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The Formation, Existence, and Deconstruction of the Catholic Stage Guild of Ireland

The Formation, Existence, and Deconstruction of the Catholic Stage Guild of Ireland
Author: Alex Cahill
Publisher: Cambridge Scholars Publishing
Total Pages: 202
Release: 2018-06-11
Genre: Biography & Autobiography
ISBN: 1527512169

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In 1945, the Irish Catholic Church began a unique relationship with the entertainment industry through an organization known as the Catholic Stage Guild of Ireland. This Guild, whose members included Jimmy O’Dea, Noel Purcell, Cyril Cusack, and Gabriel Fallon, acted as a microcosm of twentieth-century Ireland, dramatically depicting the heartaches and successes of the Irish Catholics. This unprecedented study of the Catholic Stage Guild begins an investigation on the contemporary relationship between the Irish Catholic Church and theatre that, until now, has rarely been examined. Written for those interested in theatre studies, Catholic studies, and Irish studies, the Catholic Stage Guild of Ireland’s persuasion over the theatre population both within and outside the country’s borders proposes a story long overdue to be told – until now.


Theatre History Studies 2020, Vol. 39

Theatre History Studies 2020, Vol. 39
Author: Lisa Jackson-Schebetta
Publisher: University Alabama Press
Total Pages: 296
Release: 2020-12-15
Genre: Performing Arts
ISBN: 0817371141

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We Remember Maynooth

We Remember Maynooth
Author: Salvador Ryan
Publisher: Messenger Publications
Total Pages: 865
Release: 2020-12-19
Genre: Religion
ISBN: 178812281X

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Founded in 1795, Maynooth College has a singular place in the history of the Irish Church, and indeed the Catholic Church globally. Its beginning was as a small seminary of thirty students and ten professors, most of whom were fleeing the ravages of the French Revolution. It has been the subject of riots in the streets of London and has played host to kings and popes. Its buildings have created one of the loveliest of university campuses and its chapel is among the highest free- standing structures in Ireland. It expanded rapidly, becoming a Pontifical University, a constituent college of the National University of Ireland and, at one time, the largest seminary in world. It has educated many thousands of students and led the way in many branches of the arts and sciences. But, beyond that, for its large number of alumni, found across all sectors of society internationally, it is a tapestry of rich memories. This book is a contribution to this rich tapestry. It is a compilation of pen pictures, personal reminiscences and sketches on aspects of the college’s life and history. The contributors have all been associated with Maynooth in many different spheres, either as students or staff, and in many cases both. Some have offered images of their time at Maynooth; others, portraits of characters and personalities they encountered there. These pages are part history, part folk history, part aide-me?moire. For some, it will be an introduction to a place they have heard about but never known. For others, it will be a reminder of their time in the college, evoking memories of their own story and the stories of those who journeyed with them. For everyone, it will open up this historic center of learning and tell the tales of those who walked its Pugin-designed buildings.


Theatre History Studies 2019, Vol. 38

Theatre History Studies 2019, Vol. 38
Author: Sara Freeman
Publisher: University Alabama Press
Total Pages: 268
Release: 2020-02-11
Genre: Performing Arts
ISBN: 0817371133

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Theatre History Studies 2018

Theatre History Studies 2018
Author: Sara Freeman
Publisher: University Alabama Press
Total Pages: 371
Release: 2018-12-18
Genre: Performing Arts
ISBN: 0817371125

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Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference THEATRE HISTORY STUDIES, VOLUME 37 STEFAN AQUILINA Meyerhold and The Revolution: A Reading through Henri Lefebvre’s Theories on “Everyday Life” VIVIAN APPLER “Shuffled Together under the Name of a Farce”: Finding Nature in Aphra Behn’s The Emperor of the Moon KRISTI GOOD Kate Soffel’s Life of Crime: A Gendered Journey from Warden’s Wife to Criminal Actress PETER A. CAMPBELL Staging Ajax’s Suicide: A Historiography BRIAN E. G. COOK Rousing Experiences: Theatre, Politics, and Change MEGAN LEWIS Until You See the Whites of Their Eyes: Brett Bailey’s Exhibit B and the Consequences of Staging the Colonial Gaze PATRICIA GABORIK Taking the Theatre to the People: Performance Sponsorship and Regulation in Mussolini’s Italy ILINCA TODORUT AND ANTHONY SORGE To Image and to Imagine: Walid Raad, Rabih Mouré, and the Arab Spring SHULAMITH LEV-ALADGEM Where Has the Political Theatre in Israel Gone? Rethinking the Concept of Political Theatre Today CHRISTINE WOODWORTH “Equal Rights By All Means!”: Beatrice Forbes-Robertson’s 1910 Suffrage Matinee and the Onstage Junction of the US And UK Franchise Movements LURANA DONNELS O’MALLEY “Why I Wrote the Phyllis Wheatley Pageant-Play”: Mary Church Terrell’s Bicentennial Activism JULIET GUZZETTA The Lasting Theatre of Dario Fo and Franca Rame ASHLEY E. LUCAS Chavez Ravine: Culture Clash and the Political Project of Rewriting History NOE MONTEZ The Heavy Lifting: Resisting the Obama Presidency’s Neoliberalist Conceptions of the American Dream in Kristoffer Diaz’s The Elaborate Entrance of Chad Deity


Theatre History Studies 2018, Vol. 37

Theatre History Studies 2018, Vol. 37
Author: Sara Freeman
Publisher: University Alabama Press
Total Pages: 380
Release: 2018-12-18
Genre: Performing Arts
ISBN: 9780817371128

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Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference THEATRE HISTORY STUDIES, VOLUME 37 STEFAN AQUILINA Meyerhold and The Revolution: A Reading through Henri Lefebvre’s Theories on “Everyday Life” VIVIAN APPLER “Shuffled Together under the Name of a Farce”: Finding Nature in Aphra Behn’s The Emperor of the Moon KRISTI GOOD Kate Soffel’s Life of Crime: A Gendered Journey from Warden’s Wife to Criminal Actress PETER A. CAMPBELL Staging Ajax’s Suicide: A Historiography BRIAN E. G. COOK Rousing Experiences: Theatre, Politics, and Change MEGAN LEWIS Until You See the Whites of Their Eyes: Brett Bailey’s Exhibit B and the Consequences of Staging the Colonial Gaze PATRICIA GABORIK Taking the Theatre to the People: Performance Sponsorship and Regulation in Mussolini’s Italy ILINCA TODORUT AND ANTHONY SORGE To Image and to Imagine: Walid Raad, Rabih Mouré, and the Arab Spring SHULAMITH LEV-ALADGEM Where Has the Political Theatre in Israel Gone? Rethinking the Concept of Political Theatre Today CHRISTINE WOODWORTH “Equal Rights By All Means!”: Beatrice Forbes-Robertson’s 1910 Suffrage Matinee and the Onstage Junction of the US And UK Franchise Movements LURANA DONNELS O’MALLEY “Why I Wrote the Phyllis Wheatley Pageant-Play”: Mary Church Terrell’s Bicentennial Activism JULIET GUZZETTA The Lasting Theatre of Dario Fo and Franca Rame ASHLEY E. LUCAS Chavez Ravine: Culture Clash and the Political Project of Rewriting History NOE MONTEZ The Heavy Lifting: Resisting the Obama Presidency’s Neoliberalist Conceptions of the American Dream in Kristoffer Diaz’s The Elaborate Entrance of Chad Deity


The Nation

The Nation
Author:
Publisher:
Total Pages: 718
Release: 1918
Genre: Great Britain
ISBN:

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The Churchman

The Churchman
Author:
Publisher:
Total Pages: 1032
Release: 1899
Genre: Church history
ISBN:

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The Advocate

The Advocate
Author:
Publisher:
Total Pages: 104
Release: 2003-08-19
Genre:
ISBN:

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The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.


The Three Worlds of Welfare Capitalism

The Three Worlds of Welfare Capitalism
Author: Gosta Esping-Andersen
Publisher: John Wiley & Sons
Total Pages: 322
Release: 2013-05-29
Genre: Political Science
ISBN: 0745666752

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Few discussions in modern social science have occupied as much attention as the changing nature of welfare states in western societies. Gosta Esping-Andersen, one of the most distinguished contributors to current debates on this issue, here provides a new analysis of the character and role of welfare states in the functioning of contemporary advanced western societies. Esping-Andersen distinguishes several major types of welfare state, connecting these with variations in the historical development of different western countries. Current economic processes, the author argues, such as those moving towards a post-industrial order, are not shaped by autonomous market forces but by the nature of states and state differences. Fully informed by comparative materials, this book will have great appeal to everyone working on issues of economic development and post-industrialism. Its audience will include students and academics in sociology, economics and politics.