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| Author | : Deborah Jee-Sun Chung |
| Publisher | : |
| Total Pages | : 232 |
| Release | : 2003 |
| Genre | : Art and society |
| ISBN | : |
| Author | : Eric Michaud |
| Publisher | : Stanford University Press |
| Total Pages | : 372 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : 9780804743273 |
The Cult of Art in Nazi Germany presents a new interpretation of National Socialism, arguing that art in the Third Reich was not simply an instrument of the regime, but actually became a source of the racist politics upon which its ideology was founded. Through the myth of the "Aryan race," a race pronounced superior because it alone creates culture, Nazism asserted art as the sole raison d'être of a regime defined by Hitler as the "dictatorship of genius." Michaud shows the important link between the religious nature of Nazi art and the political movement, revealing that in Nazi Germany art was considered to be less a witness of history than a force capable of producing future, the actor capable of accelerating the coming of a reality immanent to art itself.
| Author | : Moritz Föllmer |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 331 |
| Release | : 2020-05-25 |
| Genre | : History |
| ISBN | : 0198814607 |
'It's like being in a dream', commented Joseph Goebbels when he visited Nazi-occupied Paris in the summer of 1940. Dream and reality did indeed intermingle in the culture of the Third Reich, racialist fantasies and spectacular propaganda set-pieces contributing to this atmosphere alongside more benign cultural offerings such as performances of classical music or popular film comedies. A cultural palette that catered to the tastes of the majority helped encourage acceptance of the regime. The Third Reich was therefore eager to associate itself with comfortable middle-brow conventionality, while at the same time exploiting the latest trends that modern mass culture had to offer. And it was precisely because the culture of the Nazi period accommodated such a range of different needs and aspirations that it was so successfully able to legitimize war, imperial domination, and destruction. Moritz F�llmer turns the spotlight on this fundamental aspect of the Third Reich's successful cultural appeal in this ground-breaking new study, investigating what 'culture' meant for people in the years between 1933 and 1945: for convinced National Socialists at one end of the spectrum, via the legions of the apparently 'unpolitical', right through to anti-fascist activists, Jewish people, and other victims of the regime at the other end of the spectrum. Relating the everyday experience of people living under Nazism, he is able to give us a privileged insight into the question of why so many Germans enthusiastically embraced the regime and identified so closely with it.
| Author | : Olaf Peters |
| Publisher | : Prestel Publishing |
| Total Pages | : 320 |
| Release | : 2014 |
| Genre | : Art, Modern |
| ISBN | : 9783791353678 |
This book accompanies the first major museum exhibition devoted to a reconstruction of the infamous Nazi display of modern art since the presentation originated by the Los Angeles County Museum of Art in 1991. The book contains reflections on the genesis and evolution of the term "degenerate art" and details of the National Socialist policy on art. Art works from the exhibition Degenerate Art are compared to works of art from The Great German Art Exhibition, which was held at the same time and displayed the works of officially approved artists. The book also presents the after-effects of the attack on modernism that are felt even today.
| Author | : Fritz Kaiser |
| Publisher | : Blurb |
| Total Pages | : 76 |
| Release | : 2019-05-22 |
| Genre | : Art |
| ISBN | : 9781366844217 |
In 1937, Germany's Nazi government staged an exhibition in Munich entitled "Entartete Kunst"-the official designation given to all "modern art" which was not strictly classicist or realist in nature. The exhibition was not merely designed to illustrate what the Nazis deemed "bad art," but had a political purpose. "Modern art" was deemed to be part of the overall assault on "German art" and culture by a Bolshevist-and largely Jewish-movement of "artists" who were working in tandem with the Communist movement to destroy German, and Western, civilization. Included in this "degenerate art" were all works classed as cubism, Dada, surrealism, symbolism, post-Impressionism and Fauvism. Germany's art museums were scoured for such works, and were declared forfeit to the state. When the exhibition finally closed, this guide-book, written by Fritz Kaiser, an official in the Reich Propaganda Ministry, was issued as a souvenir. This version consists of a high quality reproduction of the original German booklet, and then an English-language translation, neatly laid out in the place of the German text. A fascinating historical document. "'Works of art' which cannot be understood, cannot speak for themselves but require a verbose set of instructions in order to find some shy creature who patiently listens to such stupid and brazen nonsense, will from now on no longer reach the German People."-Adolf Hitler, 1937.
| Author | : Jonathan Huener |
| Publisher | : Berghahn Books |
| Total Pages | : 235 |
| Release | : 2007-09 |
| Genre | : Art |
| ISBN | : 184545359X |
"Culture and the arts played a central role in the ideology and propaganda of National Socialism from the early years of the movement until the last months of the Third Reich in 1945 ... This volume's essays explore these and other aspects of the arts and cultural life under National Socialism ..."--Cover.
| Author | : James A. Van Dyke |
| Publisher | : University of Michigan Press |
| Total Pages | : 342 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 0472116282 |
An exploration of the career of Franz Radziwill, investigating the question of art in a Nazi context
| Author | : Alan E. Steinweis |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 260 |
| Release | : 2017-11-01 |
| Genre | : History |
| ISBN | : 080786479X |
From 1933 to 1945, the Reich Chamber of Culture exercised a profound influence over hundreds of thousands of German artists and entertainers. Alan Steinweis focuses on the fields of music, theater, and the visual arts in this first major study of Nazi cultural administration, examining a complex pattern of interaction among leading Nazi figures, German cultural functionaries, ordinary artists, and consumers of culture. Steinweis gives special attention to Nazi efforts to purge the arts of Jews and other so-called undesirables. Steinweis describes the political, professional, and economic environment in which German artists were compelled to function and explains the structure of decision making, thus showing in whose interest cultural policies were formulated. He discusses such issues as insurance, minimum wage statutes, and certification guidelines, all of which were matters of high priority to the art professions before 1933 as well as after the Nazi seizure of power. By elucidating the economic and professional context of cultural life, Steinweis helps to explain the widespread acquiescence of German artists to artistic censorship and racial 'purification.' His work also sheds new light on the purge of Jews from German cultural life.
| Author | : Lucy Wasensteiner |
| Publisher | : Routledge |
| Total Pages | : 234 |
| Release | : 2018-10-09 |
| Genre | : Art |
| ISBN | : 1351004123 |
This book represents the first study dedicated to Twentieth Century German Art, the 1938 London exhibition that was the largest international response to the cultural policies of National Socialist Germany and the infamous Munich exhibition Degenerate Art. Provenance research into the catalogued exhibits has enabled a full reconstruction of the show for the first time: its contents and form, its contributors and their motivations, and its impact both in Britain and internationally. Presenting the research via six case-study exhibits, the book sheds new light on the exhibition and reveals it as one of the largest émigré projects of the period, which drew contributions from scores of German émigré collectors, dealers, art critics, and from the ‘degenerate’ artists themselves. The book explores the show’s potency as an anti-Nazi statement, which prompted a direct reaction from Hitler himself.
| Author | : Pamela M. Potter |
| Publisher | : Univ of California Press |
| Total Pages | : 408 |
| Release | : 2016-06-28 |
| Genre | : Art |
| ISBN | : 0520282345 |
This provocative study asks why we have held on to vivid images of the NazisÕ total control of the visual and performing arts, even though research has shown that many artists and their works thrived under Hitler. To answer this question, Pamela M. Potter investigates how historians since 1945 have written about music, art, architecture, theater, film, and dance in Nazi Germany and how their accounts have been colored by politics of the Cold War, the fall of communism, and the wish to preserve the idea that true art and politics cannot mix. Potter maintains that although the persecution of Jewish artists and other Òenemies of the stateÓ was a high priority for the Third Reich, removing them from German cultural life did not eradicate their artistic legacies. Art of Suppression examines the cultural histories of Nazi Germany to help us understand how the circumstances of exile, the Allied occupation, the Cold War, and the complex meanings of modernism have sustained a distorted and problematic characterization of cultural life during the Third Reich.
