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The Elizabethan Stage

The Elizabethan Stage
Author: Edmund Kerchever Chambers
Publisher:
Total Pages: 444
Release: 1923
Genre: Actors
ISBN:

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The Elizabethan Theatre and "The Book of Sir Thomas More''

The Elizabethan Theatre and
Author: Scott McMillin
Publisher: Cornell University Press
Total Pages: 179
Release: 2019-06-30
Genre: Performing Arts
ISBN: 1501742647

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The manuscript of the Elizabethan play Sir Thomas More has intrigued scholars for over a century because three of its pages may have been written by Shakespeare. The Elizabethan Theatre and "The Book of Sir Thomas More" sets aside the timeworn question of authorship and considers the play in a new framework, one which by focusing on questions of the theatre attempts to free Elizabethan theatre history from the grip of its most famous author. Bringing to bear on the manuscript the perspective of a theatre historian and the resources of textual scholarship, Scott McMillin departs from most critical accounts, which have judged Sir Thomas More unfinished. Rather, McMillin addresses the manuscript as a coherent and finished work that achieves its intended purpose: to serve as a prompt book in the Elizabethan playhouse. His systematic analysis of the Sir Thomas More manuscript shows that the company for which it was written was unusually large, that it had a lead actor of outstanding capability, and that in its staging of the play it probably made use of visual repetition as an ironic device. He concludes that the theatre company of the period that most closely matched this description was Lord Strange's men, a company, incidentally, for which Shakespeare himself was known to have written in the early 1590s. Textual scholars, theatre historians, and students and scholars of Elizabethan drama will welcome The Elizabethan Theatre and "The Book of Sir Thomas More."


Elizabethan Stage Conventions and Modern Interpreters

Elizabethan Stage Conventions and Modern Interpreters
Author: Alan C. Dessen
Publisher: Cambridge University Press
Total Pages: 212
Release: 1984
Genre: Drama
ISBN: 9780521311618

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Alan Dessen reconstructs the stage in the Elizabethan era from scrutinising four hundred manuscripts.


The Elizabethan Stage

The Elizabethan Stage
Author: Edmund Kerchever Chambers
Publisher:
Total Pages: 506
Release: 1923
Genre: Actors
ISBN:

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E. K. Chambers's seminal four-volume account of the private, public, and court stages, together with other forms of drama and spectacle surviving from earlier times, from the beginning of the reign of Elizabeth until the death of Shakespeare. Haled as a comprehensive compendium of 'practically all the discoverable evidence upon the various parts of the subject, collected, weighed, sorted, classified and built up with immense care into a logical and beautiful structure' (New Statesman), the work is still much consulted by today's scholars and historians.


The Voice of Elizabethan Stage Directions

The Voice of Elizabethan Stage Directions
Author: Linda McJannet
Publisher:
Total Pages: 248
Release: 1999
Genre: Drama
ISBN:

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This book highlights the form and voice of stage directions as an important aspect of dramatic discourse generally and Elizabethan drama specifically. It traces the development of Elizabethan directions from their medieval forebears and contrasts the directions associated with the professional theaters with the neoclassical conventions of other venues.


The Elizabethan Stage

The Elizabethan Stage
Author: E. K. Chambers
Publisher: Oxford University Press
Total Pages: 518
Release: 2009-06-20
Genre: Performing Arts
ISBN: 9780199567508

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Volume IV of a reissue of the E. K. Chambers's seminal four-volume account of the private, public, and court stages, together with other forms of drama and spectacle surviving from earlier times, from the beginning of the reign of Elizabeth until the death of Shakespeare. Haled in its day as a comprehensive compendium of 'practically all the discoverable evidence upon the various parts of the subject, collected, weighed, sorted, classified and built up with immense care into a logical and beautiful structure' (New Statesman), the work is still much consulted by by today's scholars and historians. From the author's Preface: 'My First Book is devoted to a description, perhaps disproportionate, of the Elizabethan Court, and of the ramifications in pageant and progress, tilt and mask, of that instinct for spectacular mimesis, which the Renaissance inherited from the Middle Ages, and of which the drama is itself the most important manifestation. The Second Book gives an account of the settlement of the players in London, of their conflict, backed by the Court, with the tendencies of Puritanism, and of the place which they ultimately found in the monarchical polity. To the Third and Fourth belong the more pedestrian task of following in detail the fortunes of the individual playing companies and the individual theatres, with such fullness and the available records permit. The Fifth deals with the surviving plays, not in their literary aspect, which lies outside my plan, but as documents helping to throw light upon the history of the institution which produced them.'


Shakespearean Stage Production

Shakespearean Stage Production
Author: Cécile de Banke
Publisher: Routledge
Total Pages: 327
Release: 2014-08-13
Genre: Performing Arts
ISBN: 1317652800

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An absorbing and original addition to Shakespeareana, this handbook of production is for all lovers of Shakespeare whether producer, player, scholar or spectator. In four sections, Staging, Actors and Acting, Costume, Music and Dance, it traces Shakespearean production from Elizabethan times to the 1950s when the book was originally published. This book suggests that Shakespeare should be performed today on the type of stage for which his plays were written. It analyses the development of the Elizabethan stage, from crude inn-yard performances to the building and use of the famous Globe. Since the Globe saw the enactment of some of the Bard’s greatest dramas, its construction, properties, stage devices, and sound effects are reviewed in detail with suggestions on how a producer can create the same effects on a modern or reconstructed Elizabethan stage. Shakespeare’s plays were written to fit particular groups of actors. The book gives descriptions of the men who formed the acting companies of Elizabethan London and of the actors of Shakespeare’s own company, giving insights into the training and acting that Shakespeare advocated. With full descriptions and pages of reproductions, the costume section shows the types of dress necessary for each play, along with accessories and trimmings. A table of Elizabethan fabrics and colours is included. The final section explores the little-known and interesting story of the integral part of music and dance in Shakespeare’s works. Scene by scene the section discusses appropriate music or song for each play and supplies substitute ideas for Elizabethan instruments. Various dances are described – among them the pavan, gailliard, canary and courante. This book is an invaluable wealth of research, with extensive bibliographies and extra information.


Elizabethan Stage Conditions

Elizabethan Stage Conditions
Author: Muriel Clara Bradbrook
Publisher: CUP Archive
Total Pages: 168
Release: 1932
Genre:
ISBN:

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The Purpose of Playing

The Purpose of Playing
Author: Louis Montrose
Publisher: University of Chicago Press
Total Pages: 246
Release: 1996-06
Genre: Drama
ISBN: 9780226534831

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Examines the role of Elizabethan drama in the shape of cultural belief, values, and understanding of political authority.


Themes and Conventions of Elizabethan Tragedy

Themes and Conventions of Elizabethan Tragedy
Author: Bradbrook
Publisher: Foundation Books
Total Pages: 284
Release: 2016-08
Genre:
ISBN: 9788175963276

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The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been studied by Grigori Kozintsev and Sergei Eisenstein for instance. Conventions of open stage, stylized plot and characters, and actors' traditions of presentation are realted to the special expectations which a rhetorical training produced in the listeners. The general discussion of tragic conventions is followed by individual studies of how these were used by Marlowe, Tourneur, Webster and Middleton. For this second edition, Professor Bradbrook has revised her material and written a new introduction. A new final chapter on performance and characterization describes the conventions of role-playing. Dramatists before and after Shakespeare are compared with him in their methods of showing a complex identity on stage. This chapter also considers the work of Marston, Chapman and Ford in relation to the themes and conventions studied in earlier chapters.