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The early Spenser, 1554–80

The early Spenser, 1554–80
Author: Jean R. Brink
Publisher: Manchester University Press
Total Pages: 245
Release: 2019-10-17
Genre: Literary Criticism
ISBN: 1526142600

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Brink’s provocative biography shows that Spenser was not the would-be court poet whom Karl Marx’s described as ‘Elizabeth’s arse-kissing poet’. In this readable and informative account, Spenser is depicted as the protégé of a circle of London clergymen, who expected him to take holy orders. Brink shows that the young Spenser was known to Alexander Nowell, author of Nowell’s Catechism and Dean of St. Paul’s. Significantly revising the received biography, Brink argues that that it was Harvey alone who orchestrated Familiar Letters (1580). He used this correspondence to further his career and invented the portrait of Spenser as his admiring disciple. Contextualising Spenser’s life by comparisons with Shakespeare and Sir Walter Ralegh, Brink shows that Spenser shared with Sir Philip Sidney an allegiance to the early modern chivalric code. His departure for Ireland was a high point, not an exile.


Spenser and Donne

Spenser and Donne
Author: Yulia Ryzhik
Publisher: Manchester University Press
Total Pages: 405
Release: 2019-10-07
Genre: Literary Criticism
ISBN: 152611738X

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This edited collection of essays, part of The Manchester Spenser series, brings together leading Spenser and Donne scholars to challenge the traditionally dichotomous view of these two major poets and to shift the critical conversation towards a more holistic, relational view of the two authors’ poetics and thought.


Printing Virgil

Printing Virgil
Author: Craig Kallendorf
Publisher: BRILL
Total Pages: 204
Release: 2019-12-02
Genre: Literary Criticism
ISBN: 9004421351

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In this work Craig Kallendorf argues that the printing press played a crucial, and previously unrecognized, role in the reception of the Roman poet Virgil in the Renaissance, transforming his work into poetry that was both classical and postclassical.


Hereditary Genius

Hereditary Genius
Author: Sir Francis Galton
Publisher:
Total Pages: 416
Release: 1870
Genre: Genius
ISBN:

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Morphological Theory

Morphological Theory
Author: Andrew Spencer
Publisher: Wiley-Blackwell
Total Pages: 532
Release: 1991-08-26
Genre: Language Arts & Disciplines
ISBN: 9780631161448

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This is the first near-exhaustive introduction to the burgeoning field of morphology in generative grammar. Presupposing very little prior knowledge of linguistics, the book guides the reader from absolute basics to the most recent theoretical developments. Written in an accessible style, and including a wealth of exercises, this textbook is designed so that it can be used either on courses explicitly focused on morphology or as an adjunct to other courses, particularly in generative syntax and in phonology. The book opens with an account of the phenomena studied by morphologists, an outline of classical problems and an introduction to the earliest models of morphology proposed within the generative paradigm. Its second part deals with the interface between morphology and phonology and includes a detailed discussion of lexical Phonology, and related models, as well as a variety of types of nonconcatenative morphology. Part III begins with a comprehensive introduction to more recent theories of word structure, including inflectional morphology. Subsequent chapters examine the interface between morphology and syntax, exploring the processes which affect grammatical relations, such as passives and causatives. Further chapters examine compounding processes and the morphology, phonology and syntax of clitic systems. The final part of the book includes a full discussion of "bracketing paradoxes" and closes with a survey of models of morphology and competing views of the place of morphology in linguistic theory.


Luxury Arts of the Renaissance

Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
Total Pages: 292
Release: 2005-10-01
Genre: Art
ISBN: 0892367857

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Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.


Self-commentary in Early Modern European Literature, 1400-1700

Self-commentary in Early Modern European Literature, 1400-1700
Author: Francesco Venturi
Publisher:
Total Pages: 0
Release: 2019
Genre: European literature
ISBN: 9789004346864

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An investigation into the various ways in which Renaissance writers comment on, present, and defend their own works, and at the same time themselves in Britain, France, Italy, Spain, Poland, and the Dutch Republic.


Edmund Spenser's Shepheardes Calender (1579)

Edmund Spenser's Shepheardes Calender (1579)
Author: Kenneth Borris
Publisher: Manchester University Press
Total Pages: 368
Release: 2022-03-08
Genre: Literary Criticism
ISBN: 1526133474

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Spenser’s extraordinary Shepheardes Calender as first printed in 1579 is arguably the seminal book of the Elizabethan literary renaissance. This volume reassesses it as a material text in relation to book history, and provides the first clearly detailed facsimile of the 1579 Calender available as a book. The editor reconsiders the original book’s development, production, design, and particular characteristics, and demonstrates both its correlations with diverse precursors in print and its significant departures. Numerous illustrations of archival sources facilitate comparison. By reinvestigating the 1579 Calender’s twelve pictures, he shows that Spenser himself probably designed them, that they involve complex symbolism, and that this book’s meaning is thus profoundly verbal-visual. An analyzed facsimile is an essential new resource for study of Spenser’s Calender, Spenser, Elizabethan print and poetics, and early modern English literary history.


Spenser's ethics

Spenser's ethics
Author: Andrew Wadoski
Publisher: Manchester University Press
Total Pages: 262
Release: 2022-06-28
Genre: Literary Criticism
ISBN: 1526165422

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Spenser’s ethics offers a novel account of Edmund Spenser as a moral theorist, situating his ethics at the nexus of moral philosophy’s profound transformation in the early modern era, and the English colonisation of Ireland in the turbulent 1580’s and 90’s. It revises a scholarly narrative describing Spenser’s ethical thinking as derivative, nostalgic, or inconsistent with one that contends him to be one of early modern England’s most original and incisive moral theorists, placing The Faerie Queene at the centre of the contested discipline of moral philosophy as it engaged the social, political, and intellectual upheavals driving classical virtue ethics’ unravelling at the threshold of early modernity.


Voices and Books in the English Renaissance

Voices and Books in the English Renaissance
Author: Jennifer Richards
Publisher: Oxford University Press, USA
Total Pages: 348
Release: 2019
Genre: Literary Criticism
ISBN: 0198809069

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"Two ideas lie at the heart of this study and its claim that we need a new history of reading: that voices in books can affect us deeply ; that printed books can be brought to life with the voice. Voices and Books offers a new history of reading focussed on the oral and voice-aware silent reader, rather than the historical reader we have privileged in the last few decades, who is invariably male, silent, and alone. It recovers the vocality of education for boys and girls in Renaissance England, and the importance of training in pronuntiatio (delivery) for oral-aural literary culture. It offers the first attempt to recover the voice-and tone-from textual sources. It explores what happens when we bring voice to text, how vocal tone realizes or changes textual meaning, and how the literary writers of the past tried to represent their own and others' voices, as well as manage and exploit the voices of their readers. It offers fresh readings of the key Tudor authors who anticipated oral readers: John Bale, Anne Askew, William Baldwin, Thomas Nashe. And it aims to rethink what a printed book can be, searching the printed page for vocal cues, and exploring the neglected role of the voice in the printing process"-- Provided by publisher.