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| Author | : David B. Hinton |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 172 |
| Release | : 2000 |
| Genre | : Performing Arts |
| ISBN | : 1578860091 |
With access to Leni Riefenstahl's personal archives and film collection, the author explores the contraversial filmmaker's career.
| Author | : Steven Bach |
| Publisher | : Knopf |
| Total Pages | : 434 |
| Release | : 2007 |
| Genre | : Biography |
| ISBN | : 0375404007 |
An exceptional work of historical investigation, "Leni" is the definitive biography of one of the most fascinating and controversial personalities of the 20th century: Leni Riefenstahl, the woman best known as RHitler's filmmaker.
| Author | : Leni Riefenstahl |
| Publisher | : Macmillan |
| Total Pages | : 734 |
| Release | : 1995-01-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780312119263 |
Leni Riefenstahl is best known as director of Triumph of the Will, a film of a Nazi Party Rally, and Olympia, the classic account of the 1936 Berlin Olympics. In this memoir, the author finally discusses her motivations, her history, her important friendships, and, most of all, her art. 40 pages of black-and-white photos.
| Author | : Jürgen Trimborn |
| Publisher | : Macmillan + ORM |
| Total Pages | : 664 |
| Release | : 2008-01-22 |
| Genre | : Biography & Autobiography |
| ISBN | : 1466821647 |
Dancer, actress, mountaineer, and director Leni Riefenstahl's uncompromising will and audacious talent for self-promotion appeared unmatched—until 1932, when she introduced herself to her future protector and patron: Adolf Hitler. Known internationally for two of the films she made for him, Triumph of the Will and Olympia, Riefenstahl's demanding and obsessive style introduced unusual angles, new approaches to tracking shots, and highly symbolic montages. Despite her lifelong claim to be an apolitical artist, Riefenstahl's monumental and nationalistic vision of Germany's traditions and landscape served to idealize the cause of one of the world's most violent and racist regimes. Riefenstahl ardently cast herself as a passionate young director who caved to the pressure to serve an all-powerful Führer, so focused on reinventing the cinema that she didn't recognize the goals of the Third Reich until too late. Jürgen Trimborn's revelatory biography celebrates this charismatic and adventurous woman who lived to 101, while also taking on the myths surrounding her. With refreshing distance and detailed research, Trimborn presents the story of a stubborn and intimidating filmmaker who refused to be held accountable for her role in the Holocaust but continued to inspire countless photographers and filmmakers with her artistry.
| Author | : Audrey Salkeld |
| Publisher | : Random House |
| Total Pages | : 363 |
| Release | : 2011-10-31 |
| Genre | : Biography & Autobiography |
| ISBN | : 1446475271 |
Leni Riefenstahl will always be remembered for her brilliant film of the 1936 Olympic Games in Berlin - still rated as one of the best documentaries ever made. Before that she was acclaimed for her roles in silent feature films, when German cinema was in its artistic heyday in the 1920s. She pioneered the box office success of such classic mountaineering dramas as The White Hell of Piz Palu and then began to direct her own films. The Blue Light was admired by Hitler and led to her filming the Wagnerian Nuremberg Rally of 1934. After the war she was shunned by the film industry, despite a court in 1952 proclaiming her not guilty of supporting the Nazis in a punishable way. Her undoubted charisma led to many affairs and grandiose schemes - deep sea diving in her seventies and still filming wildlife in her nineties. Audrey Salkeld has sifted the fact from the legend and gives us a moving portrait of the great movie `star' who suffered more in the `wilderness' than her enduring fame suggests.
| Author | : Rainer Rother |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 288 |
| Release | : 2003-07-01 |
| Genre | : Social Science |
| ISBN | : 1441159010 |
Leni Riefenstahl achieved fame as a dancer, actress, photographer, and director, but her entire career is colored by her association with the Nazi party. Appointed by Hitler, she directed the Nazi propaganda film Triumph des Willens along with her best-known work Olympia, a documentary of the 1936 Berlin Olympics. By 1939 Riefenstahl was arguably the most famous woman film director in the world; yet, after World War II, she was never again accepted as a filmmaker.Rainer Rother's book provides detailed coverage, from original documentation, of those aspects of Riefenstahl's career she herself has attempted to sanitize. It is a remarkable account of the fascinating life and work of Germany's most controversial photographer and filmmaker.Leni Riefenstahl, one hundred years old in 2002, is one of the most important and controversial filmmakers of the twentieth century. This powerful translation of Rainer Rother's acclaimed exploration of her life focuses both on Riefenstahl the woman and Riefenstahl the director. Although admired by such greats as Walt Disney, Charlie Chaplin, and Andy Warhol, Riefenstahl's achievements are clouded by her association with Nazi Germany and the Third Reich. This overt tension between the political meaning of her work for National Socialism and its essential aesthetic quality forms the basis of this compelling account.
| Author | : Glenn B. Infield |
| Publisher | : |
| Total Pages | : 328 |
| Release | : 1976 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Biography of filmmaker Leni Riefenstahl.
| Author | : Karin Wieland |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 478 |
| Release | : 2015-10-05 |
| Genre | : Biography & Autobiography |
| ISBN | : 1631490966 |
Finalist for the National Book Critics Circle Award (Biography) Named of the Best Books of the Year by the Washington Post and the Boston Globe Magisterial in scope, this dual biography examines two complex lives that began alike but ended on opposite sides of the century’s greatest conflict. Marlene Dietrich and Leni Riefenstahl, born less than a year apart, lived so close to each other that Riefenstahl could see into Dietrich’s Berlin apartment. Coming of age at the dawn of the Weimar Republic, both sought fame in Germany’s burgeoning motion picture industry. While Dietrich’s depiction of Lola-Lola in The Blue Angel catapulted her to Hollywood stardom, Riefenstahl—who missed out on the part—insinuated herself into Hitler’s inner circle to direct groundbreaking if infamous Nazi propaganda films, like Triumph of the Will. Dietrich, who toured tirelessly with the USO, could never truly go home again; Riefenstahl could never shake her Nazi past. Acclaimed German historian Karin Wieland examines these lives within the vicious crosscurrents of a turbulent century, evoking piercing insights into "the modern era’s most difficult questions, about illusion and mass intoxication, art and truth, courage and capitulation" (New Yorker).
| Author | : Leni Riefenstahl |
| Publisher | : St Martins Press |
| Total Pages | : 208 |
| Release | : 1974 |
| Genre | : Photography |
| ISBN | : 9780312136420 |
First published in 1973 and long since out of print, a classic photo essay about life among Africa's Nuba tribe, by one of the century's foremost film directors, is presented in an impressive full-color gift edition.
| Author | : Neil Christian Pages |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 289 |
| Release | : 2008-01-01 |
| Genre | : Performing Arts |
| ISBN | : 0826428002 |
Leni Riefenstahl is larger than life. From the lure of her persona as it enters our homes via television to our pleasure in the recognition of her film images at rock concerts, to her place as part of the history of the Nazi period, Riefenstahl lives on in our imagination and in our cultural productions. Thus, the editors' introduction to this volume examines the manner in which Riefenstahl 'haunts' debates on aesthetics and politics, and how her legacy reverberates in the contemporary cultural scene. The editors view the collection as a three-part framework. The essays in the opening section of the book show that Riefenstahl is still very much alive and well and controversial in popular culture. Her films continue to determine the way in which we think about the Nazi period, providing instantly recognizable images and messages that often go unquestioned. We cannot separate these phenomena from Riefenstahl's years of avid self-fashioning. The second section of the book offers treatments of the shifting, mobile relationship between Riefenstahl's stubborn attempts to create and control her personae and her reactions to others' re-appropriations of the meanings of her life and work. Reading the texts and discourses surrounding 'Riefenstahl, ' these scholars treat her memoirs - and her repeated assertions about herself as a springboard into understanding anew how we might approach her films in a productive way. The closing section of the volume comprises essays that go right to the heart of the matter: Riefenstahl's films and photography. The new contexts theoretical discussions and emerging discourses that animate these essays include Scarry's treatise on beauty, justice and the global, the problems of history and memory, the place of Riefenstahl's filmmaking technique in contemporary cinema, and her appropriation of German musical traditions. Fueled by the work of a diverse range of scholars, then, "Riefenstahl" Screened offers an opportunity to rethink the place of Leni Riefenstahl and her work in contemporary culture and in academic discourse. It insists upon a critical self-examination that maps a topography of how scholars and teachers avail themselves of Riefenstahl's corpus.
