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The Emergence of Literary Criticism in 18th-Century Britain

The Emergence of Literary Criticism in 18th-Century Britain
Author: Sebastian Domsch
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 572
Release: 2014-08-19
Genre: Literary Criticism
ISBN: 3110394758

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This study tries, through a systematic and historical analysis of the concept of critical authority, to write a history of literary criticism from the end of the 17th to the end of the 18th century that not only takes the discursive construction of its (self)representation into account, but also the social and economic conditions of its practice. It tries to consider the whole of the critical discourse on literature and criticism in the time period covered. Thus, it is distinctive through its methodology (there is no systematic account of the historical development of critical authority and no discussion of the institutionalization of criticism of such a scope), its material of analysis (most of the many hundred texts self-reflexively commenting on criticism that are discussed here have been so far virtually ignored) and through its results, a complex history of criticism in the 18th century that is neither reductive nor the accumulation of isolated aspects or author figures, but that probes into the very nature of the activity of criticism. The aim of this study is both to provide a thorough historical understanding of the emergence of criticism and as a consequence an understanding of the inner workings and power relations that structure criticism to this day.


The Emergence of Literary Criticism in 18th-Century Britain

The Emergence of Literary Criticism in 18th-Century Britain
Author: Sebastian Domsch
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 418
Release: 2014-08-19
Genre: Literary Criticism
ISBN: 3110362066

Download The Emergence of Literary Criticism in 18th-Century Britain Book in PDF, ePub and Kindle

This study tries, through a systematic and historical analysis of the concept of critical authority, to write a history of literary criticism from the end of the 17th to the end of the 18th century that not only takes the discursive construction of its (self)representation into account, but also the social and economic conditions of its practice. It tries to consider the whole of the critical discourse on literature and criticism in the time period covered. Thus, it is distinctive through its methodology (there is no systematic account of the historical development of critical authority and no discussion of the institutionalization of criticism of such a scope), its material of analysis (most of the many hundred texts self-reflexively commenting on criticism that are discussed here have been so far virtually ignored) and through its results, a complex history of criticism in the 18th century that is neither reductive nor the accumulation of isolated aspects or author figures, but that probes into the very nature of the activity of criticism. The aim of this study is both to provide a thorough historical understanding of the emergence of criticism and as a consequence an understanding of the inner workings and power relations that structure criticism to this day.


A History of Eighteenth-Century British Literature

A History of Eighteenth-Century British Literature
Author: John Richetti
Publisher: John Wiley & Sons
Total Pages: 384
Release: 2017-10-05
Genre: Literary Criticism
ISBN: 1119082129

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A History of Eighteenth-Century British Literature is a lively exploration of one of the most diverse and innovative periods in literary history. Capturing the richness and excitement of the era, this book provides extensive coverage of major authors, poets, dramatists, and journalists of the period, such as Dryden, Pope and Swift, while also exploring the works of important writers who have received less attention by modern scholars, such as Matthew Prior and Charles Churchill. Uniquely, the book also discusses noncanonical, working-class writers and demotic works of the era. During the eighteenth-century, Britain experienced vast social, political, economic, and existential changes, greatly influencing the literary world. The major forms of verse, poetry, fiction and non-fiction, experimental works, drama, and political prose from writers such as Montagu, Finch, Johnson, Goldsmith and Cowper, are discussed here in relation to their historical context. A History of Eighteenth-Century British Literature is essential reading for advanced undergraduates and graduate students of English literature. Topics covered include: Verse in the early 18th century, from Pope, Gay, and Swift to Addison, Defoe, Montagu, and Finch Poetry from the mid- to late-century, highlighting the works of Johnson, Gray, Collins, Smart, Goldsmith, and Cowper among others, as well as women and working-class poets Prose Fiction in the early and 18th century, including Behn, Haywood, Defoe, Swift, Richardson, Fielding, and Smollett The novel past mid-century, including experimental works by Johnson, Sterne, Mackenzie, Walpole, Goldsmith, and Burney Non-fiction prose, including political and polemical prose 18th century drama


The Cambridge History of Literary Criticism: Volume 4, The Eighteenth Century

The Cambridge History of Literary Criticism: Volume 4, The Eighteenth Century
Author: H. B. Nisbet
Publisher: Cambridge University Press
Total Pages: 978
Release: 2005-12-08
Genre: Literary Criticism
ISBN: 9780521317207

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This is a comprehensive 1997 account of the history of literary criticism in Britain and Europe between 1660 and 1800. Unlike previous histories, it is not just a chronological survey of critical writing, but a multidisciplinary investigation of how the understanding of literature and its various genres was transformed, at the start of the modern era, by developments in philosophy, psychology, the natural sciences, linguistics, and other disciplines, as well as in society at large. In the process, modern literary theory - at first often implicit in literary texts themselves - emancipated itself from classical poetics and rhetoric, and literary criticism emerged as a full-time professional activity catering for an expanding literate public. The volume is international both in coverage and in authorship. Extensive bibliographies provide guidance for further specialised study.


The Cambridge History of Literary Criticism: Volume 7, Modernism and the New Criticism

The Cambridge History of Literary Criticism: Volume 7, Modernism and the New Criticism
Author: George Alexander Kennedy
Publisher: Cambridge University Press
Total Pages: 584
Release: 1989
Genre: Literary Criticism
ISBN: 9780521300124

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The history of the most hotly debated areas of literary theory, including structuralism and deconstruction.


The Emergence of Dramatic Criticism in England

The Emergence of Dramatic Criticism in England
Author: P. Cannan
Publisher: Springer
Total Pages: 225
Release: 2016-09-23
Genre: Performing Arts
ISBN: 1137037172

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Focusing on dramatic criticism, this book explores the self authorizing strategies of writers such as Jonson, Dryden, Aphra Behn, Thomas Rymer, Jeremy Collier and Joseph Addison. Cannan focuses on how they established themselves as critics, and paved the way for the birth of dramatic criticism in seventeenth and early eighteenth-century England.


Eighteenth-century Literary History

Eighteenth-century Literary History
Author: Marshall Brown
Publisher: Duke University Press
Total Pages: 292
Release: 1999
Genre: History
ISBN: 9780822322672

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Essays on eighteenth-century literature from MLQ.


Handbook of the British Novel in the Long Eighteenth Century

Handbook of the British Novel in the Long Eighteenth Century
Author: Katrin Berndt
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 606
Release: 2022-07-18
Genre: Literary Criticism
ISBN: 3110650444

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The handbook offers a comprehensive introduction to the British novel in the long eighteenth century, when this genre emerged to develop into the period’s most versatile and popular literary form. Part I features six systematic chapters that discuss literary, intellectual, socio-economic, and political contexts, providing innovative approaches to issues such as sense and sentiment, gender considerations, formal characteristics, economic history, enlightened and radical concepts of citizenship and human rights, ecological ramifications, and Britain’s growing global involvement. Part II presents twenty-five analytical chapters that attend to individual novels, some canonical and others recently recovered. These analyses engage the debates outlined in the systematic chapters, undertaking in-depth readings that both contextualize the works and draw on relevant criticism, literary theory, and cultural perspectives. The handbook’s breadth and depth, clear presentation, and lucid language make it attractive and accessible to scholar and student alike.


Averroes' Middle Commentary on Aristotle's Poetics

Averroes' Middle Commentary on Aristotle's Poetics
Author: Averroës
Publisher:
Total Pages: 192
Release: 2000
Genre: Language Arts & Disciplines
ISBN:

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Aristotle's Poetics has held the attention of scholars and authors through the ages, and Averroes has long been known as "the commentator" on Aristotle. His Middle Commentary on Aristotle's Poetics is important because of its striking content. Here, an author steeped in Aristotle's thought and highly familiar with an entirely different poetical tradition shows in careful detail what is commendable about Greek poetics and commendable as well as blameworthy about Arabic poetics.


Eighteenth-Century Poetry and the Rise of the Novel Reconsidered

Eighteenth-Century Poetry and the Rise of the Novel Reconsidered
Author: Kate Parker
Publisher: Bucknell University Press
Total Pages: 281
Release: 2013-12-24
Genre: Literary Collections
ISBN: 1611484847

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Eighteenth-Century Poetry and the Rise of the Novel Reconsidered beginswith the brute fact that poetry jostledup alongside novels in the bookstallsof eighteenth-century England. Indeed,by exploringunexpected collisions and collusionsbetween poetry and novels, this volumeof exciting, new essays offers a reconsideration of the literary and cultural history of the period. Thenovel poached from and featured poetry, and the “modern” subjects and objects privileged by “rise of the novel” scholarship are only one part of a world full of animate things and people with indistinct boundaries. Contributors: Margaret Doody, David Fairer, Sophie Gee, Heather Keenleyside, ShelleyKing, Christina Lupton, Kate Parker, Natalie Phillips, Aran Ruth, Wolfram Schmidgen, Joshua Swidzinski, and Courtney Weiss Smith.