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The Fingering Logic and Performing of Woodwind Instruments

The Fingering Logic and Performing of Woodwind Instruments
Author: Peter Ninaus
Publisher: GRIN Verlag
Total Pages: 241
Release: 2011-03
Genre:
ISBN: 3640850173

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Research Paper (postgraduate) from the year 2011 in the subject Musicology, grade: 1, language: English, abstract: The fingering logic and performing of woodwind instruments. A psychological study and model. Since there is no empirical research about woodwind-playing, this work shows a way, for example, to calculate "Fear Parts", and how you can circumvent them, or how you can find the best aesthetic fingering sequences. The analysis of explorative tests showed a correlation between subjective difficulty and the number of fingers in use or the change and the resulting number of finger movements. In order to explain this situation, I use a fingering table, where "0" represents open or keys not pressed, and in "1" closed or pressed keys (Conjunctors). With this table, it was possible for me to handle images as vectors and represent them together with their transformations to make a comparison. With the vector sum, I had the opportunity to compare the subjective results with the calculated values. The relationship between subjective perception and calculated level of difficulty was given. These results make it possible to create a forecast model of optimal fingering sequences for musicians, teachers and composers, without knowing about the playing of a clarinet. These calculations also enable the Aesthetic Analysis of pieces, if the fingering table is expanded with aural criteria. Passages of pieces could be transcribed to other instruments, and be reviewed on their playability, when a sound situation requires this. This is a crude tool and should be extended to acoustically-physical and aesthetic parameters, to make further developments of the clarinets (Vienna clarinet and French clarinet). The aim of further development of wind instruments should be: Optimizing and expanding sound and fingering techniques appearances. Advantages of the fingering of each clarinet system should be usable on other instruments and, apart from the bore of the systems, universal.


The fingering logic and performing of woodwind instruments

The fingering logic and performing of woodwind instruments
Author: Peter Ninaus
Publisher: GRIN Verlag
Total Pages: 235
Release: 2011-02-24
Genre: Music
ISBN: 3640846095

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Research Paper (postgraduate) from the year 2011 in the subject Musicology - Miscellaneous, grade: 1, , language: English, abstract: The fingering logic and performing of woodwind instruments. A psychological study and model. Since there is no empirical research about woodwind-playing, this work shows a way, for example, to calculate "Fear Parts", and how you can circumvent them, or how you can find the best aesthetic fingering sequences. The analysis of explorative tests showed a correlation between subjective difficulty and the number of fingers in use or the change and the resulting number of finger movements. In order to explain this situation, I use a fingering table, where “0” represents open or keys not pressed, and in “1” closed or pressed keys (Conjunctors). With this table, it was possible for me to handle images as vectors and represent them together with their transformations to make a comparison. With the vector sum, I had the opportunity to compare the subjective results with the calculated values. The relationship between subjective perception and calculated level of difficulty was given. These results make it possible to create a forecast model of optimal fingering sequences for musicians, teachers and composers, without knowing about the playing of a clarinet. These calculations also enable the Aesthetic Analysis of pieces, if the fingering table is expanded with aural criteria. Passages of pieces could be transcribed to other instruments, and be reviewed on their playability, when a sound situation requires this. This is a crude tool and should be extended to acoustically-physical and aesthetic parameters, to make further developments of the clarinets (Vienna clarinet and French clarinet). The aim of further development of wind instruments should be: Optimizing and expanding sound and fingering techniques appearances. Advantages of the fingering of each clarinet system should be usable on other instruments and, apart from the bore of the systems, universal.


The Woodwinds: Perform, Understand, Teach

The Woodwinds: Perform, Understand, Teach
Author: James Byo
Publisher: Routledge
Total Pages: 280
Release: 2016-06-17
Genre: Music
ISBN: 1317303040

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The Woodwinds: Perform, Understand, Teach provides comprehensive coverage about the woodwind family of musical instruments for prospective instrumental music teachers. What sets this book apart is its focus on how to teach the instruments. Preparing students in the how of teaching is the ultimate goal of the woodwind class and the ultimate goal of this book, which organizes information by its use in teaching beginning instrumentalists. In developing performance and understanding, pre-service teachers are positioned to learn to teach through performance—contrasted with an "old-school" belief that one must first spend much time tediously trying to understand how things work before playing the instruments. The book is organized in three parts: Preliminaries, Teaching the Instruments, and Foundations. Chapters in Teaching the Instruments are organized by instrument (flute, clarinet, saxophone, oboe, bassoon) and, within each instrument, according to how an effective teacher might organize experiences for novice learners. Basic embouchure and air stream are covered first, followed by instrument assembly, then hands and holding. Embouchure coverage returns in greater depth, then articulation, and finally "the mechanism," which includes sections on the instruments of the family, transposition, range, special fingerings, tuning and intonation, and reeds. In Foundations, topics are situated in big picture contexts, calling attention to the broad applicability of information across instruments.


Guide to Playing Woodwind Instruments

Guide to Playing Woodwind Instruments
Author: Phillip Rehfeldt
Publisher: Phillip Rehfeldt/MillCreekPublications
Total Pages: 396
Release: 2010-01-01
Genre: Music
ISBN: 0933251270

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Volumes 1 and 2 provide information sufficient for getting players to the "beginning professional level": embouchures, concepts of blowing, tone, fingerings reeds, practicing, performing; beginning methods for each instrument; samples from the orchestral repertory; college woodwind-class materials; Bach's complete Clavier Buchlein for woodwinds with analysis; and a means, for those who wish it, for certification.


Woodwind Instruments and Their History

Woodwind Instruments and Their History
Author: Anthony Baines
Publisher: Courier Corporation
Total Pages: 434
Release: 1991-01-01
Genre: Music
ISBN: 0486268853

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Superior study by expert combines discussion of design and construction with detailed history of the evolution of instruments from earliest times to present. 75 illustrations, 25 musical examples, 16 fingering charts.


The Development of Woodwind Fingering Systems in the Nineteenth and Twentieth Centuries

The Development of Woodwind Fingering Systems in the Nineteenth and Twentieth Centuries
Author: Jerry L. Voorhees
Publisher:
Total Pages: 256
Release: 2003
Genre: Music
ISBN:

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The purpose of this book is to describe, illustrate and classify as many as possible of the fingering systems found on woodwind instruments dating from approximately 1831 to the present, and to analyze and compare these mechanisms with regard to their similarities and differences, strengths and weaknesses. Much has been written over the past half-century about the development of the individual woodwind types, but to my knowledge this is the first serious attempt to compare and classify woodwind fingering systems on the basis of their structure and operation rather than their association with a particular instrument, period, builder, or performer. It is also the first attempt to provide a more-or-less complete set of diagrammatic illustrations of existing woodwind mechanisms. The procedure which I have followed, beyond acquiring a basic grasp of woodwind history, is to study the instruments themselves in museums and private collections whenever possible. I also had recourse to illustrations, books, and pamphlets, as well as conversations with contemporary experts and builders. - Introduction.


Woodwind Fingering Guide

Woodwind Fingering Guide
Author:
Publisher:
Total Pages:
Release: 1998
Genre: Woodwind instruments
ISBN:

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Timothy Reichard offers a collection of musical instrument fingering charts for woodwind instruments. The charts include fingerings for the flute and piccolo, clarinet, recorder, saxophone, oboe, bassoon, tin whistle, Irish uilleann pipes, sarrusophone, and more. The fingerings include basic, alternate, trill, tremolo, and flattement.


Woodwind Basics

Woodwind Basics
Author: Bret Pimentel
Publisher:
Total Pages: 144
Release: 2017-05-25
Genre: Woodwind instruments
ISBN: 9780998806303

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Woodwind Basics: Core concepts for playing and teaching flute, oboe, clarinet, bassoon, and saxophone is a fresh, no-nonsense approach to woodwind technique. It outlines the principles common to playing all of the woodwind instruments, and explains their application to each one. The ideas in this book are critical for woodwind players at all levels, and have been battle-tested in university woodwind methods courses, private studios, and school band halls. Fundamental questions answered with newfound clarity include: What should I listen for in good woodwind playing? Why is breath support so important, and how do I do and teach it? What is voicing? How does it relate to ideas like air speed, air temperature, and vowel shapes? What things does an embouchure need to accomplish? How can I (or my students) play better in tune? What role does the tongue really play in articulation? Which alternate fingering should I choose in a given situation? How do I select the best reeds, mouthpieces, and instruments? How should a beginner choose which instrument is the best fit? Woodwind Basics by Bret Pimentel is the new go-to reference for woodwind players and teachers.


Playing Woodwind Instruments

Playing Woodwind Instruments
Author: Phillip Rehfeldt
Publisher:
Total Pages: 238
Release: 1998
Genre: Music
ISBN:

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This outstanding guide draws together the particulars of playing modern woodwind instruments. Its versatile, easy-to-use format is indispensable for several levels of playing experience.


Guide to Playing Woodwind Instruments

Guide to Playing Woodwind Instruments
Author: Phillip Rehfeldt
Publisher:
Total Pages: 181
Release: 1987-06-01
Genre: Woodwind instruments
ISBN: 9780933251090

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