The Fine Arts Quarterly Review
Author | : |
Publisher | : |
Total Pages | : 594 |
Release | : 1864 |
Genre | : Art |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : 594 |
Release | : 1864 |
Genre | : Art |
ISBN | : |
Author | : Bernard Bolingbroke Woodward |
Publisher | : |
Total Pages | : 484 |
Release | : 2018-12-18 |
Genre | : |
ISBN | : 9783337711023 |
Author | : |
Publisher | : |
Total Pages | : 504 |
Release | : 2020-03-07 |
Genre | : History |
ISBN | : 9780461629712 |
Author | : Bernard Bolingbroke Woodward |
Publisher | : |
Total Pages | : 486 |
Release | : 1864 |
Genre | : Art |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 496 |
Release | : 1864 |
Genre | : |
ISBN | : |
Author | : Cat Seto |
Publisher | : HarperCollins |
Total Pages | : 146 |
Release | : 2017-04-11 |
Genre | : Travel |
ISBN | : 0062493086 |
Artist Cat Seto, founder of the acclaimed Ferme à Papier brand, introduces you to the City of Light as never before in this distinctive volume—both a visual feast and celebration of the artistic process—filled with lavish illustrations and descriptive meditations that capture the quotidian pleasures of France’s capital city and how they have inspired creativity. In Impressions of Paris, Cat Seto takes you on a dazzling and enlightening tour of Paris, from familiar sights to hidden surprises, to reveal this legendary city as never before. Combining informative and entertaining vignettes, stories, and notes with stunning full-color illustrations, she draws parallels between the city and the art it inspires. Organized around four main principles of art—color, pattern, perspective, and rhythm—Impressions of Paris is a celebration of the artistic spark in the city’s mundane yet marvelous details: the pistachio and cassis palette triggered by the ice cream case at Berthillon; how a rainy stroll through an open air market transforms into a smudgy gouache (pronounced gwash) pattern; the lovely ubiquity of the iconic French stripe, the Breton. Pretty and inventive, surprising and stimulating, Impressions of Paris captures the beauty and charms of this stunning city and extols its power to stimulate the creative imagination—inviting artists and art appreciators to intimately experience a painter’s process.
Author | : Horace Walpole |
Publisher | : |
Total Pages | : 506 |
Release | : 1876 |
Genre | : Artists |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 496 |
Release | : 1845 |
Genre | : Arts |
ISBN | : |
Author | : Firehouse Publishing |
Publisher | : |
Total Pages | : 80 |
Release | : 2012-05-11 |
Genre | : |
ISBN | : 9781475054163 |
Theartofman.net becomes a reality! This quarterly seeks to bring balance to a genre of art that overwhelmingly favors the female figure. We feature artists that are courageous enough to focus on the male figure as a significant portion of their portfolio. We bring you in-depth interviews into their thought processes, choices, struggles and creativity in a way no book on the subject can; a buffet for the connoisseur of figurative art.Edition 9 features the artwork of David Powers, Mark Horst, Joshua Meyer, Eric Itschert, and Syed Ali Arif. The historical perspective by art historian Grady Harp focuses on Greek and Roman Sculpture. An article about the influence of Ganymede as an artistic theme rounds out the edition.
Author | : Katherine Haskins |
Publisher | : Routledge |
Total Pages | : 226 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351546287 |
Focusing on an era that both inherited and irretrievably altered the form and the content of earlier art production, The Art-Journal and Fine Art Publishing in Victorian England, 1850-1880 argues that fine art practices and the audiences and markets for them were influenced by the media culture of art publishing and journalism in substantial and formative ways, perhaps more than at any other time in the history of English art. The study centers on forms of Victorian picture-making and the art knowledge systems defining them, and draws on the histories of art, literature, journalism, and publishing. The historical example employed in the book is that of the more than 800 steel-plate prints after paintings published in the London-based Art-Journal between 1850 and 1880. The cultural phenomenon of the Art Journal print is shown to be a key connector in mid-Victorian art appreciation by drawing out specific tropes of likeness. This study also examines the important links between paint and print; the aesthetic values and domestic aspirations of the Victorian middle class; and the inextricable intertwining of fine art and 'trade' publishing.