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| Author | : Michael Chanan |
| Publisher | : Routledge |
| Total Pages | : 256 |
| Release | : 2003-09-02 |
| Genre | : History |
| ISBN | : 1134816804 |
A classic account of the prehistory and early years of cinema in Britain. This new paperback edition provides a fascinating account of the rich and hitherto hidden history of the origins of film.
| Author | : Michael Chanan |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1980 |
| Genre | : |
| ISBN | : |
| Author | : Michael Chanan |
| Publisher | : Routledge & Kegan Paul Books |
| Total Pages | : 376 |
| Release | : 1980 |
| Genre | : Performing Arts |
| ISBN | : |
Film has taught us to see the world afresh, but it could not picture its own birth. In "The Dream That Kicks," Michael Chanan puts forward a theory of invention to show how cinematography was a product of the growing forces of nineteenth century capitalist production and traces the development of British cinema from its mystical origins in music halls to its emergence as a cultural commodity. "The Dream That Kicks" combines astute textual analysis of individual films with detailed archival work of the industry. It situates cinema within its wider context to produce a thought-provoking exploration of its cultural and ideological implications. This paperback edition has been thoroughly revised and updated to take into account orhte recent work on early cinema.
| Author | : Brian Winston |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 152 |
| Release | : 2019-07-25 |
| Genre | : Performing Arts |
| ISBN | : 1838718478 |
This text examines the complex forces pushing and constraining technological developments in cinema. It contests the view that technological advance is simply the result of scientific progress. Rather, the author argues that social forces control the media technology agenda at every stage.
| Author | : Mary Ann Doane |
| Publisher | : Harvard University Press |
| Total Pages | : 303 |
| Release | : 2002-12-27 |
| Genre | : Performing Arts |
| ISBN | : 0674263030 |
Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the nineteenth century as an unprecedented means of capturing time--and this at a moment when disciplines from physics to philosophy, and historical trends from industrialization to the expansion of capitalism, were transforming the very idea of time. In a work that itself captures and reconfigures the passing moments of art, history, and philosophy, Mary Ann Doane shows how the cinema, representing the singular instant of chance and ephemerality in the face of the increasing rationalization and standardization of the day, participated in the structuring of time and contingency in capitalist modernity. At this book's heart is the cinema's essential paradox: temporal continuity conveyed through "stopped time," the rapid succession of still frames or frozen images. Doane explores the role of this paradox, and of notions of the temporal indeterminacy and instability of an image, in shaping not just cinematic time but also modern ideas about continuity and discontinuity, archivability, contingency and determinism, and temporal irreversibility. A compelling meditation on the status of cinematic knowledge, her book is also an inquiry into the very heart and soul of modernity.
| Author | : Chong Lee |
| Publisher | : Black Belt Communications |
| Total Pages | : 148 |
| Release | : 1978 |
| Genre | : History |
| ISBN | : 9780897500609 |
Explains how to execute single kicks, complex kicks, sitting kicks, and take downs.
| Author | : Gordon Dahlquist |
| Publisher | : Bantam |
| Total Pages | : 482 |
| Release | : 2011-09-14 |
| Genre | : Fiction |
| ISBN | : 0307755576 |
Here begins an extraordinary alliance—and a brutal and tender, shocking, and electrifying adventure to end all adventures. It starts with a simple note. Roger Bascombe regretfully wishes to inform Celeste Temple that their engagement is forthwith terminated. Determined to find out why, Miss Temple takes the first step in a journey that will propel her into a dizzyingly seductive, utterly shocking world beyond her imagining—and set her on a collision course with a killer and a spy—in a bodice-ripping, action-packed roller-coaster ride of suspense, betrayal, and richly fevered dreams.
| Author | : Nicholas Smith |
| Publisher | : Crown |
| Total Pages | : 330 |
| Release | : 2019-04-30 |
| Genre | : Sports & Recreation |
| ISBN | : 0451498127 |
“A vivid picture of how what we wear on our feet can tell us what it really means to be an American.”—Vanity Fair “Expansive, thorough, and entertaining . . . a comprehensive look at how much the sneaker became a signature indicator of cool.”—The Wall Street Journal A cultural history of sneakers, tracing the footprint of one of our most iconic fashions across sports, business, pop culture, and American identity “It’s gotta be the shoes.” When Spike Lee said it to Michael Jordan in a 1989 commercial, it was with a wink and a nod—what makes MJ so good? His Nike Air Jordan IIIs, of course. But as Nicholas Smith reveals in this captivating history, Lee’s line also speaks to the sneaker’s place at the heart of American culture. Once the athletic shoe graduated from the beaches and croquet courts of the wealthy elite to streetwear ubiquity, its journey through the heart of American life was just getting started. In this rollicking narrative, Nicholas K. Smith carries us through the long twentieth century as sneakers became the totem of subcultures. We follow the humble athletic and watch as sneakers become the calling card of California skaters and New York MCs, the spark of riots and gang violence, the heart of a global economic controversy, the muse of haute couture, and a lynchpin in the transformation of big sports into big business. Along the way, we meet larger-than-life mavericks and surprising visionaries: genius rubber inventor Charles Goodyear, risking everything to get his formula right; the warring brothers who started dueling shoe empires; road-warrior Chuck Taylor, hawking shoes out of his trunk; and many more mavericks, hustlers, and dreamers. With a sure stride and a broad footprint, Kicks introduces us to an influential and evolving legacy.
| Author | : G. Beegan |
| Publisher | : Springer |
| Total Pages | : 316 |
| Release | : 2008-01-09 |
| Genre | : Science |
| ISBN | : 0230589928 |
The Mass Image situates the creation of the first photographically illustrated magazines within the social relations of the emerging popular culture of late Victorian London. It demonstrates how photomechanical reproduction allowed the illustrated press to envisage modern life on a much more intense scale than ever before.
| Author | : Andrew Spicer |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 305 |
| Release | : 2014-07-31 |
| Genre | : Performing Arts |
| ISBN | : 144117236X |
This is the first collection of original critical essays devoted to exploring the misunderstood, neglected and frequently caricatured role played by the film producer. The editors' introduction provides a conceptual and methodological overview, arguing that the producer's complex and multifaceted role is crucial to a film's success or failure. The collection is divided into three sections where detailed individual essays explore a broad range of contrasting producers working in different historical, geographical, generic and industrial contexts. Rather than suggest there is a single type of producer, the collection analyses the rich variety of roles producers play, providing fascinating and informative insights into how the film industry actually works. This groundbreaking collection challenges several of the conventional orthodoxies of film studies, providing a new approach that will become required reading for scholars and students.
