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A History of Pre-cinema

A History of Pre-cinema
Author: Stephen Herbert
Publisher: Psychology Press
Total Pages: 374
Release: 2000
Genre: Cinematography
ISBN: 9780415211475

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Covers: Movement in two dimensions.


A History of Pre-Cinema V1

A History of Pre-Cinema V1
Author: Stephen Herbert
Publisher: Routledge
Total Pages: 0
Release: 2023-06
Genre:
ISBN: 9781032514925

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A History of Pre-Cinema Volume 1 (and volumes 2 and 3) cover the optical devices used for entertainment and instruction that proliferated before the introduction of cinema. Volume 1 is divided into the following sections: The camera obscura; Photography; Stereoscopy; Moving photographs; Chronophotography; Optical, philosophical toys.


The Emergence of Pre-Cinema

The Emergence of Pre-Cinema
Author: Alberto Gabriele
Publisher: Springer
Total Pages: 229
Release: 2016-12-21
Genre: Literary Criticism
ISBN: 1137545925

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The book investigates the dispersed emergence of the new visual regime associated with nineteenth-century pre-cinematic spectacles in the literary imagination of the previous centuries. Its comparative angle ranges from the Medieval and Baroque period to the visual and stylistic experimentations of the Romantic age, in the prose of Anne Radcliffe, the experiments of Friedrich Schlegel, and in Wordsworth’s Prelude. The book examines the cultural traces of the transformation of perception and representation in art, architecture, literature, and print culture, providing an indispensable background to any discussion of nineteenth-century culture at large and its striving for a figurative model of realism. Understanding the origins of nineteenth-century mimesis through an unacknowledged genealogy of visual practices helps also to redefine novel theory and points to the centrality of the new definition of ‘historicism’ irradiating from Jena Romanticism for the structuring of modern cultural studies.


A History of Pre-Cinema V3

A History of Pre-Cinema V3
Author: Stephen Herbert
Publisher: Routledge
Total Pages: 176
Release: 2021-12-17
Genre: Philosophy
ISBN: 1000560384

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First published in 2004. This set of 3 volumes collects together for the first time rare and scattered material on the history of pre-cinema. It includes articles on stereoscopic photography; the use of kaleidoscopes; optical illusions; theatre design; magic lanterns and mirrors; shadow theatre, and much more. The articles are taken from sources such as The Magazine of Science, The Art Journal, The British Journal of Photography, Scientific American, American Journal of Science and Arts, and The Mirror. Volume 3 includes the area of Movement in Two Dimensions- a study of the animated and projected pictures which preceded the invention of cinematography.


A History of Pre-Cinema V2

A History of Pre-Cinema V2
Author: Stephen Herbert
Publisher: Routledge
Total Pages: 0
Release: 2023-06
Genre:
ISBN: 9781032515144

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A History of Pre-Cinema Volume 2 (and volumes 1 and 3) cover the optical devices used for entertainment and instruction that proliferated before the introduction of cinema. Volume 2 is divided into the following sections: Peepshows; The Panorama; The Diorama; Magic Mirrors; Shadowplay; Magic Lanterns; Pepper's Ghost; Recreative Science; Various Optical Devices.


A History of Pre-Cinema V3

A History of Pre-Cinema V3
Author: Stephen Herbert
Publisher: Routledge
Total Pages: 0
Release: 2023-06
Genre:
ISBN: 9781032515526

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Volume 3 of A History of Pre-Cinema contains a complete reprint of Olive Cook's book Movement in Two Dimensions. In it, the author carefully describes how each of the technologies worked, but she is more concerned with the aesthetic and cultural than the technical.


EDISON MOTION PICTURES

EDISON MOTION PICTURES
Author: MUSSER CHARLES
Publisher: Smithsonian Books (DC)
Total Pages: 730
Release: 1997
Genre: Art
ISBN:

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"This book provides essential documentation of all known Edison films made between 1890 and 1900. Thomas Edison and his associates at the Edison Laboratory in West Orange, New Jersey, invented the first system of commercial motion pictures." "Making the historical framework predominant while retaining traditional cataloging features, Edison Motion Pictures, 18901900 is of value to a wide range of scholars interested in American life at the turn of the century - those working in performance studies, film and media studies, cultural history, ethnic studies, and social and political history. Documentary filmmakers, film programmers, archivists, and librarians can also benefit from using this catalog." "Edison films from the end of the nineteenth century offer a unique visual record of American entertainment and popular culture - moving images that become much more interesting and useful when they can be examined in conjunction with pertinent documentation." "Scholars concerned with portrayals of war, depictions of the American presidency, and many other topics in the nation's political history will find much useful information."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


A History of Pre-Cinema V2

A History of Pre-Cinema V2
Author: Stephen Herbert
Publisher: Routledge
Total Pages: 544
Release: 2021-12-17
Genre: Philosophy
ISBN: 1000560376

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First published in 2004. This set of 3 volumes collects together for the first time rare and scattered material on the history of pre-cinema. It includes articles on stereoscopic photography; the use of kaleidoscopes; optical illusions; theatre design; magic lanterns and mirrors; shadow theatre, and much more. The articles are taken from sources such as The Magazine of Science, The Art Journal, The British Journal of Photography, Scientific American, American Journal of Science and Arts, and The Mirror. Volume 2 includes the areas of Peepshows, panoramas and dioramas; Mirror projection, shadows, magic lanterns; and Various optical devices and effects.


The Image in Early Cinema

The Image in Early Cinema
Author: Scott Curtis
Publisher: Indiana University Press
Total Pages: 406
Release: 2018-03-22
Genre: Performing Arts
ISBN: 0253034426

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In The Image in Early Cinema, the contributors examine intersections between early cinematic form, technology, theory, practice, and broader modes of visual culture. They argue that early cinema emerged within a visual culture composed of a variety of traditions in art, science, education, and image making. Even as methods of motion picture production and distribution materialized, they drew from and challenged practices and conventions in other mediums. This rich visual culture produced a complicated, overlapping network of image-making traditions, innovations, and borrowing among painting, tableaux vivants, photography, and other pictorial and projection practices. Using a variety of concepts and theories, the contributors explore these crisscrossing traditions and work against an essentialist notion of media to conceptualize the dynamic interrelationship between images and their context.