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| Author | : Peter Cooke |
| Publisher | : CUP Archive |
| Total Pages | : 188 |
| Release | : 1986 |
| Genre | : Music |
| ISBN | : 9780521268554 |
A comprehensive study of the Shetland Isles 1970-1980, one of the liveliest fiddle-playing traditions in the world.
| Author | : P. R. Cooke |
| Publisher | : |
| Total Pages | : |
| Release | : 1982 |
| Genre | : |
| ISBN | : |
| Author | : Simon McKerrell |
| Publisher | : Routledge |
| Total Pages | : 310 |
| Release | : 2018-02-15 |
| Genre | : Music |
| ISBN | : 1315467550 |
Scottish traditional music has been through a successful revival in the mid-twentieth century and has now entered a professionalised and public space. Devolution in the UK and the surge of political debate surrounding the independence referendum in Scotland in 2014 led to a greater scrutiny of regional and national identities within the UK, set within the wider context of cultural globalisation. This volume brings together a range of authors that sets out to explore the increasingly plural and complex notions of Scotland, as performed in and through traditional music. Traditional music has played an increasingly prominent role in the public life of Scotland, mirrored in other Anglo-American traditions. This collection principally explores this movement from historically text-bound musical authenticity towards more transient sonic identities that are blurring established musical genres and the meaning of what constitutes ‘traditional’ music today. The volume therefore provides a cohesive set of perspectives on how traditional music performs Scottishness at this crucial moment in the public life of an increasingly (dis)United Kingdom.
| Author | : Pam Swing |
| Publisher | : |
| Total Pages | : 374 |
| Release | : 1991 |
| Genre | : Fiddling |
| ISBN | : |
| Author | : Simon McKerrell |
| Publisher | : Routledge |
| Total Pages | : 320 |
| Release | : 2015-09-16 |
| Genre | : Music |
| ISBN | : 1317806212 |
Focus: Scottish Traditional Music engages methods from ethnomusicology, popular music studies, cultural studies, and media studies to explain how complex Scottish identities and culture are constructed in the traditional music and culture of Scotland. This book examines Scottish music through their social and performative contexts, outlining vocal traditions such as lullabies, mining songs, Scottish ballads, herding songs, and protest songs as well as instrumental traditions such as fiddle music, country dances, and informal evening pub sessions. Case studies explore the key ideas in understanding Scotland musically by exploring ethnicity, Britishness, belonging, politics, transmission and performance, positioning the cultural identity of Scotland within the United Kingdom. Visit the author's companion website at http://www.scottishtraditionalmusic.org/ for additional resources.
| Author | : |
| Publisher | : |
| Total Pages | : 168 |
| Release | : 1985 |
| Genre | : Folklore |
| ISBN | : |
| Author | : Ken Perlman |
| Publisher | : Univ. of Tennessee Press |
| Total Pages | : 494 |
| Release | : 2015-04-24 |
| Genre | : History |
| ISBN | : 1621900975 |
13. The Role of Radio and Recordings -- 14. The Repertoire -- 15. "It's Amazing How Quick It Did Go Down"--16. "If Everybody Does a Little Bit, Great Things Can Happen"--17. "There's Been a Big Revival of Music on the Island" -- Appendix A. Musical Examples -- Appendix B. Lists of Interview Sessions -- Appendix C. Lists of Collected Tunes -- Appendix D. Pronunciation Guide -- Appendix E. Discography and Suggested Listening -- Glossary -- Bibliography -- Index
| Author | : Sean Williams |
| Publisher | : Routledge |
| Total Pages | : 360 |
| Release | : 2013-02-01 |
| Genre | : Music |
| ISBN | : 1135204136 |
Focus: Irish Traditional Music is an introduction to the instrumental and vocal traditions of the Republic of Ireland and Northern Ireland, as well as Irish music in the context of the Irish diaspora. Ireland's size relative to Britain or to the mainland of Europe is small, yet its impact on musical traditions beyond its shores has been significant, from the performance of jigs and reels in pub sessions as far-flung as Japan and Cape Town, to the worldwide phenomenon of Riverdance. Focus: Irish Traditional Music interweaves dance, film, language, history, and other interdisciplinary features of Ireland and its diaspora. The accompanying CD presents both traditional and contemporary sounds of Irish music at home and abroad.
| Author | : R. Anderson Sutton |
| Publisher | : CUP Archive |
| Total Pages | : 328 |
| Release | : 1991-04-26 |
| Genre | : Music |
| ISBN | : 9780521361538 |
This book is a wide-ranging study of the varieties of gamelan music in contemporary Java seen from a regional perspective. While the focus of most studies of Javanese music has been limited to the court-derived music of Surakarta and Yogyakarta, Sutton goes beyond them to consider also gamelan music of Banyumas, Semarang and east Java as separate regional traditions with distinctive repertoires, styles and techniques of performance and conceptions about music. Sutton's description of these traditions, illustrated with numerous musical examples in Javanese cipher notation, is based on extensive field experience in these areas and is informed by the criteria that Javanese musicians judge to be most important in distinguishing them.
| Author | : Brian W. Harvey |
| Publisher | : |
| Total Pages | : 556 |
| Release | : 1995 |
| Genre | : Music |
| ISBN | : |
In this book, Harvey explains in detail the history of violin-making in Britain, from one of the earliest extant English instruments made of iron by John Bunyan in about 1647, to the extensive British craft industry of today, including within his book a comprehensive directory of violin-and-bow-makers of the British Isles, with auction prices. The book includes numerous high-quality color and monochrome illustrations, including samples of the work of the major craftesmen involved. The book is also a social and economic history of stringed instruments, showing how in England in particular the violin was slow to win acceptance by association with gypsies and the devil, and how the cello became the instrument favoured by royalty and the aristocracy. The demand for instruments at any particular time is gauged against musical activity in the country.
