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The Downtown Pop Underground

The Downtown Pop Underground
Author: Kembrew McLeod
Publisher: Abrams
Total Pages: 594
Release: 2018-10-23
Genre: Social Science
ISBN: 1683353455

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“McLeod’s deft and generous book tells of a constellation of avant-garde squatters, divas, and dissidents who reinvented the world.” —Jonathan Lethem, New York Times-bestselling author of Motherless Brooklyn The 1960s to early ’70s was a pivotal time for American culture, and New York City was ground zero for seismic shifts in music, theater, art, and filmmaking. The Downtown Pop Underground takes a kaleidoscopic tour of Manhattan during this era and shows how deeply interconnected all the alternative worlds and personalities were that flourished in the basement theaters, dive bars, concert halls, and dingy tenements within one square mile of each other. Author Kembrew McLeod links the artists, writers, and performers who created change, and while some of them didn’t become everyday names, others, like Patti Smith, Andy Warhol, and Debbie Harry, did become icons. Ambitious in scope and scale, the book is fueled by the actual voices of many of the key characters who broke down the entrenched divisions between high and low, gay and straight, and art and commerce—and changed the cultural landscape of not just the city but the world. “The story of underground artists of the 1960s and ’70s, an amalgam of bustling radical creativity and fearless groundbreaking work in art, music, and theater.” —Tim Robbins “Breathes new fire into a familiar history and is a must-read for anyone who wants to know how American bohemia really happened.” —Ann Powers, critic, NPR Music “Honors those who were at the forefront of a movement that transformed our understandings of sexuality and artistic freedom.” —Lily Tomlin


Women Behind Bars

Women Behind Bars
Author: Tom Eyen
Publisher: Samuel French, Inc.
Total Pages: 76
Release: 1975
Genre: Drama
ISBN: 9780573618130

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"In this hilarious satire on B-movies of the 1950's, Mary Eleanor, an innocent duped into crime, lands in the Greenwich Village Woman's House of Detention, presided over by a massive matron with a taste for sadism and female flesh as our heroine, now Caged in the Big House, learns about life The Hard Way." -- Publisher's description


Peace Eye

Peace Eye
Author: Ed Sanders
Publisher:
Total Pages: 66
Release: 1965
Genre:
ISBN:

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Factory Made

Factory Made
Author: Steven Watson
Publisher: Pantheon
Total Pages: 520
Release: 2003-10-21
Genre: Biography & Autobiography
ISBN: 0679423729

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Factory Made: Warhol and the Sixties is a fascinating look at the avant-garde group that came together—from 1964 to 1968—as Andy Warhol’s Silver Factory, a cast that included Lou Reed, Nico, Edie Sedgwick, Gerard Malanga, Paul Morrissey, Joe Dallesandro, Billy Name, Candy Darling, Baby Jane Holzer, Brigid Berlin, Ultra Violet, and Viva. Steven Watson follows their diverse lives from childhood through their Factory years. He shows how this ever-changing mix of artists and poets, musicians and filmmakers, drag queens, society figures, and fashion models, all interacted at the Factory to create more than 500 films, the Velvet Underground, paintings and sculpture, and thousands of photographs. Between 1961 and 1964 Warhol produced his most iconic art: the Flower paintings, the Marilyns, the Campbell’s Soup Can paintings, and the Brillo Boxes. But it was his films—Sleep, Kiss, Empire, The Chelsea Girls, and Vinyl—that constituted his most prolific output in the mid-1960s, and with this book Watson points up the important and little-known interaction of the Factory with the New York avant-garde film world. Watson sets his story in the context of the revolutionary milieu of 1960s New York: the opening of Paul Young’s Paraphernalia, Truman Capote’s Black and White Ball, Max’s Kansas City, and the Beautiful People Party at the Factory, among many other events. Interspersed throughout are Watson’s trademark sociogram, more than 130 black-and-white photographs—some never before seen—and many sidebars of quotes and slang that help define the Warholian world. With Factory Made, Watson has focused on a moment that transformed the art and style of a generation.


Theatre of the Ridiculous

Theatre of the Ridiculous
Author: Bonnie Marranca
Publisher:
Total Pages: 240
Release: 1998
Genre: Drama
ISBN:

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As a theatrical form, the "ridiculous" thrived in the 1970s and early 1980s, playfully subverting dramatic and social convention in its mix of camp, role-playing, literary and cinematic allusions--and anticipating the current interest in gender, cross-dressing, and popular culture. Originally published in 1979, THEATRE OF THE RIDICULOUS (now revised and updated) was the first book to document this innovative and challenging form.


CBGB & OMFUG

CBGB & OMFUG
Author: Tamar Brazis
Publisher:
Total Pages: 168
Release: 2005-07
Genre: Music
ISBN:

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CBGBUs influence and legacy is honored with 200 photos of some of the most celebrated artists in music history. It includes an Introduction by Hilly Kristal, an Afterword by David Byrne, and additional commentary by numerous performers and patrons.


Notes from the Pop Underground

Notes from the Pop Underground
Author: Peter Belsito
Publisher:
Total Pages: 0
Release: 1985
Genre: Art
ISBN: 9780867193374

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Seize the Beat

Seize the Beat
Author: Brian Q. Torff
Publisher: McFarland
Total Pages: 229
Release: 2023-01-16
Genre: Music
ISBN: 1476648573

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The story of American popular music is steeped in social history, race, gender and class, its evolution driven by ephemeral connection to young audiences. From Benny Goodman to Sinatra to Elvis Presley to the Beatles, pop icons age out of the art form while new musical styles pass from relevance to nostalgia within a few years. At the same time, perennial forms like blues, jazz and folk are continually rediscovered by new audiences. This book traces the development of American music from its African roots to the juke joint, club and concert hall, revealing a culture perpetually reinventing itself to suit the next generation.


Damaged

Damaged
Author: Evan Rapport
Publisher: Univ. Press of Mississippi
Total Pages: 372
Release: 2020-11-24
Genre: Music
ISBN: 1496831233

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Damaged: Musicality and Race in Early American Punk is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era. Evan Rapport outlines the ways in which punk developed out of dramatic changes to America’s cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis.


Rockin' in the Ivory Tower

Rockin' in the Ivory Tower
Author: James M. Carter
Publisher: Rutgers University Press
Total Pages: 153
Release: 2023-06-16
Genre: Music
ISBN: 197882940X

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Histories of American rock music and the 1960s counterculture typically focus on the same few places: Woodstock, Monterey, Altamont. Yet there was also a very active college circuit that brought edgy acts like the Jefferson Airplane and the Velvet Underground to different metropolitan regions and smaller towns all over the country. These campus concerts were often programmed, promoted, and reviewed by students themselves, and their diverse tastes challenged narrow definitions of rock music. Rockin’ in the Ivory Tower takes a close look at two smaller universities, Drew in New Jersey and Stony Brook on Long Island, to see how the culture of rock music played an integral role in student life in the late 1960s. Analyzing campus archives and college newspapers, historian James Carter traces connections between rock fandom and the civil rights protests, free speech activism, radical ideas, lifestyle transformations, and anti-war movements that revolutionized universities in the 1960s. Furthermore, he finds that these progressive students refused to segregate genres like folk, R&B, hard rock, and pop. Rockin’ in the Ivory Tower gives readers a front-row seat to a dynamic time for the music industry, countercultural politics, and youth culture.