The Feminization of Quest-Romance
Author | : Dana A. Heller |
Publisher | : |
Total Pages | : 152 |
Release | : 1990 |
Genre | : American fiction |
ISBN | : 9780292762619 |
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Author | : Dana A. Heller |
Publisher | : |
Total Pages | : 152 |
Release | : 1990 |
Genre | : American fiction |
ISBN | : 9780292762619 |
Author | : Dana Alice Heller |
Publisher | : |
Total Pages | : 446 |
Release | : 1989 |
Genre | : American fiction |
ISBN | : |
Author | : Dana A. Heller |
Publisher | : University of Texas Press |
Total Pages | : 152 |
Release | : 2014-03-19 |
Genre | : Literary Criticism |
ISBN | : 0292762623 |
What happens when a woman dares to imagine herself a hero? Questing, she sets out for unknown regions. Lighting a torch, she elicits from the darkness stories never told or heard before. The woman hero sails against the tides of great legends that recount the adventures of heroic men, legends deemed universal, timeless, and essential to our understanding of the natural order that holds us and completes us in its spiral. Yet these myths and rituals do not fulfill her need for an empowering self-image nor do they grant her the mobility she requires to imagine, enact, and represent her quest for authentic self-knowledge. The Feminization of Quest-Romance proposes that a female quest is a revolutionary step in both literary and cultural terms. Indeed, despite the difficulty that women writers face in challenging myths, rituals, psychological theories, and literary conventions deemed universal by a culture that exalts masculine ideals and universalizes male experience, a number of revolutionary texts have come into existence in the second half of the twentieth century by such American women writers as Jean Stafford, Mary McCarthy, Anne Moody, Marilynne Robinson, and Mona Simpson, all of them working to redefine the literary portrayal of American women's quests. They work, in part, by presenting questing female characters who refuse to accept the roles accorded them by restrictive social norms, even if it means sacrificing themselves in the name of rebellion. In later texts, female heroes survive their "lighting out" experiences to explore diverse alternatives to the limiting roles that have circumscribed female development. This study of The Mountain Lion, Memories of a Catholic Girlhood, Coming of Age in Mississippi, Housekeeping, and Anywhere but Here identifies transformations of the quest-romance that support a viable theory of female development and offer literary patterns that challenge the male monopoly on transformative knowledge and heroic action.
Author | : Dana A. Heller |
Publisher | : Indiana University Press |
Total Pages | : 252 |
Release | : 1997-07-22 |
Genre | : Social Science |
ISBN | : 9780253210845 |
"... innovative and important thinking about the various relations between feminist theory, queer theory, and lesbian theory, as well as the possibility that liberation can be mutual rather than mutually exclusive." --Lambda Book Report "Challenging and interesting." --Just Out A collection of fifteen interdisciplinary essays examining the history, current condition, and evolving shape of lesbian alliances with U.S. feminists. Contributors explore the social and aesthetic significance of the terms "lesbian" and "feminist" with the interest of reforming and strengthening them.
Author | : Monica Germana |
Publisher | : Edinburgh University Press |
Total Pages | : 217 |
Release | : 2013-03-05 |
Genre | : Literary Criticism |
ISBN | : 0748686347 |
This book provides a critical survey of the gothic texts of late twentieth-century and contemporary Scottish women writers including Kate Atkinson, Ellen Galford, A.L. Kennedy, Ali Smith and Emma Tennant focusing on four themes: quests and other worlds, w
Author | : Heidi Slettedahl MacPherson |
Publisher | : BRILL |
Total Pages | : 272 |
Release | : 2021-07-26 |
Genre | : Literary Criticism |
ISBN | : 9004488855 |
Women’s Movement critically explores the transgressive potential of feminist escape narratives and argues that they are, almost by definition, radically different from paradigmatic male escape narratives. While definitions of escape are necessarily broad, they have too often excluded the ambiguous escape – the escape most closely associated with the female. Indeed, feminist escape narratives often resist a happy ending, and Women’s Movement argues that these narrative closures reflect the changing face of feminism, as it sheds its old certainties, is faced with a monumental “backlash” and is refigured as the potentially less threatening “postfeminism”. Resisting the automatic association of “escape” with “escapist,” Women’s Movement analyzes male adventure and quest narratives, including Moby-Dick, The Adventures of Huckleberry Finn, Blood Meridian, and Deliverance, before turning to a range of feminist texts. While being the first book to give critical attention to some postfeminist novels, Women’s Movement more often acts as a channel for offering different ways of approaching familiar feminist texts, including, among others, Marian Engel’s Bear, Atwood’s Surfacing and The Handmaid’s Tale, Joan Barfoot’s Gaining Ground and Dancing in the Dark, Anne Tyler’s Earthly Possessions and Ladder of Years, Marilynne Robinson’s Housekeeping, Erica Jong’s Fear of Flying and Margaret Laurence’s The Diviners.
Author | : Alexandra Ganser |
Publisher | : Rodopi |
Total Pages | : 342 |
Release | : 2009 |
Genre | : History |
ISBN | : 9042025522 |
Reading Jack Kerouac's classic On the Road through Virginia Woolf's canonical A Room of One's Own, the author of this book examines a genre in North American literature which, despite its popularity, has received little attention in literary and cultural criticism: women's road narratives. The study shows how women's literature has inscribed itself into the American discourse of the Whitmanesque "open road", or, more generally, the "freedom of the road". Women writers have participated in this powerful American myth, yet at the same time also have rejected that myth as fundamentally based on gendered and racial/ethnic hierarchies and power structures, and modified it in the process of writing back to it. The book analyzes stories about female runaways, outlaws, questers, adventurers, kidnappees, biker chicks, travelling saleswomen, and picaras and makes theoretical observations on the debates regarding discourses of spatiality and mobility--debates which have defined the so-called spatial turn in the humanities. The analytical concept of transdifference is introduced to theorize the dissonant plurality of social and cultural affiliations as well as the narrative tensions produced by such pluralities in order to better understand the textual worlds of women's multiple belongings as they are present in these writings. Roads of Her Own is thus not only situated in the broader context of a constructivist cultural studies, but also, by discussing narrative mobility under the sign of gender, combines insights from social theory and philosophy, feminist cultural geography, and literary studies. Key names and concepts: Doreen Massey - Rosi Braidotti - Literary Studies - Spatial Turn - Gendered Space and Mobility - Nomadism - Road writing - Transdifference - American Culture - Popular Culture - Women's Literature after the Second Wave - Quest - Picara.
Author | : Stella Bolaki |
Publisher | : Rodopi |
Total Pages | : 281 |
Release | : 2011 |
Genre | : History |
ISBN | : 940120067X |
Unsettling the Bildungsroman combines genre and cultural theory and offers a cross-ethnic comparative approach to the tradition of the female novel of development and the American coming-of-age narrative. Examines the work of Jamaica Kincaid, Sandra Cisneros, Maxine Hong Kingston, and Audre Lorde.
Author | : Claudia Slate |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 291 |
Release | : 2009-03-26 |
Genre | : History |
ISBN | : 1443806293 |
Florida was the first region of the United States to be discovered, explored, and, after a fashion, settled by Euroamericans. Its population in the early 21st century is approaching 17 million. Within years the number of people living in the state will surpass those living in New York, and the Sunshine State will become the most populous area east of the Mississippi. The first book in English about Florida was written by Jean Ribault. A French adventurer, Ribault established a colony of Huguenots near present-day Jacksonville. He was captured by the very able Spanish commander Pedro Menendez, who ordered his French rival and all his minions killed. The state’s long and colorful past is matched by its equally long and colorful literary production. Strangely, critical assessment of Florida literature has lagged far behind. With this volume, the Florida College English Association has formally begun an effort to correct this lamentable oversight. Included are papers on every aspect of Florida literature and history by scholars from every part of the state who are employed in every kind of institution of higher learning. Of special interest are the studies of Florida literature in the 19th century and in the late 20th and early 21st centuries, areas that are generally ignored in national journals. The papers on the contributions of African-American literary figures, such as Zora Hurston and James Weldon Johnson, are noteworthy. Of particular interest are the suggestions for teaching Florida studies in the classroom, which can be adapted for high school as well as college students.
Author | : Richard Halpern |
Publisher | : Cornell University Press |
Total Pages | : 304 |
Release | : 2018-09-05 |
Genre | : Literary Criticism |
ISBN | : 1501725483 |
Modernist writers, critics, and artists sparked a fresh and distinctive interpretation of Shakespeare's plays which has proved remarkably tenacious, as Richard Halpern explains in this lively and provocative book. The preoccupations of such high modernists as T. S. Eliot, Wyndham Lewis, and James Joyce set the tone for the critical reception of Shakespeare in the twentieth century. Halpern contends their habits of thought continue to dominate postmodern schools of criticism that claim to have broken with the modernist legacy. Halpern addresses such topics as imperialism and modernism's cult of the primitive, the rise of mass culture, modernist anti-semitism, and the aesthetic of the machine. His discussion considers figures as diverse as Orson Welles and Arnold Schwarzenegger, and Shakespeare critics including Northrop Frye, Cleanth Brooks, Stephen Greenblatt, and Stanley Cavell. Shakespeare's works have been subjected to a continuing process of historical reinterpretation in which every new era has imposed its own cultural and ideological presuppositions on the plays. The most enduring contribution of modernism, Halpern suggests, has been the juxtaposition of an awareness of historical distance and a mapping of Shakespeare's plays onto the present. Using modernist themes and approaches, he constructs new readings of four Shakespeare plays.