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The Esoterism of Dante

The Esoterism of Dante
Author: René Guénon
Publisher: Sophia Perennis
Total Pages: 120
Release: 2005-05
Genre: Symbolism of numbers in literature
ISBN: 9781597310581

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Especially since the Renaissance, some in Western Christendom have suspected that the deeper dimension of their tradition has somehow been lost, and have therefore sought to discover, or create, an 'esoteric' or 'initiatic' Christianity. In the middle of the nineteenth century two scholars, Gabriele Rossetti and Eugène Aroux, pointed to certain esoteric meanings in the work of Dante Alighieri, notably The Divine Comedy. Partly based on their scholarship, Guénon in 1925 published The Esoterism of Dante. From the theses of Rosetti and Aroux, Guénon retains only those elements that prove the existence of such hidden meanings; but he also makes clear that esoterism is not 'heresy' and that a doctrine reserved for an elite can be superimposed on the teaching given the faithful without standing in opposition to it. One of René Guénon's lifelong quests was to discover, or revive, the esoteric, initiatory dimension of the Christian tradition. In the present volume, along with its companion volume Insights into Christian Esoterism (which includes the separate study Saint Bernard), Guénon undertakes to establish that the three parts of The Divine Comedy represent the stages of initiatic realization, exploring the parallels between the symbolism of the Commedia and that of Freemasonry, Rosicrucianism, and Christian Hermeticism, and illustrating Dante's knowledge of traditional sciences unknown to the moderns: the sciences of numbers, of cosmic cycles, and of sacred astrology. In these works Guénon also touches on the all-important question of medieval esoterism and discusses the role of sacred languages and the principle of initiation in the Christian tradition, as well as such esoteric Christian themes and organizations as the Holy Grail, the Guardians of the Holy Land, the Sacred Heart, the Fedeli d'Amore and the 'Courts of Love', and the Secret Language of Dante. In addition to Dante, various other paths toward a possible Christian esoterism have been explored by many investigators-the legend of the Holy Grail, the Knights Templars, the tradition of Courtly Love, Freemasonry, Rosicrucianism, and Christian Hermeticism-and Guénon deals with all of these in the present volume as well as his Insights into Christian Esoterism. In the latter, one chapter in particular, 'Christianity and Initiation', will be of special interest with regard to the history of the Traditionalist School. When first published as an article, it gave rise to some controversy because Guénon here reaffirmed his denial of the efficacy of the Christian sacraments as rites of initiation, a point of divergence between the teachings of Guénon and those of other key perennialist thinkers. Both The Esoterism of Dante and Insights into Christian Esoterism will be of inestimable value to all who are struggling to come to terms with the fullness of the Christian tradition.


The Esotericism of Dante

The Esotericism of Dante
Author: René Guénon
Publisher:
Total Pages: 0
Release: 2023
Genre: Literary Criticism
ISBN:

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Dante's esotericism

Dante's esotericism
Author: René Guénon
Publisher: V Bros.
Total Pages: 142
Release: 1925-01-01
Genre: Body, Mind & Spirit
ISBN: 2487364068

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René Guenon, born November 15, 1886 in Blois, France, and died January 7, 1951 in Cairo, Egypt, was a French metaphysician and a leading authority on esotericism, symbolism, and the comparative study of religions. In this book, Guenon takes us on an initiatory journey through the works of Dante, especially the Divine Comedy.


The Esoterism of Dante

The Esoterism of Dante
Author: René Guénon
Publisher:
Total Pages: 72
Release: 1996
Genre: Symbolism of numbers in literature
ISBN: 9780900588020

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Insights Into Christian Esoterism

Insights Into Christian Esoterism
Author: René Guénon
Publisher: Sophia Perennis
Total Pages: 148
Release: 2005-05
Genre: Church history
ISBN: 9780900588396

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One of René Guénon's lifelong quests was to discover, or revive, the esoteric, initiatory dimension of the Christian tradition. In the present volume, along with its companion volume The Esoterism of Dante, Guénon undertakes to establish that the three parts of The Divine Comedy represent the stages of initiatic realization, exploring the parallels between the symbolism of the Commedia and that of Freemasonry, Rosicrucianism, and Christian Hermeticism, and illustrating Dante's knowledge of traditional sciences unknown to the moderns: the sciences of numbers, of cosmic cycles, and of sacred astrology. In these works Guénon also touches on the all-important question of medieval esoterism and discusses the role of sacred languages and the principle of initiation in the Christian tradition, as well as such esoteric Christian themes and organizations as the Holy Grail, the Guardians of the Holy Land, the Sacred Heart, the Fedeli d'Amore and the 'Courts of Love', and the Secret Language of Dante. One chapter in the present volume, 'Christianity and Initiation', is of special interest with regard to the history of the Traditionalist School. When first published as an article, it gave rise to some controversy because Guénon here reaffirmed his denial of the efficacy of the Christian sacraments as rites of initiation, a point of divergence between the teachings of Guénon and those of other key perennialist thinkers. Both The Esoterism of Dante and Insights into Christian Esoterism will be of inestimable value to all who are struggling to come to terms with the fullness of the Christian tradition.


Unveiling the Mystery of Dante

Unveiling the Mystery of Dante
Author: Eric L. Bisbocci
Publisher:
Total Pages: 591
Release: 2017
Genre: Occultism in literature
ISBN: 9781584209713

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This unique study examines Dante's Divine Comedy in relation to the evolution of consciousness, and explores Dante's connection to the Knights Templar, the Fedeli d'Amore, and other esoteric movements.By analysing the poetry of Dante and the other Italian poets of the Fedeli d'Amore, the author investigates the existence of a 'secret language' and the transmission of sacred knowledge hidden within the lyrics of those who partook in the Dolce Stil Novo (Sweet New Style), the most significant literary movement in Italy during the 13th century.The book culminates in an in-depth analysis of the Divine Comedy in its entirety, canto by canto, based on the threefold nature of the human being -- thinking, feeling and willing, as outlined by Rudolf Steiner.


Dark Way to Paradise

Dark Way to Paradise
Author: Jennifer D. Upton
Publisher: Sophia Perennis
Total Pages: 224
Release: 2005-03
Genre: Conversion
ISBN: 9781597310093

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Dante's Inferno is often presented today in lurid 'gothic' terms as if it were no more than an entertaining demonic freak-show. Alternately, it is taken as merely a cultural and political commentary on Dante's own place and time, cast in allegorical terms. But the Inferno, and the Divine Comedy as a whole, are much more than that. The human passions, and the Mystery of Iniquity of which they are expressions, are fundamentally the same in any place and time; the Inferno presents not so much a history of sin as a catalogue of the archetypes of sin, the fundamental ways in which all of us are tempted to betray the human form. Based on the works of a number of the Greek Fathers, on the writings of several members of the Traditionalist School, notably Frithjof Schuon and Rene Guenon, and on the kind of wide personal experience of the violation of the human form that is available to anyone in these times with both the requisite discernment-rooted in love-and the courage to keep his or her eyes open, Jennifer Doane Upton has once again seen Dante's Inferno as it really is. It is the record of the struggle of the human mind, will, and emotions to discover and name, by the grace of God, the sins resident in the human soul. As both a traditional re-presentation and a contemporary revisioning of the 'examination of conscience', individual and collective, Dark Way to Paradise is at once an exegetical masterpiece and a handbook of demonology of concrete use to any true physician of the soul. In its direct application of metaphysical principles to 'infernal psychology', it is unique among Dante commentaries. And in a time like ours, when the Western Church appears to be dissolving before our eyes, to save again what Dante himself saved out of the great medieval Christian synthesis has never been so timely.


Dante's Divine Comedy

Dante's Divine Comedy
Author: Mark Vernon
Publisher: Angelico Press
Total Pages: 515
Release: 2021-09-03
Genre: Poetry
ISBN: 1621387488

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Dante Alighieri was early in recognizing that our age has a problem. His hometown, Florence, was at the epicenter of the move from the medieval world to the modern. He realized that awareness of divine reality was shifting, and that if it were lost, dire consequences would follow. The Divine Comedy was born in a time of troubling transition, which is why it still speaks today. Dante's masterpiece presents a cosmic vision of reality, which he invites his readers to traverse with him. In this narrative retelling and guide, from the gates of hell, up the mountain of purgatory, to the empyrean of paradise, Mark Vernon offers a vivid introduction and interpretation of a book that, 700 years on, continues to open minds and change lives.


East and West

East and West
Author: René Guénon
Publisher: Sophia Perennis
Total Pages: 200
Release: 2004-05
Genre: History
ISBN: 9780900588495

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In East and West Guénon diagnoses the fundamental 'abnormality' of Western civilization vis-à-vis the traditional civilizations of the East, suggests avenues by which the West might be 're-oriented' toward the fundamental metaphysical principles it has largely abandoned, and outlines the possible role of a restoration of true intellectuality in this task. Of course, East and West are no longer what they were in Guenon's time. The aggressive rationalism and materialism of post-Christian Western culture has become a worldwide phenomenon, and no longer corrodes the philosophical and cultural underpinnings of the West only: it has infiltrated distorted forms of Eastern spirituality and metaphysics, incited fundamentalist reactions the world over, and, thanks to the pervasive internet, wields previously unheard of influence. And so today we have an East largely inflamed with a desire to surpass the West in materialism, and a West sodden with moral and spiritual degeneracy. Nonetheless, fruitful exchanges between traditional Christianity and Eastern religions have also taken place on an unprecedented scale, though marred by an ongoing temptation to ill-informed syncretism. In such a milieu, Guénon's East and West, read with an eye to events of recent decades, delivers a stunning intellectual punch. But the East is always the East: the place where the sun rises, the point of recollection and return to the Source. And the West is always the West: the place of the full manifestation of possibilities (including the most degenerate), of the tendency to dissipation and dissolution; the point where the sun sets. In postmodern, global culture, we are all more or less forced to be 'Westerners' outwardly; our only recourse under these circumstances may be to become 'Easterners' within.


Dante in Deutschland

Dante in Deutschland
Author: Daniel DiMassa
Publisher: Rutgers University Press
Total Pages: 243
Release: 2022-08-12
Genre: Literary Criticism
ISBN: 1684484200

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Around the turn of the nineteenth century, no task seemed more urgent to German Romantics than the creation of a new mythology. It would unite modern poets and grant them common ground, and bring philosophers and the Volk closer together. But what would a new mythology look like? Only one model sufficed, according to Friedrich Schlegel: Dante’s Divine Comedy. Through reading and juxtaposing canonical and obscure texts, Dante in Deutschland shows how Dante’s work shaped the development of German Romanticism; it argues, all the while, that the weight of Dante’s influence induced a Romantic preoccupation with authority: Who was authorized to create a mythology? This question—traced across texts by Schelling, Novalis, and Goethe—begets a Neo-Romantic fixation with Dantean authority in the mythic ventures of Gerhart Hauptmann, Rudolf Borchardt, and Stefan George. Only in Thomas Mann’s novels, DiMassa asserts, is the Romantics’ Dantean project ultimately demythologized.