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| Author | : Hanna Scolnicov |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Experimental drama, American |
| ISBN | : 9781611493504 |
Scolnicov highlights Harold Pinter as an experimental playwright who attempted to free the theatre from the legacy of realism, causality, and motivation.
| Author | : Martin Esslin |
| Publisher | : Taylor & Francis |
| Total Pages | : 195 |
| Release | : 2022-09-01 |
| Genre | : Drama |
| ISBN | : 1000643530 |
First published in 1977, the third edition of Pinter is an excellent analysis of Harold Pinter and his works. Written when Pinter was only a few plays old, the book draws on several sources, including interviews with Pinter himself, to comment on Pinter’s career, his aesthetic and philosophical choices, and his oeuvre as a writer. The section devoted to his individual plays has been arranged in a chronological manner to visually represent the growth of the playwright and the relationship shared between his early and later works. Esslin, known for coining the term ‘theatre of the absurd,’ was himself an inspiration to Pinter and hence, the book records an intellectual and creative exchange between the author and his subject. The book will be of interest to students of literature, drama, history as well as to an academically inclined theatre audience.
| Author | : Basil Chiasson |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 241 |
| Release | : 2021-01-28 |
| Genre | : Performing Arts |
| ISBN | : 1350133647 |
This important book offers a thematic collection of critical essays, ideal for undergraduate courses on modern British theatre, on Harold Pinter's theatrical works, alongside new interviews with contemporary theatre practitioners. The life and works of Harold Pinter (1930–2008), a pivotal figure in British theatre, have been widely discussed, debated and celebrated internationally. For over five decades, Pinter's work traversed and redefined various forms and genres, constantly in dialogue with, and often impacting the work of, other writers, artists and activists. Combining a reconsideration of key Pinter scholarship with new contexts, voices and theoretical approaches, this book opens up fresh insights into the author's work, politics, collaborations and his enduring status as one of the world's foremost dramatists. Three sections re-contextualize Pinter as a cultural figure; explore and interrogate his influence on contemporary British playwriting; and offer a series of original interviews with theatre-makers engaging in the staging of Pinter's work today. Reconsiderations of Pinter's relationship to literary and theatrical movements such as Modernism and the Theatre of the Absurd; interrogations of the role of class, elitism and religious and cultural identity sit alongside chapters on Pinter's personal politics, specifically in relation to the Middle East.
| Author | : Mary F. Brewer |
| Publisher | : Rodopi |
| Total Pages | : 286 |
| Release | : 2009 |
| Genre | : Drama |
| ISBN | : 9042025565 |
This collection of essays focuses on one of Harold Pinter's most popular and challenging plays, The Dumb Waiter, while addressing also a range of significant issues current in Pinter studies and which are applicable beyond this play. The interesting and provocative dialogues between established and emerging scholars featured here provide close readings of The Dumb Waiter, within relevant cultural and historical contexts and from a range of theoretical perspectives. The essays range over issues of autobiography and theater, genre studies, and the impact of Pinter's political activism on his dramatic production, among others. The collection is also concerned with the meaning of the play when assessed against other example's of Pinter's work, both dramatic and non-dramatic writing. Each contributor shows a gift for presenting a complex argument in an accessible style, making this book an important resource for a wide range of readers, from undergraduates to postgraduates and specialist researchers. The collection offers essays that approach The Dumb Waiter, from an interdisciplinary perspective and as both a literary and dramatic text. Thus, the book should be of equal significance to those encountering Pinter within the context of English Studies, drama, and performance.
| Author | : Mark Taylor-Batty |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 288 |
| Release | : 2014-03-13 |
| Genre | : Literary Criticism |
| ISBN | : 1408175320 |
The plays of the late Nobel laureate Harold Pinter have formed part of the canon of world theatre since the 1960s. Frequently revived on the professional stage, and studied on almost every Theatre Studies course, his importance and influence is hard to overestimate. This Critical Companion offers an assessment of Pinter's entire body of work for the stage, appraising his skill as a dramatist and considering his impact and legacy. Through a clear focus on issues of theatricality and the effect of the plays in performance The Theatre of Harold Pinter considers Pinter's chief narrative concerns and offers a unifying theme through which over four decades of work may be understood. Plays are considered in themed chapters that follow the chronological sequence of work, illuminating the development of his aesthetic and concerns. The volume features too a series of essays from other leading scholars presenting different critical perspectives on the work, including Harry Burton on Pinter's early drama; Ann Hall on Revisiting Pinter's Women; Chris Megson on Pinter's Memory Plays of the 1970s, and Basil Chiasson on Neoliberalism and Democracy.
| Author | : Binnie Brand Yeates |
| Publisher | : Booktango |
| Total Pages | : 39 |
| Release | : 2013-12-26 |
| Genre | : Literary Criticism |
| ISBN | : 1468942220 |
Why were Harold Pinter’s plays met with so much disdain in the early years, when he has since been acknowledged as one of the greatest British dramatists of the twentieth century? In this study, Binnie Brand Yeates examines and compellingly demonstrates, through Pinter’s striking theatrical skills and the behaviour, motivation and language of the characters in the plays written between 1957 and 1964, the probable cause of the alienation, and leaves no doubt that, though controversial, Pinter has in fact always been an extremely powerful and accomplished playwright. One of the first commentaries ever written on Pinter’s plays, now with a 2013 Postscript covering 'The Hothouse' and selected plays written between 1978 and 1991, this is an original, thought-provoking and eye-opening interpretation, an essential reader for students, theatre lovers and Pinter devotees alike. “What Binnie Yeates offers here is not just another set of thoughts on Pinter's early plays, but one that captures a snapshot of the growth of his reputation in the mid-sixties. Based upon a dissertation that Binnie wrote in 1966, she effectively summarises the first key phase of Pinter’s writing up to and including the career-defining 'The Homecoming'. With little dedicated Pinter scholarship available at the time of the original study, Yeates considered Pinter free from too much critical noise on her subject, and did so predominantly through considering character and motivation. She offers thoughts on Pinter's signatures of menace, status and game-playing, and how his work affected audience through specific uses of language and the impact of disorientation. The work captures an admiration for the playwright in a passionately articulated defence and appreciation of his plays, and reminds us of a time when his reputation was still being defined.” Dr Mark Taylor-Batty Senior Lecturer in Theatre Studies, University of Leeds; Executive, International Harold Pinter Society
| Author | : Robert Gordon |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Dramatists |
| ISBN | : 9780472051243 |
An incisive look at the major plays of Harold Pinter
| Author | : Peter Raby |
| Publisher | : Cambridge University Press |
| Total Pages | : 349 |
| Release | : 2009-03-19 |
| Genre | : Drama |
| ISBN | : 1139828398 |
Harold Pinter was one of the world's leading and most controversial writers, and his impact and influence continues to grow. This Companion examines the wide range of Pinter's work - his writing for theatre, radio, television and screen, and also his highly successful work as a director and actor. Substantially updated and revised, this second edition covers the many developments in Pinter's career since the publication of the first edition, including his Nobel Prize for Literature win in 2005, his appearance in Samuel Beckett's play Krapp's Last Tape and recent productions of his plays. Containing essays written by both academics and leading practitioners, the volume places Pinter's writing within the critical and theatrical context of his time and considers its reception worldwide. Including three new essays, new production photographs, five updated and revised chapters and an extended chronology, the Companion provides fresh perspectives on Pinter's work.
| Author | : James R. Hollis |
| Publisher | : Carbondale : Southern Illinois University Press |
| Total Pages | : 166 |
| Release | : 1970 |
| Genre | : Drama |
| ISBN | : |
This first full-length book on Pinter goes beyond an introductory study to an examination of the isolation characters in his plays endure and the lack of communication they bear. Dealing with Pinter's principal works, from his first play, The Room (1957), through his most recent, Silence (1969), Hollis shows that Pinter has created a new poetic, in which the real presence, silence, communicates--reflecting fears of real people searching for basic human needs.
| Author | : Harold Pinter |
| Publisher | : |
| Total Pages | : 241 |
| Release | : 1991-01 |
| Genre | : English drama |
| ISBN | : 9780571160761 |
This revised third volume of Harold Pinter's work includes The Homecoming, Old Times, No Man's Land, four shorter plays, six revue sketches and a short story. It also contains the speech given by Pinter in 1970 on being awarded the German Shakespeare Prize. The Homecoming 'Of all Harold Pinter's major plays, The Homecoming has the most powerful narrative line...You are fascinated, lured on, sucked into the vortex.' Sunday Telegraph 'The most intense expression of compressed violence to be found anywhere in Pinter's plays.' The Times Old Times 'A rare quality of high tension is evident, revealing in Old Times a beautifully controlled and expressive formality that has seldom been achieved since the plays of Racine.' Financial Times 'Harold Pinter's poetic, Proustian Old Times has the inscrutability of a mysterious picture, and the tension of a good thriller.' Independent No Man's Land 'The work of our best living playwright in its command of the language and its power to erect a coherent structure in a twilight zone of confusion and dismay.' The Times
