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| Author | : Caroline Picart |
| Publisher | : Greenwood |
| Total Pages | : 376 |
| Release | : 2001-06-30 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
A compilation of primary and secondary information on the numerous and multifarious film incarnations of the Frankenstein narrative, ranging across horror, comedy, science fiction, pornography, and animation.
| Author | : Caroline Joan Picart |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2001 |
| Genre | : Frankenstein films |
| ISBN | : |
| Author | : Caroline Picart |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 366 |
| Release | : 2001-06-30 |
| Genre | : Performing Arts |
| ISBN | : 0313016720 |
The endurance of the Frankenstein narrative as a modern cinematic myth is undeniable. Its flexibility has produced classic and contemporary horror film-most notably the Universal films of the thirties-but it has also resulted in unusual hybrids, such as musical horror-comedy (The Rocky Horror Picture Show), hyperbolic parody (Flesh for Frankenstein), and science fiction (the Alien and Terminator series). This sourcebook provides a complete guide to all of the story's filmic incarnations-including essential information such as cast, creative personnel, and plot summaries-and also guides the reader to relevant primary texts such as scripts, posters, production histories, and newspaper clippings. Utilizing an approach that is both popular and scholarly, and including spotlight essays that deal with contemporary academic approaches to the subject, The Frankenstein Film Sourcebook reveals the depth of the cinematic range of interpretations of a classic modern myth. Comprehensive in its scope, The Frankenstein Film Sourcebook provides an alphabetical guide to two hundred films that incorporate the Frankenstein narrative. It also delves into both primary and secondary perspectives and includes discussions of aspects of the films, such as their depiction of women, which is relevant to current scholarly critiques.
| Author | : Caroline Picart |
| Publisher | : Praeger |
| Total Pages | : 248 |
| Release | : 2002 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
This text showcases the versatility of the Frankenstein myth as expressed in cinema's horror genre. It offers a sustained critical analysis of the story's evolution over many decades, many studios, and many different styles of film-making, employing both primary texts and scholarly examination.
| Author | : Donald Glut |
| Publisher | : Createspace Independent Publishing Platform |
| Total Pages | : 260 |
| Release | : 2018-06-13 |
| Genre | : |
| ISBN | : 9781721175314 |
THE FRANKENSTEIN SAGA CONTINUES IN DELUXE COLOR! The legend of "Frankenstein" is known throughout the world, as recorded by Mary Wollstonecraft Shelley in her classic novel... How, more than two centuries ago, a scientist named Victor Frankenstein created - from corpses - and brought to life an immortal Monster. But the story of Frankenstein was just the beginning... CINEXPLOITS! the new exploitation cinema-based label of Pulp 2.0 (www.pulp2ohpress.com) has collected the screenplay, a bonus essay from writer-director Donald F. Glut, his original short stories that inspired the movie, and dozens of behind-the-scenes stills from the upcoming feature film release. Sure to terrorize any classic horror film fan. If you think you know the story of Frankenstein's undead creation then you haven't experienced TALES OF FRANKENSTEIN! This edition is the DELUXE COLOR EDITION featuring full color interior photos and a BONUS GALLERY not available in the BLACK & WHITE edition.
| Author | : Timothy Morton |
| Publisher | : Psychology Press |
| Total Pages | : 202 |
| Release | : 2002 |
| Genre | : Literary Criticism |
| ISBN | : 0415227313 |
Mary Shelley's Frankenstein is one of the most widely studied works of English literature, and Frankenstein's creature is a key figure in the popular imagination. This sourcebook examines Mary Shelley's novel within its literary and cultural contexts, bringing together material on: *the contexts from which Frankenstein emerged *the novel's early reception *adaptation and performance of the work (from theatre to pop music) *recent criticism. All documents are discussed and explained. The volume also includes offers carefully annotated key passages from the novel itself and concludes with a list of recommended editions and further reading, to allow readers to pursue their study in the areas that interest them most. This sourcebook provides an ideal orientation to the novel, its reception history and the critical material that surrounds it.
| Author | : Stephen Krensky |
| Publisher | : Lerner Publications |
| Total Pages | : 50 |
| Release | : 2007-01-01 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 0822559234 |
An introduction to the history and pop culture significance of Mary Shelley's ghoulish monster and his mad scientist creator.
| Author | : Robert Horton |
| Publisher | : Columbia University Press |
| Total Pages | : 129 |
| Release | : 2014-02-25 |
| Genre | : Performing Arts |
| ISBN | : 0231850565 |
James Whale's Frankenstein (1931) spawned a phenomenon that has been rooted in world culture for decades. This cinematic Prometheus has generated countless sequels, remakes, rip-offs, and parodies in every media, and this granddaddy of cult movies constantly renews its followers in each generation. Along with an in-depth critical reading of the original 1931 film, this book tracks Frankenstein the monster's heavy cultural tread from Mary Shelley's source novel to today's Internet chat rooms.
| Author | : Stephen Jones |
| Publisher | : Carol Publishing Corporation |
| Total Pages | : 148 |
| Release | : 1995 |
| Genre | : Performing Arts |
| ISBN | : 9780806516769 |
| Author | : Caroline Joan S. Picart |
| Publisher | : State University of New York Press |
| Total Pages | : 269 |
| Release | : 2012-02-01 |
| Genre | : Social Science |
| ISBN | : 0791486664 |
Focusing on films outside the horror genre, this book offers a unique account of the Frankenstein myth's popularity and endurance. Although the Frankenstein narrative has been a staple in horror films, it has also crossed over into other genres, particularly comedy and science fiction, resulting in such films as Abbott and Costello Meet Frankenstein, Young Frankenstein, The Rocky Horror Picture Show, Bladerunner, and the Alien and Terminator film series. In addition to addressing horror's relationship to comedy and science fiction, the book also explores the versatility and power of the Frankenstein narrative as a contemporary myth through which our deepest attitudes concerning gender (masculine versus feminine), race (Same versus Other), and technology (natural versus artificial) are both revealed and concealed. The book not only examines the films themselves, but also explores early drafts of film scripts, scenes that were cut from the final releases, publicity materials, and reviews, in order to consider more fully how and why the Frankenstein myth continues to resonate in the popular imagination.
