frontier
Author:
Publisher:
Total Pages:
Release: 1977
Genre: Frontier and pioneer life
ISBN:

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A Humanist on the Frontier

A Humanist on the Frontier
Author: Marcell Sebők
Publisher: Routledge
Total Pages: 218
Release: 2021-08-19
Genre: History
ISBN: 1000430502

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A Humanist on the Frontier explores the remarkable life of Sebastian Ambrosius, a sixteenth-century Lutheran minister and intellectual from Késmárk (now Kežmarok) in present-day Slovakia, formerly on the borderland of the Kingdom of Hungary. Through an examination of Ambrosius’ publications and correspondence, this book throws new light on the dynamics of urban communities in Upper Hungary, communication within the humanist Republic of Letters in both Central European and wider European networks, and ecclesiastical controversies. Adopting methods of microhistory and cultural history, it also reconstructs Ambrosius’ life by positioning him in various contexts that trace his relationship to, and interpretations of, themes of power, tradition, vocation, communication and identity. This book is essential reading for scholars and students of early modern European history, as well as those interested in microhistory, cultural history, and the Republic of Letters.


Music in the Western

Music in the Western
Author: Kathryn Kalinak
Publisher: Routledge
Total Pages: 242
Release: 2012-05-22
Genre: Music
ISBN: 1136620575

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Music in the Western: Notes from the Frontier presents essays from both film studies scholars and musicologists on core issues in western film scores: their history, their generic conventions, their operation as part of a narrative system, their functioning within individual filmic texts and their ideological import, especially in terms of the western’s construction of gender, sexuality, race and ethnicity. The Hollywood western is marked as uniquely American by its geographic setting, prototypical male protagonist and core American values. Music in the Western examines these conventions and the scores that have shaped them. But the western also had a resounding international impact, from Europe to Asia, and this volume distinguishes itself by its careful consideration of music in non-Hollywood westerns, such as Ravenous and The Good, the Bad, and the Ugly and in the “easterns” which influenced them, such as Yojimbo. Other films discussed include Wagon Master, High Noon, Calamity Jane, The Big Country, The Unforgiven, Dead Man, Wild Bill, There Will Be Blood and No Country for Old Men. Contributors Ross Care Corey K. Creekmur Yuna de Lannoy K. J. Donnelly Caryl Flinn Claudia Gorbman Kathryn Kalinak Charles Leinberger Matthew McDonald Peter Stanfield Mariana Whitmer Ben Winters The Routledge Music and Screen Media Series offers edited collections of original essays on music in particular genres of cinema, television, video games and new media. These edited essay collections are written for an interdisciplinary audience of students and scholars of music and film and media studies.


The Urban West at the End of the Frontier

The Urban West at the End of the Frontier
Author: Lawrence H. Larsen
Publisher: University Press of Kansas
Total Pages: 198
Release: 2021-10-08
Genre: History
ISBN: 0700631615

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Historians have largely ignored the western city; although a number of specialized studies have appeared in recent years, this volume is the first to assess the importance of the urban frontier in broad fashion. Lawrence H. Larsen studies the process of urbanization as it occurred in twenty-four major frontier towns. Cities examined are Kansas City, St. Joseph, Lincoln, Omaha, Atchison, Lawrence, Leavenworth, Topeka, Austin, Dallas, Galveston, Houston, San Antonio, Denver, Leadville, Salt Lake City, Virginia City, Portland, Los Angeles, Oakland, Sacramento, San Francisco, San Jose, and Stockton. Larsen bases his analysis of western cities and their problems on social statistics obtained from the 1880 United States Census. This census is particularly important because it represents the first time that the federal government regarded the United States as an urban nation. The author is the first scholar to do a comprehensive investigation of this important source. This volume gives an accurate portrayal of western urban life. Here are promoters and urban planners crowding as many lots as possible into tracts in the middle of vast, uninhabited valleys. Here are streets clogged with filth because of inadequate sanitation systems; people crowded together in packed quarters with only fledgling police and fire services. Here, too, is the advance of nineteenth-century technology: gaslights, telephones, interurbans. Most important, this study dispels the misconceptions concerning the process of exploration, settlement, and growth of the urban west. City building in the American West, despite popular mythology, was not a response to geographic or climatic conditions. It was the extension of a process perfected earlier, the promotion and building of sites—no matter how undesirable—into successful localities. Uncontrolled capitalism led to disorderly development that reflected the abilities of individual entrepreneurs rather than most other factors. The result was the establishment of a society that mirrored and made the same mistakes as those made earlier in the rest of the country.