The Flower Drum and Other Chinese Songs
Author | : Shixiang Chen |
Publisher | : |
Total Pages | : 72 |
Release | : 1943 |
Genre | : China |
ISBN | : |
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Author | : Shixiang Chen |
Publisher | : |
Total Pages | : 72 |
Release | : 1943 |
Genre | : China |
ISBN | : |
Author | : Chin-hsin Yao Chʻên |
Publisher | : |
Total Pages | : 72 |
Release | : 1943 |
Genre | : Folk-songs, Chinese |
ISBN | : |
Author | : C. Y. Lee |
Publisher | : |
Total Pages | : 264 |
Release | : 1957 |
Genre | : |
ISBN | : |
Author | : C. Y. Lee |
Publisher | : Penguin Books |
Total Pages | : 278 |
Release | : 2002-08-27 |
Genre | : Fiction |
ISBN | : |
Originally published in 1957, one of the first novels of the Chinese-American experience is now back in print to tie in with the Broadway revival.
Author | : C. Y. Lee |
Publisher | : Penguin |
Total Pages | : 272 |
Release | : 2002-08-27 |
Genre | : Fiction |
ISBN | : 110166486X |
Originally published in 1957, The Flower Drum Song was a groundbreaking work of popular literature. An immediate bestseller, it inspired the classic Rodgers and Hammerstein musical. This charming, bittersweet tale of romance and the powerful bonds of family tells the story of Wang Ta, who wants what every young American man wants: a great career and a woman to love. Living in San Francisco's Chinatown-with his widowed father, Old Master Wang, who misses the old way of life in China, and his younger brother, who just wants to be a normal American teenager-Wang Ta becomes involved with a series of women as he searches for love and the American dream. Comic, poignant, and sexy, The Flower Drum Song is an astute portrayal of immigrants struggling with assimilation. This edition features a new introduction by David Henry Hwang.
Author | : Richard Rodgers |
Publisher | : |
Total Pages | : 162 |
Release | : 1959 |
Genre | : Chinatown (San Francisco, Calif.) |
ISBN | : |
Author | : Michael Saffle |
Publisher | : University of Michigan Press |
Total Pages | : 345 |
Release | : 2017-03-01 |
Genre | : Music |
ISBN | : 0472122711 |
Western music reached China nearly four centuries ago, with the arrival of Christian missionaries, yet only within the last century has Chinese music absorbed its influence. As China and the West demonstrates, the emergence of “Westernized” music from China—concurrent with the technological advances that have made global culture widely accessible—has not established a prominent presence in the West. China and the West brings together essays on centuries of Sino-Western musical exchange by musicologists, ethnomusicologists, and music theorists from around the world. It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks—exoticism, orientalism, globalization, transculturation, and hybridization—that inform these essays. Part I focuses on the actual encounters between Chinese and European musicians, their instruments and institutions, and the compositions inspired by these encounters, while Part II examines theatricalized and mediated East-West cultural exchanges, which often drew on stereotypical tropes, resulting in performances more inventive than accurate. Part III looks at the musical language, sonority, and subject matters of “intercultural” compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider the ways in which differences are articulated in musical discourse by actors serving different purposes, whether self-promotion, commercial marketing, or modes of nationalistic—even propagandistic—expression. The volume’s extensive bibliography of secondary sources will be invaluable to scholars of music, contemporary Chinese culture, and the globalization of culture.
Author | : Keith Robinson |
Publisher | : Lulu.com |
Total Pages | : 140 |
Release | : 2019-03-14 |
Genre | : Performing Arts |
ISBN | : 0244743304 |
In 1872 George Carter Stent published five Chinese folk tunes with the melody and lyrics in an article called " Chinese Lyrics" . I think they are quite significant examples of a genre of Chinese folk song that is now less popular. With the help of Wang lingli 王玲利 we have translated the traditional Chinese into Simplified Chinese and provided fresh English translations. I have created new original piano accompaniments for each song. My aim is to try and make the melodies more accessible to western audiences and singers. The songs are published in Chinese with the pinyin above. In addition there is a complete version of the Chinese lyrics with tones and pinyin and an English translation to explain what each song is about. My dream is that one day I will go to a song recital and hear Chinese songs sung in Chinese, just as we listen to Schubert's lieder sung in German, or Faure songs sung in French, and it will seem completely normal.
Author | : David Henry Hwang |
Publisher | : |
Total Pages | : 252 |
Release | : 2001 |
Genre | : |
ISBN | : |
Typescript, dated October 16, 2001. Without music. Typescript heavily marked with red and blue ink by videographer when used by The New York Public Library's Theatre on Film and Tape Archive on Dec. 1, 2001, videorecording the stage production at the Mark Taper Forum, Los Angeles, Calif. The musical starring Lea Salonga opened Oct. 2, 2001, directed by Robert Longbottom.
Author | : Joseph Johnson |
Publisher | : Hal Leonard Corporation |
Total Pages | : 58 |
Release | : 2008-12-01 |
Genre | : Music |
ISBN | : 1476837694 |
(Educational Piano Solo). 24 songs in the Chinese tradition: Crescent Moon * Darkening Sky * Girl's Lament * Hand Drum Song * Jasmine Flower Song * Mountaintop View * Sad, Rainy Day * The Sun Came up Happy * Wedding Veil * and more. Features notes on each piece, exquisite illustrations, and a map of China.