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The Fool in European Theatre

The Fool in European Theatre
Author: T. Prentki
Publisher: Springer
Total Pages: 236
Release: 2011-11-22
Genre: Performing Arts
ISBN: 0230357504

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Why is folly essential to the functioning of a healthy society? Why is theatre a natural home for madness? The answers take the reader on a journey embracing Shakespeare and Jonson, Brecht and Beckett, Büchner and Boal. From Falstaff to Fo via Figaro, this study examines the art of telling truth to power and surviving long enough to have a laugh.


The Fool in European Theatre

The Fool in European Theatre
Author: T. Prentki
Publisher: Palgrave Macmillan
Total Pages: 0
Release: 2011-11-22
Genre: Performing Arts
ISBN: 9780230291591

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Why is folly essential to the functioning of a healthy society? Why is theatre a natural home for madness? The answers take the reader on a journey embracing Shakespeare and Jonson, Brecht and Beckett, Büchner and Boal. From Falstaff to Fo via Figaro, this study examines the art of telling truth to power and surviving long enough to have a laugh.


Carnival and the Carnivalesque

Carnival and the Carnivalesque
Author: Konrad Eisenbichler
Publisher: Rodopi
Total Pages: 314
Release: 1999
Genre: Drama
ISBN: 9789042005655

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From the Fool to the Wildman, from the irate Reformer to the festive Masqueraders, this collection of articles offers a variety of topics, approaches, and agendas in the study of early modern European theatre. With samplings from Scandinavia, Germany, England, France, the Iberian peninsula, and even the New World, this collection also spans time, from the late fifteenth century to the present. In the process, Carnival and the carnivalesque are examined from archival, Bakhtinian, cultural, and even political points of view. The articles in this collection reveal the variety and inherent vitality of scholarship in early modern theatre. The thirteen essays have been selected from presentations made at the Eighth Triennial Congress of the Société Internationale pour l'Etude du Théâtre Médiéval held in Toronto (1995), under the auspices of the Records of Early English Drama project and Victoria University in the University of Toronto.


Carnivalizing Reconciliation

Carnivalizing Reconciliation
Author: Hanna Teichler
Publisher: Berghahn Books
Total Pages: 305
Release: 2021-10-15
Genre: Social Science
ISBN: 1805399268

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Transitional justice and national inquiries may be the most established means for coming to terms with traumatic legacies, but it is in the more subtle social and cultural processes of “memory work” that the pitfalls and promises of reconciliation are laid bare. This book analyzes, within the realms of literature and film, recent Australian and Canadian attempts to reconcile with Indigenous populations in the wake of forced child removal. As Hanna Teichler demonstrates, their systematic emphasis on the subjectivity of the victim is problematic, reproducing simplistic narratives and identities defined by victimization. Such fictions of reconciliation venture beyond simplistic narratives and identities defined by victimization, offering new opportunities for confronting painful histories.


Disobedient Theatre

Disobedient Theatre
Author: Chris Johnston
Publisher: Bloomsbury Publishing
Total Pages: 259
Release: 2017-10-19
Genre: Performing Arts
ISBN: 1350014524

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Theatre is at its best when it is disobedient, when it argues back to society. But what enables it to achieve this impact? What makes it a force to be reckoned with? What are the principles and the tools of the trade that shape it to be effective, powerful and resonant? Drawing from both theory and practice, and informed by conversations with recognized practitioners from across the UK, this book provides answers and makes an impassioned call for artists to reimagine, question and disrupt. Divided into two parts, 'In the World' and 'In the Room', the book presents a rounded picture of the possibilities of a 'disobedient' culture and includes many games and exercises for creative practitioners. In Part One the author offers a lexicon defining the spirit and impulse which characterises disobedient theatre: he describes the principles, the strategies, and the voice of the artist, before suggesting ways to survive as a creative practitioner. Part Two illustrates how these principles may be worked out in practice when creating new work, with the hands-on approaches supplemented by games and exercises to assist in generating material. Disobedient Theatre is for all those who have an interest in what makes theatre powerful, disturbing or even life-changing. It is a book for artists, thinkers, activists and all who believe in the function of art to offer new possibilities and to change and inform the evolution of society.


Contemporary European Theatre Directors

Contemporary European Theatre Directors
Author: Maria M. Delgado
Publisher: Routledge
Total Pages: 465
Release: 2010-03-03
Genre: Performing Arts
ISBN: 1135164665

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'An invaluable book that we shall all be using for a long time to come' - Michael Billington Contemporary European Theatre Directors is an ambitious and unprecedented overview of many of the key directors working in European theatre over the past fifty years. It is a vivid account of the vast range of work undertaken in European theatre during this period, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s. The featured directors are: Calixto Bieito, Piotr Borowski, Romeo Castellucci, Frank Castorf, Patrice Chéreau, Lev Dodin, Declan Donnellan, Kristian Frédric, Rodrigo García, Jan Lauwers, Christoph Marthaler, Simon McBurney, Daniel Mesguich, Katie Mitchell, Ariane Mnouchkine, Thomas Ostermeier, Patrice Pavis, Silviu Purcărete and Peter Sellars. Travelling from London and Craiova to St. Petersburg and Madrid, the book examines directors working with classics, new writing, and new collaborative theatre forms. Each chapter is written by a specialist in European theatre and provides a detail critique of production styles. The directors themselves provide contributions and interviews to this multi-authored work, which unites the many and varied voices of European theatre in one coherent volume.


European Theatre Performance Practice, 1750–1900

European Theatre Performance Practice, 1750–1900
Author: Jim Davis
Publisher: Routledge
Total Pages: 539
Release: 2016-12-05
Genre: Performing Arts
ISBN: 1351938304

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This volume contains key articles and chapters which represent both seminal and innovative scholarship on European theatre performance practice from 1750 to 1900. The selected topics focus on acting and performance, staging (including set design and lighting), and audiences, and are approached with a broad perspective as well as with in-depth, focussed analysis. The volume captures the rich, dynamic and variegated nature of European theatre throughout the late-eighteenth and nineteenth centuries and provides a carefully selected body of significant texts on this important period of theatre history.


Shakespeare and Social Engagement

Shakespeare and Social Engagement
Author: Rowan Mackenzie
Publisher: Berghahn Books
Total Pages: 182
Release: 2023-08-11
Genre: Literary Criticism
ISBN: 1805390635

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Shakespeare’s roots in applied and participatory performance practices have been recently explored within a wide variety of educational, theatrical and community settings. Shakespeare and Social Engagement explores these settings, as well as audiences who have largely been excluded from existing accounts of Shakespeare’s performance history. The contributions in this collected volume explore the complicated and vibrant encounters between a canonical cultural force and work that frequently characterizes itself as inclusive and egalitarian.


Eastern European Theatre After the Iron Curtain

Eastern European Theatre After the Iron Curtain
Author: Kalina Stefanova
Publisher: Routledge
Total Pages: 282
Release: 2014-07-16
Genre: Performing Arts
ISBN: 1134425627

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An important new survey of Eastern European theater after the collapse of the Soviet Union. Explores all aspects of theater, from playwriting, directing and acting, to repertoire creation and theatre management. Uses material never previously published on theatre life during the Communist years. Compares theater before and after the political changes in Albania, Bulgaria, Czech Republic, Hungary, Latvia, Lithuania, Moldova, Poland,Romania, Russia, Slovakia, Ukraine. Chapters begin with introductions by well-known theatre professionals or lively interviews with a major directors or playwrights - including Yury Lyubimov, Václav Havel, Andrei Sherban and Ismail Kadare.


Print Culture at the Crossroads

Print Culture at the Crossroads
Author: Elizabeth Dillenburg
Publisher: BRILL
Total Pages: 566
Release: 2021-08-30
Genre: History
ISBN: 9004462341

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This book investigates the importance of printing in early-modern Central Europe, revealing a complicated web of connections linking printers and scholars, Jews and Christians, from the Baltic to the Adriatic.