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ReFocus: The Films of Pedro Costa

ReFocus: The Films of Pedro Costa
Author: Barradas Jorge Nuno Barradas Jorge
Publisher: Edinburgh University Press
Total Pages: 238
Release: 2019-11-27
Genre: Performing Arts
ISBN: 1474444563

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This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations. It situates Costa's filmmaking within the contexts of Portuguese, European and global art film, looking into his working practices alongside the impact of digital video, forms of collaborative authorship, and the intricate dialogue between modes of production and aesthetics. Considering the exhibition, circulation and reception of Costa's creative output in settings such as film festivals, the art gallery circuit and the home video market, ReFocus: The Films of Pedro Costa provides an essential critical analysis of this major filmmaker - as well as of the multifaceted production and consumption practices that surround contemporary art cinema.


The Films of Pedro Costa

The Films of Pedro Costa
Author: Nuno Barradas Jorge
Publisher: Refocus: The International Dir
Total Pages: 0
Release: 2020
Genre: Performing Arts
ISBN: 9781474444538

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This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations. It situates Costa's filmmaking within the contexts of Portuguese, European and global art film, looking into his working practices alongside the impact of digital video, forms of collaborative authorship, and the intricate dialogue between modes of production and aesthetics. Considering the exhibition, circulation and reception of Costa's creative output in settings such as film festivals, the art gallery circuit and the home video market, ReFocus: The Films of Pedro Costa provides an essential critical analysis of this major filmmaker - as well as of the multifaceted production and consumption practices that surround contemporary art cinema. Nuno Barradas Jorge teaches in the Department of Cultural, Media and Visual Studies at the University of Nottingham. He is the co-editor, with Tiago de Luca, of Slow Cinema (Edinburgh University Press, 2016).


Slow Movies

Slow Movies
Author: Ira Jaffe
Publisher: Columbia University Press
Total Pages: 210
Release: 2014-05-14
Genre: Performing Arts
ISBN: 0231169787

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"In all film there is the desire to capture the motion of life, to refuse immobility," Agnes Varda has noted. But to capture the reality of human experience, cinema must fasten on stillness and inaction as much as motion. Slow Movies investigates movies by acclaimed international directors who in the past three decades have challenged mainstream cinema's reliance on motion and action. More than other realist art cinema, slow movies by Lisandro Alonso, Nuri Bilge Ceylan, Pedro Costa, Jia Zhang-ke, Abbas Kiarostami, Cristian Mungiu, Alexander Sokurov, Bela Tarr, Gus Van Sant and others radically adhere to space-times in which emotion is repressed along with motion; editing and dialogue yield to stasis and contemplation; action surrenders to emptiness if not death.


The Political Gesture in Pedro Costa's Films

The Political Gesture in Pedro Costa's Films
Author: Patrícia Sequeira Brás
Publisher: Peter Lang Publishing
Total Pages: 0
Release: 2024
Genre: Performing Arts
ISBN: 9781800798359

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This book offers a new reading of the work of Portuguese filmmaker Pedro Costa. It provides a formal and detailed analysis of his films to suggest that Costa's formal procedures generate a contingency of meaning. The book proposes that Costa's films suggest a critical thinking posited through the materiality of the cinematic medium that is capable of exposing the limits of filmic representation itself. In addition, the author argues that Costa's political gesture derives from the articulation of the intrinsic elements of the filmic medium rather than the depiction of a social reality.


The Intervals of Cinema

The Intervals of Cinema
Author: Jacques Ranciere
Publisher: Verso Books
Total Pages: 161
Release: 2019-09-03
Genre: Art
ISBN: 1788736605

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Cinema, like language, can be said to exist as a system of differences. In his latest book, acclaimed philosopher Jacques Rancière looks at cinematic art in comparison to its corollary forms in literature and theatre. From literature, he argues, cinema takes its narrative conventions, while at the same time effacing literature’s images and philosophy; and film rejects theatre, while also fulfilling theatre’s dream. Built on these contradictions, the cinema is the real, material space in which one is moved by the spectacle of shadows. Thus, for Rancière, film is the perpetually disappointed dream of a language of images.


Pedro Almodovar

Pedro Almodovar
Author: Sanchez-Acre
Publisher:
Total Pages: 304
Release: 2021-01-19
Genre: Biography & Autobiography
ISBN: 9780719074424

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Slow Cinema

Slow Cinema
Author: Tiago de Luca
Publisher: Edinburgh University Press
Total Pages: 320
Release: 2015-12-31
Genre: Performing Arts
ISBN: 0748696059

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Focused on a body of films bound together through a cinematic aesthetic of slowness, this book is a pioneering effort to situate, theorise and map out slow cinema within contemporary global film production and across world cinema history.


Goodbye Cinema, Hello Cinephilia

Goodbye Cinema, Hello Cinephilia
Author: Jonathan Rosenbaum
Publisher: University of Chicago Press
Total Pages: 409
Release: 2010-10-15
Genre: Biography & Autobiography
ISBN: 0226726657

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This book gathers examples of the author's criticism from the span of his writing career, each of which demonstrates his passion for the way we view movies, as well as how we write about them.


Transcendental Style in Film

Transcendental Style in Film
Author: Paul Schrader
Publisher: Univ of California Press
Total Pages: 292
Release: 2018-05-18
Genre: Performing Arts
ISBN: 0520969146

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With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.


Slums on Screen

Slums on Screen
Author: Igor Krstic
Publisher: Edinburgh University Press
Total Pages: 288
Release: 2016-04-26
Genre: Performing Arts
ISBN: 1474406882

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Near to one billion people call slums their home, making it a reasonable claim to describe our world as a 'planet of slums.' But how has this hard and unyielding way of life been depicted on screen? How have filmmakers engaged historically and across the globe with the social conditions of what is often perceived as the world's most miserable habitats?Combining approaches from cultural, globalisation and film studies, Igor Krstic outlines a transnational history of films that either document or fictionalise the favelas, shantytowns, barrios poulares or chawls of our 'planet of slums', exploring the way accelerated urbanisation has intersected with an increasingly interconnected global film culture. From Jacob Riis' How The Other Half Lives (1890) to Danny Boyle's Slumdog Millionaire (2008), the volume provides a number of close readings of films from different historical periods and regions to outline how contemporary film and media practices relate to their past predeccesors, demonstrating the way various filmmakers, both north and south of the equator, have repeatedly grappled with, rejected or continuously modified documentary and realist modes to convey life in our 'planet of slums'.