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Freedom on the Fatal Shore

Freedom on the Fatal Shore
Author: John Hirst
Publisher: Black Inc.
Total Pages: 512
Release: 2008-05-01
Genre: History
ISBN: 1921866322

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Freedom on the Fatal Shore brings together John Hirst's two books on the early history of New South Wales. Both are classic accounts which have had a profound effect on the understanding of our history. This combined edition includes a new foreword by the author. Convicts with their "own time", convicts with legal rights, convicts making money, convicts getting drunk - what sort of prison was this? Hirst describes how the convict colony actually worked and how Australian democracy came into being, despite the opposition of the most powerful. He writes: "This was not a society that had to become free; its freedoms were well established from the earliest times." “Colonial Australia was a more ‘normal’ place than one might imagine from the folkloric picture of society governed by the lash and the triangle, composed of groaning white slaves tyrannised by ruthless masters. The book that best conveys this and has rightly become a landmark in recent studies of the System is J.B. Hirst’s Convict Society and Its Enemies.” —Robert Hughes, The Fatal Shore “Anyone with an interest in Australian political culture will find The Strange Birth of Colonial Democracy invaluable.” —Professor Colin Hughes, former Electoral Commissioner for the Commonwealth


Barcelona

Barcelona
Author: Robert Hughes
Publisher: Vintage
Total Pages: 593
Release: 1993-03-09
Genre: History
ISBN: 0679743839

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A monumentally informed and irresistibly opinionated guide to the most un-Spanish city in Spain, from the bestselling author of The Fatal Shore. In these pages, Robert Hughes scrolls through Barcelona's often violent history; tells the stories of its kings, poets, magnates, and revolutionaries; and ushers readers through municipal landmarks that range from Antoni Gaudi's sublimely surreal cathedral to a postmodern restaurant with a glass-walled urinal. The result is a work filled with the attributes of Barcelona itself: proportion, humor, and seny—the Catalan word for triumphant common sense.


Gallipoli

Gallipoli
Author: Harvey Broadbent
Publisher: Michael Joseph
Total Pages: 0
Release: 2009
Genre: Gallipoli Peninsula (Turkey)
ISBN: 9780143011330

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It was an adventure to die for. A daring attempt to force the Dardanelles and capture the Turkish capital Constantinople. For the Allies it was the Trojan War and crusade combined. The Gallipoli Campaing was to become one of the most savagely contested of the First World War.On 25 April 1915, Allied troops stormed the cliffs of Gallipoli. Twenty-eight thousand Australians were killed and wounded in the bloody, eight-month campaign. The raging battles of the Landing, the desperate assault on Lone Pine, the gallant but futile charge at the Nek, are all engraved on the national psyche. Gallipoli is now regarded as a defining episode in Australian history. It is an extraordinary story of determination and courage, as the intrepid and resourceful Anzacs displayed the spirit that was to distinguish them on the Western Front as the Empire's most formidable offensive troops.This book by Harvey Broadbent, a leading authority on the campaign and producer of the acclaimed ABC documentary Gallipoli: The Fatal Shore, seeks to convey the story of Gallipoli to Australians of all ages. It features a foreword by General Peter Cosgrove, Chief of the Australian Defence Force.


The Spectacle of Skill

The Spectacle of Skill
Author: Robert Hughes
Publisher: Vintage
Total Pages: 690
Release: 2016-11-29
Genre: Literary Criticism
ISBN: 030738599X

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Over the course of his distinguished career, Robert Hughes wrote with brutal honesty about art, architecture, culture, religion—and himself. The Spectacle of Skill brings together some of his most unforgettable pieces, culled from nine of his most widely read and important books, alongside never-before-published pages from his unfinished second volume of memoirs. Showcasing Hughes’s enormous range, this indispensable anthology offers a uniquely cohesive view of both the critic and the man.


Things I Didn't Know

Things I Didn't Know
Author: Robert Hughes
Publisher: Vintage
Total Pages: 418
Release: 2009-06-03
Genre: Biography & Autobiography
ISBN: 0307498271

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Robert Hughes has trained his critical eye on many major subjects, from the city of Barcelona to the history of his native Australia. Now he turns that eye inward, onto himself and the world that formed him. Hughes analyzes his experiences the way he might examine a Van Gogh or a Picasso. From his relationship with his stern and distant father to his Catholic upbringing and school years; and from his development as an artist, writer, and critic to his growing appreciation of art and his exhilaration at leaving Australia to discover a new life, Hughes’ memoir is an extraordinary feat of exploration and celebration.


Van Diemen's Land (Large Print 16pt)

Van Diemen's Land (Large Print 16pt)
Author: James Boyce
Publisher: ReadHowYouWant.com
Total Pages: 622
Release: 2010-08
Genre: History
ISBN: 1459600002

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Large print.


Goya

Goya
Author: Robert Hughes
Publisher: Knopf
Total Pages: 747
Release: 2012-05-23
Genre: Biography & Autobiography
ISBN: 0307809625

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Robert Hughes, who has stunned us with comprehensive works on subjects as sweeping and complex as the history of Australia (The Fatal Shore), the modern art movement (The Shock of the New), the nature of American art (American Visions), and the nature of America itself as seen through its art (The Culture of Complaint), now turns his renowned critical eye to one of art history’s most compelling, enigmatic, and important figures, Francisco José de Goya y Lucientes. With characteristic critical fervor and sure-eyed insight, Hughes brings us the story of an artist whose life and work bridged the transition from the eighteenth-century reign of the old masters to the early days of the nineteenth-century moderns. With his salient passion for the artist and the art, Hughes brings Goya vividly to life through dazzling analysis of a vast breadth of his work. Building upon the historical evidence that exists, Hughes tracks Goya’s development, as man and artist, without missing a beat, from the early works commissioned by the Church, through his long, productive, and tempestuous career at court, to the darkly sinister and cryptic work he did at the end of his life. In a work that is at once interpretive biography and cultural epic, Hughes grounds Goya firmly in the context of his time, taking us on a wild romp through Spanish history; from the brutality and easy violence of street life to the fiery terrors of the Holy Inquisition to the grave realities of war, Hughes shows us in vibrant detail the cultural forces that shaped Goya’s work. Underlying the exhaustive, critical analysis and the rich historical background is Hughes’s own intimately personal relationship to his subject. This is a book informed not only by lifelong love and study, but by his own recent experiences of mortality and death. As such this is a uniquely moving and human book; with the same relentless and fearless intelligence he has brought to every subject he has ever tackled, Hughes here transcends biography to bring us a rich and fiercely brave book about art and life, love and rage, impotence and death. This is one genius writing at full capacity about another—and the result is truly spectacular.


Nothing If Not Critical

Nothing If Not Critical
Author: Robert Hughes
Publisher: Knopf
Total Pages: 624
Release: 2012-02-22
Genre: Art
ISBN: 0307809595

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From Holbein to Hockney, from Norman Rockwell to Pablo Picasso, from sixteenth-century Rome to 1980s SoHo, Robert Hughes looks with love, loathing, warmth, wit and authority at a wide range of art and artists, good, bad, past and present. As art critic for Time magazine, internationally acclaimed for his study of modern art, The Shock of the New, he is perhaps America’s most widely read and admired writer on art. In this book: nearly a hundred of his finest essays on the subject. For the realism of Thomas Eakins to the Soviet satirists Komar and Melamid, from Watteau to Willem de Kooning to Susan Rothenberg, here is Hughes—astute, vivid and uninhibited—on dozens of famous and not-so-famous artists. He observes that Caravaggio was “one of the hinges of art history; there was art before him and art after him, and they were not the same”; he remarks that Julian Schnabel’s “work is to painting what Stallone’s is to acting”; he calls John Constable’s Wivenhoe Park “almost the last word on Eden-as-Property”; he notes how “distorted traces of [Jackson] Pollock lie like genes in art-world careers that, one might have thought, had nothing to do with his.” He knows how Norman Rockwell made a chicken stand still long enough to be painted, and what Degas said about success (some kinds are indistinguishable from panic). Phrasemaker par excellence, Hughes is at the same time an incisive and profound critic, not only of particular artists, but also of the social context in which art exists and is traded. His fresh perceptions of such figures as Andy Warhol and the French writer Jean Baudrillard are matched in brilliance by his pungent discussions of the art market—its inflated prices and reputations, its damage to the public domain of culture. There is a superb essay on Bernard Berenson, and another on the strange, tangled case of the Mark Rothko estate. And as a finale, Hughes gives us “The SoHoiad,” the mock-epic satire that so amused and annoyed the art world in the mid-1980s. A meteor of a book that enlightens, startles, stimulates and entertains.


The Human Shore

The Human Shore
Author: John R. Gillis
Publisher: University of Chicago Press
Total Pages: 252
Release: 2015-11-17
Genre: History
ISBN: 022632429X

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Since before recorded history, people have congregated near water. But as growing populations around the globe continue to flow toward the coasts on an unprecedented scale and climate change raises water levels, our relationship to the sea has begun to take on new and potentially catastrophic dimensions. The latest generation of coastal dwellers lives largely in ignorance of the history of those who came before them, the natural environment, and the need to live sustainably on the world’s shores. Humanity has forgotten how to live with the oceans. In The Human Shore, a magisterial account of 100,000 years of seaside civilization, John R. Gillis recovers the coastal experience from its origins among the people who dwelled along the African shore to the bustle and glitz of today’s megacities and beach resorts. He takes readers from discussion of the possible coastal location of the Garden of Eden to the ancient communities that have existed along beaches, bays, and bayous since the beginning of human society to the crucial role played by coasts during the age of discovery and empire. An account of the mass movement of whole populations to the coasts in the last half-century brings the story of coastal life into the present. Along the way, Gillis addresses humankind’s changing relationship to the sea from an environmental perspective, laying out the history of the making and remaking of coastal landscapes—the creation of ports, the draining of wetlands, the introduction and extinction of marine animals, and the invention of the beach—while giving us a global understanding of our relationship to the water. Learned and deeply personal, The Human Shore is more than a history: it is the story of a space that has been central to the attitudes, plans, and existence of those who live and dream at land’s end.


Culture of Complaint

Culture of Complaint
Author: Robert Hughes
Publisher: Harvill Press
Total Pages: 176
Release: 1999
Genre: Arts and society
ISBN: 9781860466373

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In this witty and belligerent polemic Robert Hughes inspects and dismantles the core elements of the contemporary American ethos. To the left, he skewers political correctness, Afro-centrism and academic obsession with theory. To the right, he fires broadsides at free-market capitalist demagogy. Hughes is superbly scathing about politically correct shibboleths which are idle gestures rather than real solutions to the problems of racism and sexism; he identifies the confusion between thinking and feeling which bedevils much debate and which leads people to equate intellectual disagreement with personal attack; he uses his own experiences as an art critic and historian to launch a blistering attack on many of the trends in contemporary art. Hughes identifies a hollowness at the cultural core of America and, in this lucid and invigorating diagnosis of a great nation at odds with itself, he has written a masterpiece of robust polemic.