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| Author | : David Trotter |
| Publisher | : Routledge |
| Total Pages | : 345 |
| Release | : 2003-10 |
| Genre | : Education |
| ISBN | : 1134980183 |
Written especially for students and assuming no prior knowledge of the subject, this book aims to provide a comprehensive introduction to early 20th-century fiction.
| Author | : David Trotter |
| Publisher | : |
| Total Pages | : |
| Release | : 1993 |
| Genre | : |
| ISBN | : |
| Author | : David Trotter |
| Publisher | : Routledge |
| Total Pages | : 171 |
| Release | : 2022-02-22 |
| Genre | : Literary Criticism |
| ISBN | : 113609668X |
First Published in 1993. Written specifically for students and assuming no prior knowledge of the subject, David Trotter’s The English Novel in History 1895-1920 provides the first detailed and fully comprehensive analysis of early twentieth-century English fiction. Whereas all previous studies have been rigorously selective, Trotter looks at over 140 novelists across the whole spectrum of fiction: from the innovations of Joyce’s Ulysses through to popular mass-market genres such as detective stories and spy-thrillers. By examining the novels in both stylistic and historical terms, David Trotter looks at the ways in which writers responded to contemporary preoccupations such as the spectacle of consumption and the growth of suburbia, or to anxieties about the decline of Empire, racial ‘degeneration’ and ‘sexual anarchy’. He also challenges the view that literature of the period can be interpreted as a neat procession from realism to Modernism.
| Author | : David Trotter |
| Publisher | : Routledge |
| Total Pages | : 523 |
| Release | : 2003-10-01 |
| Genre | : Literary Criticism |
| ISBN | : 1134980175 |
Written especially for students and assuming no prior knowledge of the subject, David Trotter's "The English Novel in History 1895-1920" provides a comprehensive introduction to early 20th-century fiction This study embraces the whole range of early 20th-century fiction, from avant-garde innovations to popular mass-market genres. Separate sections are devoted to James, Conrad, Kipling, Bennett, Lawrence, Lewis, and Joyce. It establishes a classification of literary styles in the period. Based on this classification, it offers an account of the subject-matters which preoccupied writers of all kinds: gender, race, nationality, sexual psychology, production and consumption. "The English Novel in History" aims to redefine our understanding of literary Modernism, and should be useful reading for all students of modern English literature.
| Author | : John Richetti |
| Publisher | : Routledge |
| Total Pages | : 304 |
| Release | : 2003-09-02 |
| Genre | : Literary Criticism |
| ISBN | : 1134656424 |
The English Novel in History 1700-1780 provides students with specific contexts for the early novel in response to a new understanding of eigtheenth-century Britain. It traces the social and moral representations of the period in extended readings of the major novelists, as well as evaluatiing the importance of lesser known ones. John Richetti traces the shifting subject matter of the novel, discussing: * scandalous and amatory fictions * criminal narratives of the early part of the century * the more disciplined, realistic, and didactic strain that appears in the 1740's and 1750's * novels promoting new ideas about the nature of domestic life * novels by women and how they relate to the shift of subject matter This original and useful book revises traditional literary history by considering novels from those years in the context of the transformation of Britain in the eighteenth century.
| Author | : Professor Steven Connor |
| Publisher | : Routledge |
| Total Pages | : 267 |
| Release | : 2008-03-07 |
| Genre | : Literary Criticism |
| ISBN | : 1134908571 |
Steven Connor provides in-depth analyses of the novel and its relationship with its own form, with contemporary culture and with history. He incorporates an extensive and varied range of writers in his discussions such as * George Orwell * William Golding * Angela Carter * Doris Lessing * Timothy Mo * Hanif Kureishi * Marina Warner * Maggie Gee Written by a foremost scholar of contemporary culture and theory, The English Novel in History, 1950 to the Present offers not only a survey but also a historical and cultural context to British literature produced in the second half of this century.
| Author | : Sinclair Lewis |
| Publisher | : First Avenue Editions TM |
| Total Pages | : 466 |
| Release | : 2022-08-01 |
| Genre | : Fiction |
| ISBN | : 1728468884 |
Carol Milford dreams of living in a small, rural town. But Gopher Prairie, Minnesota, isn't the paradise she'd imagined. First published in 1920, this unabridged edition of the Sinclair Lewis novel is an American classic, considered by many to be his most noteworthy and lasting work. As a work of social satire, this complex and compelling look at small-town America in the early 20th century has earned its place among the classics.
| Author | : Valentine Cunningham |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 530 |
| Release | : 1988 |
| Genre | : English literature |
| ISBN | : 9780192826558 |
This wide-ranging study of British writers and poets of the 1930s--including Auden, Isherwood, Spender, Waugh, and Greene-- examines the masterpieces of that momentous decade, not in linguistic isolation, but in the contexts--social, political, historical, ideological, and personal--in which they were composed. Cunningham maps out the dominant images and concerns, nothing less than the central obsessions and imposing images of the '30s imagination. He analyzes the obsession with violence, the "destructive element" of post-World War consciousness; the cult of youth, of schools and schoolmasters; the infatuation with heroes--flyers, mountaineers, and racing car drivers--and the related concern about "being small," weak, or neurotic in an age of mass politics. In order to illustrate this kaleidoscope of themes, Cunningham examines not only the canonical texts, but also "minor" forms and writings, including detective stories, films, and popular songs, showing how these neglected genres also illuminate the work of this period.
| Author | : Elizabeth Ermarth |
| Publisher | : Routledge |
| Total Pages | : 257 |
| Release | : 2006-09-07 |
| Genre | : Literary Criticism |
| ISBN | : 1134980256 |
The construction of history as a social common denominator is a powerful achievement of the nineteenth-century novel, a form dedicated to experimenting with democratic social practice as it conflicts with economic and feudal visions of social order. Through revisionary readings of familiar nineteenth-century texts The English Novel in History 1840-1895 takes a multidisciplinary approach to literary history. It highlights how narrative shifts from one construction of time to another and reformulates fundamental ideas of identity, nature and society. Elizabeth Ermarth discusses the range of novels alongside other cultural material, including painting, science, religious, political and economic theory. She explores the problems of how a society, as defined in democratic terms, can accommodate political, gender and class differences without resorting to hierarchy; and how narrowly conceived economic agendas compete with social cohesion. Students, advanced undergraduates, postgraduates and specialists will find this text invaluable.
| Author | : Christoph Reinfandt |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 613 |
| Release | : 2017-06-12 |
| Genre | : Literary Criticism |
| ISBN | : 3110369486 |
The Handbook systematically charts the trajectory of the English novel from its emergence as the foremost literary genre in the early twentieth century to its early twenty-first century status of eccentric eminence in new media environments. Systematic chapters address ̒The English Novel as a Distinctly Modern Genreʼ, ̒The Novel in the Economy’, ̒Genres’, ̒Gender’ (performativity, masculinities, feminism, queer), and ̒The Burden of Representationʼ (class and ethnicity). Extended contextualized close readings of more than twenty key texts from Joseph Conrad’s Heart of Darkness (1899) to Tom McCarthy’s Satin Island (2015) supplement the systematic approach and encourage future research by providing overviews of reception and theoretical perspectives.
