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| Author | : Eddie Campbell |
| Publisher | : Macmillan |
| Total Pages | : 104 |
| Release | : 2006-05-02 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 9781596431713 |
Publisher Description
| Author | : Philip Pothen |
| Publisher | : Routledge |
| Total Pages | : 243 |
| Release | : 2017-08-03 |
| Genre | : Philosophy |
| ISBN | : 1351585037 |
This title was first published in 2002. Challenging the accepted orthodoxy on Nietzsche's views on art, this book seeks both to challenge and to establish a new set of concerns as far as discourses on Nietzsche's thoughts on aesthetics are concerned, whilst at the same time using such insights to illuminate more central concerns of Nietzsche scholarship, such as the will to power, the illusion/truth question, the eternal return, the death of God, tragedy, Wagner. Following the development of Nietzsche's thoughts on art from his earliest writings to his last, Pothen counters traditionally accepted interpretations by suggesting a need to recognize the deep suspicion and at times hostility that Nietzsche displays towards art and the artist throughout his text by emphasising the philosophical arguments underlying this deep suspicion, and by viewing this tendency as something deeply connected to the other areas of his thought. Readers with interests in Nietzsche studies, aesthetics, German philosophy, and the philosophy of music, will find this a particularly invaluable and distinctive contribution to Nietzsche scholarship.
| Author | : J. M. Bernstein |
| Publisher | : Penn State Press |
| Total Pages | : 306 |
| Release | : 1992 |
| Genre | : Philosophy |
| ISBN | : 9780271008394 |
Aesthetic alienation may be described as the paradoxical relationship whereby art and truth have come to be divorced from one another while nonetheless remaining entwined. J. M. Bernstein not only finds the separation of art and truth problematic, but also contends that we continue to experience art as sensuous and particular, thus complicating and challenging the cultural self-understanding of modernity. Bernstein focuses on the work of four key philosophers--Kant, Heidegger, Derrida, and Adorno--and provides powerful new interpretations of their views. Bernstein shows how each of the three post-Kantian aesthetics (its concepts of judgment, genius, and the sublime) to construct a philosophical language that can criticize and displace the categorical assumption of modernity. He also examines in detail their responses to questions concerning the relations among art, philosophy, and politics in modern societies.
| Author | : Carter Ratcliff |
| Publisher | : Routledge |
| Total Pages | : 335 |
| Release | : 2019-07-09 |
| Genre | : Art |
| ISBN | : 1000301389 |
I am indebted first to Thomas B. Hess and James Fitzsimmons, the editors of Artnews and Art International, who encouraged me to publish the essays and reviews that led, years later, to this book. I am equally grateful for the encouragement I have received from Elizabeth C. Baker, the editor of Art in America.
| Author | : Magdalena Abakanowicz |
| Publisher | : |
| Total Pages | : 250 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : |
"Magdalena Abakanowicz was born to aristocratic parents in 1930 and raised on their country estate. She came of age against the tumultuous background of World War II and its aftermath. Today she is revered for her uncompromising, individualistic vision developed in her native Poland under the hostile eyes of the repressive Communist regime that was in power for most of her adult life. She has personally witnessed the worst of humanity's instinct for destructive behavior and has made art that unflinchingly presents the human condition. She had, by the 1960s, gained the beginning of an international reputation as a sculptor in soft materials with the creation of monumental environments called Abakans." "She changed sculpture from "object to look at" into "space to experience". Monumental, powerful compositions in bronze or stone, iron or concrete have been created for specific locations and are permanently installed as environments accessible to people." "Magdalena Abakanowicz also draws and paints, has choreographed dances performed by Japanese and Polish youngsters, and has designed Arboreal Architecture - buildings as "vertical gardens" - to be used as part of an extension to the principal axis in the city of Paris." "She has been determined from the very beginning to build her own vision of reality. She has never followed trends, all her creations being dictated by her imagination."--BOOK JACKET.
| Author | : Oliver Jeffers |
| Publisher | : Penguin |
| Total Pages | : 96 |
| Release | : 2019-09-17 |
| Genre | : Juvenile Fiction |
| ISBN | : 0593115031 |
A TIME Best Children's Book of 2019! A Chicago Public Library 2019 Best of the Best Book! *"This minimalistic masterpiece is a must-read for all ages." --School Library Journal (starred review!) A quirky, cautionary tale from beloved New York Times bestselling picture book creator Oliver Jeffers! There was once a man who believed he owned everything and set out to survey what was his. "You are mine," Fausto said to the flower, the sheep, and the mountain, and they all bowed before him. But they were not enough for Fausto, so he conquered a boat and set out to sea . . . Combining bold art and powerful prose, and working in traditional lithographic printmaking techniques for the first time, world-renowned talent Oliver Jeffers has created a poignant modern-day fable to touch the hearts of adults and children alike. Praise for The Fate of Fausto: "Jeffers paints Fausto and the objects of his desire with the nonchalant finesse he is known for and in the richly saturated colors he generally favors... Jeffers delivers swift justice in a few concluding words that make for an ending that satisfies for being both fair-minded and irrevocable."--New York Times Book Review "Boldly conceived and gracefully executed."--Publishers Weekly "A parable sure to spark lively discussions." --Booklist "A cautionary fable on the banality of belligerence." --Kirkus Reviews
| Author | : Elizabeth Hill Boone |
| Publisher | : University of Texas Press |
| Total Pages | : 527 |
| Release | : 2013-05-17 |
| Genre | : History |
| ISBN | : 0292756569 |
In communities throughout precontact Mesoamerica, calendar priests and diviners relied on pictographic almanacs to predict the fate of newborns, to guide people in choosing marriage partners and auspicious wedding dates, to know when to plant and harvest crops, and to be successful in many of life's activities. As the Spanish colonized Mesoamerica in the sixteenth century, they made a determined effort to destroy these books, in which the Aztec and neighboring peoples recorded their understanding of the invisible world of the sacred calendar and the cosmic forces and supernaturals that adhered to time. Today, only a few of these divinatory codices survive. Visually complex, esoteric, and strikingly beautiful, painted books such as the famous Codex Borgia and Codex Borbonicus still serve as portals into the ancient Mexican calendrical systems and the cycles of time and meaning they encode. In this comprehensive study, Elizabeth Hill Boone analyzes the entire extant corpus of Mexican divinatory codices and offers a masterful explanation of the genre as a whole. She introduces the sacred, divinatory calendar and the calendar priests and diviners who owned and used the books. Boone then explains the graphic vocabulary of the calendar and its prophetic forces and describes the organizing principles that structure the codices. She shows how they form almanacs that either offer general purpose guidance or focus topically on specific aspects of life, such as birth, marriage, agriculture and rain, travel, and the forces of the planet Venus. Boone also tackles two major areas of controversy—the great narrative passage in the Codex Borgia, which she freshly interprets as a cosmic narrative of creation, and the disputed origins of the codices, which, she argues, grew out of a single religious and divinatory system.
| Author | : Type Moon |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2014-05-27 |
| Genre | : Art |
| ISBN | : 9781927925126 |
The Fate franchise has grown from a popular visual novel intomultiple anime & manga series, video games, and more. Fate/CompleteMaterial Volume1 is the first in an art book series, and collects thein-game artwork from the original Fate/Stay Night visual novel, plus keyvisuals and promotional artwork.
| Author | : Stephanie Barron |
| Publisher | : Harry N. Abrams |
| Total Pages | : 423 |
| Release | : 1991-04-15 |
| Genre | : Art |
| ISBN | : 9780810936539 |
Looks at the reconstructed exhibit of degenerate art censored by the Nazis in 1937
| Author | : Elisabeth Lasch-Quinn |
| Publisher | : University of Notre Dame Pess |
| Total Pages | : 567 |
| Release | : 2020-10-15 |
| Genre | : Philosophy |
| ISBN | : 0268108919 |
Despite the flood of self-help guides and our current therapeutic culture, feelings of alienation and spiritual longing continue to grip modern society. In this book, Elisabeth Lasch-Quinn offers a fresh solution: a return to classic philosophy and the cultivation of an inner life. The ancient Roman philosopher Cicero wrote that philosophy is ars vitae, the art of living. Today, signs of stress and duress point to a full-fledged crisis for individuals and communities while current modes of making sense of our lives prove inadequate. Yet, in this time of alienation and spiritual longing, we can glimpse signs of a renewed interest in ancient approaches to the art of living. In this ambitious and timely book, Elisabeth Lasch-Quinn engages both general readers and scholars on the topic of well-being. She examines the reappearance of ancient philosophical thought in contemporary American culture, probing whether new stirrings of Gnosticism, Stoicism, Epicureanism, Cynicism, and Platonism present a true alternative to our current therapeutic culture of self-help and consumerism, which elevates the self’s needs and desires yet fails to deliver on its promises of happiness and healing. Do the ancient philosophies represent a counter-tradition to today’s culture, auguring a new cultural vibrancy, or do they merely solidify a modern way of life that has little use for inwardness—the cultivation of an inner life—stemming from those older traditions? Tracing the contours of this cultural resurgence and exploring a range of sources, from scholarship to self-help manuals, films, and other artifacts of popular culture, this book sees the different schools as organically interrelated and asks whether, taken together, they can point us in important new directions. Ars Vitae sounds a clarion call to take back philosophy as part of our everyday lives. It proposes a way to do so, sifting through the ruins of long-forgotten and recent history alike for any shards helpful in piecing together the coherence of a moral framework that allows us ways to move forward toward the life we want and need.
