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| Author | : Matt Hanson |
| Publisher | : Rotovision |
| Total Pages | : 186 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : |
Explores the diverse and inspirational works of filmakers such as Lars Von Trier, Spike Jonze and David Lynch, as well as computer game creators, music pioneers and commercial directors. The author highlights how new techniques and innovative talent are infiltrating the mainstream.
| Author | : James Sanders |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 496 |
| Release | : 2002 |
| Genre | : Manhattan (New York, N.Y.) |
| ISBN | : 9780747559795 |
A tale of two cities, both called 'New York'. The first is a real city, an urban agglomeration of millions. The second is a mythic city, so rich in memory and association and sense of place that to people everywhere it has come to seem real: the New York of films such as 42nd Street, Rear Window, King Kong, Dead End, The Naked City, Ghostbusters, Annie Hall, Taxi Driver, and Do the Right Thing. The dream city of the movies - created by more than a century of films, since the very dawn of the medium itself - may hold the secret to the glamour of its real counterpart. Here are the cocktail parties and power lunches, the subway chases and opening nights, the playground rumbles and observation-deck romances. Here is an invented Gotham, a place designed specifically for action, drama, and adventure, a city of bright avenues and mysterious sidestreets, of soaring towers and intimate corners, where remarkable people do exciting, amusing, romantic, scary things. Sanders takes the reader from the tenement to the penthouse, from New York to Hollywood and back again, from 1896 to the present, all the while showing how the real and mythic cities reflected, changed, and taught each other.
| Author | : Gabrielle Kelly |
| Publisher | : Aurora Metro Publications Ltd. |
| Total Pages | : 385 |
| Release | : 2014-05-27 |
| Genre | : Performing Arts |
| ISBN | : 0956632955 |
An extensive overview of female film directors worldwide, showing how they are breaking through the 'Celluloid Ceiling', and succeeding in a still very male-dominated industry. The book contains exclusive interviews with women film directors, explores the impact of digital technology, and reaches some surprising conclusions. Now that Kathryn Bigelow has made history as the first woman to win an Oscar for directing, we ask whether this is a new era for women filmmakers. This unique international overview highlights emerging women directors and groundbreaking pioneers, and provides a one-stop guide to the leading film directors of the 21st century, and the people who inspired them. From the blockbusters of the Hollywood studios to emerging voices from Saudi Arabia, Pakistan and Laos, we learn of women making films in traditionally male-dominated areas such as action, fantasy and horror. There are contributions from countries with film industries in every state from nascent to mature, and this book demonstrates how economic and technological change is creating new opportunities for women film directors everywhere. ***** "BEST BOOK ON WOMEN DIRECTORS DUE TO ITS GLOBAL OVERVIEW" - Diane, Amazon ***** "Gabrielle Kelly and Cheryl Robson have crafted a watershed work. CELLULOID CEILING is essential reading for anyone who wants to know how women directors are helping reshape filmmaking." - D.A. Morris, Amazon ***** "This book is an essential resource for anyone tracking the inspiring work being done by women film directors from around the world." - UCF Film "The level of public consciousness about the barriers faced by female filmmakers is higher than it has ever been. Despite this, the discussion more often than not centres around North America and to a lesser extent, Europe, Australia and New Zealand (and I am guilty as charged). This is perfectly understandable, but clearly women do make films outside of these countries, and it can be illuminating to consider how their experiences reflect or differ from those with which we are more familiar. To this end, the arrival of a new book, "The Celluloid Ceiling," could not be more timely. Edited by Gabrielle Kelly and Cheryl Robson, it takes a purposefully global overview of the status quo and in doing so provides some fascinating stories and insights, reminding us of what is lost when we limit the discussion to Anglophone directors." - Matthew Hammett Knott, indiewire
| Author | : Jennifer L. Jenkins |
| Publisher | : University of Arizona Press |
| Total Pages | : 248 |
| Release | : 2016-10-18 |
| Genre | : History |
| ISBN | : 081650265X |
Celluloid Pueblo tells the story of Western Ways Features and its role in the invention of the Southwest of the imagination. The story closely follows the boom and bust arc of this region in the mid-twentieth century and the constantly evolving representations of an exotic--but safe and domesticated--frontier and the landscape, regional development, and diverse cultures of Arizona and the Southwest.
| Author | : Vito Russo |
| Publisher | : |
| Total Pages | : 296 |
| Release | : 1981 |
| Genre | : Performing Arts |
| ISBN | : |
Praised by the Chicago Tribune as "an impressive study" and written with incisive wit and searing perception--the definitive, highly acclaimed landmark work on the portrayal of homosexuality in film.
| Author | : Christina Gerhardt |
| Publisher | : Screen Cultures: German Film a |
| Total Pages | : 340 |
| Release | : 2019 |
| Genre | : History |
| ISBN | : 1571139958 |
Provides new insights into German-language cinema around 1968 and its relationship to the period's epoch-making cultural and political happenings.
| Author | : Terry Lindvall |
| Publisher | : NYU Press |
| Total Pages | : 288 |
| Release | : 2011-10-01 |
| Genre | : Religion |
| ISBN | : 0814753256 |
Christian filmmaking, done outside of the corporate Hollywood industry and produced for Christian churches, affected a significant audience of church people. Protestant denominations and individuals believed that they could preach and teach more effectively through the mass medium of film. Although suspicion toward the film industry marked many conservatives during the early 1930s, many Christian leaders came to believe in the power of technology to convert or to morally instruct people. Thus the growth of a Christian film industry was an extension of the Protestant tradition of preaching, with the films becoming celluloid sermons. Celluloid Sermons is the first historical study of this phenomenon. Terry Lindvall and Andrew Quicke highlight key characters, studios, and influential films of the movement from 1930 to 1986—such as the Billy Graham Association, with its major WorldWide Pictures productions of films like The Hiding Place, Ken Curtis’ Gateway Films, the apocalyptic “end-time” films by Mark IV (e.g. Thief in the Night), and the instructional video-films of Dobson’s Focus on the Family--assessing the extent to which the church’s commitment to filmmaking accelerated its missions and demonstrating that its filmic endeavors had the unintended consequence of contributing to the secularization of liberal denominations.
| Author | : Jonathan Romney |
| Publisher | : British Film Institute |
| Total Pages | : 184 |
| Release | : 1995-05 |
| Genre | : Juvenile Nonfiction |
| ISBN | : |
In these essays, critics, film-makers and musicians examine the state of pop cinema past, present and future. The book includes interviews with Quentin Tarantino, David Byrne, Penelope Spheeris, Ry Cooder and Wim Wenders.
| Author | : Greg Merritt |
| Publisher | : Da Capo Press |
| Total Pages | : 416 |
| Release | : 1999-12-31 |
| Genre | : Performing Arts |
| ISBN | : 9781560252320 |
Celluloid Mavericks: A History of American Independent Filmmaking documents this rich history, showing what it meant to be "independent" in the 1930s and what it means today. Author Greg Merritt distinguishes between indie and semi-indie productions, explores the genres represented under the independent umbrella, and addresses the question of what makes a movie independent -- its "spirit" or the budget backing the production. From one-reel flicks at the turn of the century to the blockbusters of the ‘90s, Celluloid Mavericks takes readers on a fascinating tour of the industry.
| Author | : John David Ebert |
| Publisher | : Cybereditions Corporation |
| Total Pages | : 288 |
| Release | : 2005 |
| Genre | : Performing Arts |
| ISBN | : 9781877275746 |
John David Ebert's Celluloid Heroes & Mechanical Dragons examines how movies since the late 1960s have developed a "myth of the machine" for our contemporary society. Modern technology, Ebert argues, has created a new environment which raises problems that our modern myths, in celluloid form, attempt to resolve by presenting a number of possible scenarios ranging from "demolition" of the machine, as in The Lord of the Rings, to "symbiosis," as in the Star Wars films. Ebert examines films such as Apocalypse Now, 2001: A Space Odyssey, Videodrome, Close Encounters of the Third Kind, and A.I. for answers to the question how modern man can retain his humanity while living in a society which is increasingly dominated by the technology he has created.
