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The Essential Ananda K. Coomaraswamy

The Essential Ananda K. Coomaraswamy
Author: Ananda Kentish Coomaraswamy
Publisher: World Wisdom, Inc
Total Pages: 352
Release: 2004
Genre: Art
ISBN: 9780941532464

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Ananda K. Coomaraswamy was engaged in the world not only as a scholarly expositor of traditional culture and philosophy, but also as a radical critic of contemporary life.


Hinduism and Buddhism

Hinduism and Buddhism
Author: Ananda K. Coomaraswamy
Publisher: Open Road Media
Total Pages: 95
Release: 2014-12-02
Genre: Religion
ISBN: 1497675847

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The renowned Sri Lankan metaphysician presents his enlightening insight into the essential kinship between Hinduism and Buddhism. In this probing work, Ananda K. Coomaraswamy examines the foundational myths and spiritual underpinnings of Hinduism and Buddhism. Discarding the Western narrative of philosophical divergence, Coomaraswamy instead explores the essential unity between these two major religions. In his perspective, one is merely an outgrowth of the other. Dividing the book into two parts, Coomaraswamy begins each section with an overview of each religion’s foundational myths. The section on Hinduism then covers concepts such as karma, maya, reincarnation, sacrifice, and caste. In the section on Buddhism, he demonstrates that Buddha never intended to start a new religion, but to deepen the spiritual understanding of the existing one.


Christian and Oriental Philosophy of Art

Christian and Oriental Philosophy of Art
Author: Ananda K. Coomaraswamy
Publisher: Pickle Partners Publishing
Total Pages: 132
Release: 2017-01-12
Genre: Art
ISBN: 1787208486

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The late Ananda K. Coomaraswamy, curator of Indian art at the Boston Museum of Fine Arts, uniquely combined art historian, philosopher, orientalist, linguist, and expositor in his person. His knowledge of the arts and handcrafts of the Orient was unexcelled and his numerous monographs on Oriental art either established or revolutionized entire fields. He was also a great Orientalist, with an almost unmatched understanding of traditional culture. He covered the philosophic and religious experience of the entire premodern world, east and west, and for him primitive, medieval European, and classical Indian experiences of truth and art were only different dialects in a common language. Finally, Coomaraswamy was a provocative writer, whose erudition was expressed in a delightful, aphoristic style. The nine essays in this book are among his most stimulating. They discuss such matters as the true function of aesthetics in art, the importance of symbolism, and the importance of intellectual and philosophical background to the artist; they analyze the role of traditional culture in enriching art; they demonstrate that abstract art and primitive art, despite superficial resemblances, are completely divergent; and they deal with the common philosophy which pervades all great art, the nature of medieval art, folklore and modern art, the beauty inherent in mathematics, and the union of traditional symbolism and individual portraiture in premodern cultures.


The Dance of Śiva

The Dance of Śiva
Author: Ananda Kentish Coomaraswamy
Publisher:
Total Pages: 228
Release: 1918
Genre: Art
ISBN:

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Introduction to Indian Art

Introduction to Indian Art
Author: Ananda K. Coomaraswamy
Publisher:
Total Pages: 194
Release: 1923
Genre:
ISBN:

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Yakṣas

Yakṣas
Author: Ananda Kentish Coomaraswamy
Publisher:
Total Pages: 0
Release: 2001
Genre: Mythology, Indic
ISBN: 9788121502306

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Illustrations: 73 B/w Illustrations Description: Particular significance attaches to Yaksas in Indian mythology, religion and art. Their almost universal presence in the earlier Indian religions, Hindu, Buddhist and Jaina, wherein they are invested with peculiar traits and powers, indicates their importance. Ananda Coomaraswamy's Yaksas is an attempt at bringing together the mass of information from literary and monumental sources about Yaksas and Yaksis, their origin, and development from the conceptual, mythological and iconographical points of view. Coomaraswamy has shown how this non- and pre-Aryan animistic concept originated and, in the historical times, dovetailed with the Hindu, Buddhist and Jaina religious systems to the extent that the concept of Yaksattva got closely bound up with the idea of reincarnation. In the preparation of this monograph, Coomaraswamy has extensively drawn upon the sectarian and semi-secular literature and has shown unmistakable evidences of the Yaksas' once honourable status, their benevolence toward men and the affection felt by men toward them. Coomaraswamy begins by tracing the origin of the word yaksa which is first found in Jaiminiya Brahmana, where it means nothing more than 'a wondrous thing.' In course of time Yaksas and Yaksis are often mentioned and their names are found in the Epics, Buddhist and Jaina works and even in sculpture. In Jaina books Yakkhas are often called Devas, where, as Sasana Devatas they are usually guardian angels. In Buddhist works they are sometimes represented as teachers of good morals and as guardian spirits. Of equal importance are the Yaksas and Yaksis in early Indian art and in the early examples (Bharhut, Sanci, Gandhara, etc.) they are frequently represented as Atlantes, supporters of buildings and superstructures. The early iconography of Yaksas, again, seems to have formed the foundation of later Hindu and Buddhist iconography. Coomaraswamy has traced a kind of Bhakti cult centering round the worship of Yaksas on the basis of the Yaksa caityas, the offerings to the Yaksas and has tried to show that the facts of Yaksa worship correspond almost exactly with those of the other Bhakti religions. Coming as it does from the pen of Ananda Coomaraswamy, this brilliant monograph is the acme of scholarship and brilliance and provides a mass of well-documented information. The work is divided into two parts, an Appendix giving Tale of a Yaksa found in the Divyavadana, alongwith 73 plates.


The Traditional Theory of Literature

The Traditional Theory of Literature
Author: Ray Livingston
Publisher: U of Minnesota Press
Total Pages: 200
Release: 1962
Genre: Literary Criticism
ISBN: 0816658196

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The Traditional Theory of Literature was first published in 1962. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Through a study of works of the contemporary Indian scholar Ananda K. Coomaraswamy, as well as of other exponents of the ancient doctrine of the Perennial Philosophy, Professor Livingston develops and explicates a traditional theory of literature. Coomaraswamy, who died in 1947, published widely on a broad range of subjects in art, philosophy, literature, and other fields. Although he is relatively little known, those acquainted with is work acclaim him as one of the great thinkers of our time. His study and writing were devoted primarily to bridging the gap between Oriental and Western cultures. From the treasury of traditional learning which Coomaraswamy amassed in his profusion of books and articles, Professor Livingston has drawn those elements which contribute to an essential theory of literature. Although he quotes from some of Coomaraswamy's Oriental sources, he delineates the theory in an idiom that is more familiar to the West, as stated or implied in the works of Dante, Milton, and Blake, among others.


Guardians of the Sundoor

Guardians of the Sundoor
Author: Ananda Kentish Coomaraswamy
Publisher: Quinta Essentia
Total Pages: 0
Release: 2004
Genre: Philosophy
ISBN: 9781887752596

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Coomaraswamy's final un-published essays, including: The Iconography of Sagittarius, Philo's Doctrine of the Cherubim, Concerning Sphinxes, and The Concept of Ether in Greek and Indian Cosmology, are complemented by the author's own illustrations from his personal archives.


The Arts & Crafts of India & Ceylon

The Arts & Crafts of India & Ceylon
Author: Ananda K. Coomaraswamy
Publisher: Alpha Edition
Total Pages: 386
Release: 2019-12-10
Genre: History
ISBN: 9789353950347

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This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.