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| Author | : Mirtn Cadhain |
| Publisher | : Yale University Press |
| Total Pages | : 328 |
| Release | : 2015-01-01 |
| Genre | : Fiction |
| ISBN | : 0300198493 |
"Originally published in Irish as CrE na Cille. Copyright 1949 by Sirsel agus Dill."
| Author | : Nicholas Grene |
| Publisher | : Oxford University Press |
| Total Pages | : 251 |
| Release | : 2021-08-05 |
| Genre | : Literary Criticism |
| ISBN | : 0192605534 |
This innovative study analyzes the range of representation of farming in Irish literature in the period since independence/partition in 1922, as Ireland moved from a largely agricultural to a developed urban society. In many different forms including poetry, drama, fiction, and autobiography, writers have made literary capital by looking back at their rural backgrounds, even where those may be a generation back. The first five chapters examine some of the key themes: the impact of inheritance on family in the patriarchal system where there could only be one male heir; the struggles for survival in the poorest regions of the West of Ireland; the uses of childhood farming memories whether idyllic or traumatic; and the representation of communities, challenging the homogeneous idealizing images of the Literary Revival; the impact of modernization on successive generations into the twenty-first century. The final three chapters are devoted to three major writers in whose work farming is central: Patrick Kavanagh, the small farmer who had to find an individual voice to express his own unique experience; John McGahern in whose fiction the life of the farm is always posited as alternative to a rootless urban milieu; and Seamus Heaney who re-imagined his farming childhood in so many different modes throughout his career. Farming in Modern Irish Literature yields original insights into the literary iconography of rural Ireland and its interplay with social and cultural history, opening up fresh vistas on the achievements of Irish writers in different genres, styles, and historical eras.
| Author | : Patrick Joyce |
| Publisher | : Verso Books |
| Total Pages | : 369 |
| Release | : 2021-07-27 |
| Genre | : Biography & Autobiography |
| ISBN | : 1839763248 |
A historian's personal journey into the complex questions of immigration, home and nation From Ireland to London in the 1950s, Derry in the Troubles to contemporary, de-industrialised Manchester, Joyce finds the ties of place, family and the past are difficult to break. Why do certain places continue to haunt us? What does it mean to be British after the suffering of Empire and of war? How do we make our home in a hypermobile world without remembering our pasts? Patrick Joyce's parents moved from Ireland in the 1930s and made their home in west London. But they never really left the homeland. And so as he grew up among the streets of Paddington and Notting Hill and when he visited his family in Ireland he felt a tension between the notions of home, nation and belonging. Going to My Father's House charts the historian's attempt to make sense of these ties and to see how they manifest in a globalised world. He explores the places - the house, the street, the walls and the graves - that formed his own identity. He ask what place the ideas of history, heritage and nostalgia have in creating a sense of our selves. He concludes with a plea for a history that holds the past to account but also allows for dynamic, inclusive change.
| Author | : Jerry White |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 204 |
| Release | : 2024-10-01 |
| Genre | : Political Science |
| ISBN | : 0228023432 |
Speaking at the Congress of African People in September 1970, Amiri Baraka said, “In Newark, when we greet each other on the streets, we say, ‘what time is it?’ We always say, ‘It’s nation time!’ Nationalism is about land and nation, a way of life trying to free itself.” National identity and nationhood are too often easily dismissed as retrograde populism or racist exclusion. Instead, they need to be understood as a key part of a vision of globalization that holds the imperatives of diversity and solidarity in a delicate balance. Jerry White offers a defence of the nation based on the assumption that struggles for national identity have often unfolded in ways that should be familiar to those who defend the political standpoint of the progressive left. Having evolved into something that a wide variety of actors have sought to defend, nations can also serve as a defence against the homogenizing forces of globalization and as havens of diversity in opposition to more singularly minded forms of affiliation. It’s Nation Time is structured as a series of specific case studies that speak to theories of nation and their historical and cultural manifestations. It includes examples as varied as Black nationalism, Simone Weil’s hopes for a postwar France, the first independence period of Georgia, the Bollywood cinema of Nehru-era India, and small or stateless nations such as New Zealand, Quebec, Ireland, Catalonia, the Métis, the Mohawk, and the Inuit to argue that nationalism is a social form that has much potential and life in it. Broadly internationalist but also deeply insightful about the particular cultures and politics of small nations, It’s Nation Time defends an idea of nation, and a form of nationalism that are rooted in the potential for diversity, flexibility, and progressive politics.
| Author | : Máirtín Ó Cadhain |
| Publisher | : Yale University Press |
| Total Pages | : 368 |
| Release | : 2016-03-28 |
| Genre | : Fiction |
| ISBN | : 0300220928 |
In critical opinion and popular polls, Máirtín Ó Cadhain’s Graveyard Clay is invariably ranked the most important prose work in modern Irish. This bold new translation of his radically original Cré na Cille is the shared project of two fluent speakers of the Irish of Ó Cadhain’s native region, Liam Mac Con Iomaire and Tim Robinson. They have achieved a lofty goal: to convey Ó Cadhain’s meaning accurately and to meet his towering literary standards. Graveyard Clay is a novel of black humor, reminiscent of the work of Synge and Beckett. The story unfolds entirely in dialogue as the newly dead arrive in the graveyard, bringing news of recent local happenings to those already confined in their coffins. Avalanches of gossip, backbiting, flirting, feuds, and scandal-mongering ensue, while the absurdity of human nature becomes ever clearer. This edition of Ó Cadhain’s masterpiece is enriched with footnotes, bibliography, publication and reception history, and other materials that invite further study and deeper enjoyment of his most engaging and challenging work.
| Author | : Máirtín Ó Cadhain |
| Publisher | : Yale University Press |
| Total Pages | : 328 |
| Release | : 2015-03-01 |
| Genre | : Fiction |
| ISBN | : 030021359X |
Máirtín Ó Cadhain’s irresistible and infamous novel The Dirty Dust is consistently ranked as the most important prose work in modern Irish, yet no translation for English-language readers has ever before been published. Alan Titley’s vigorous new translation, full of the brio and guts of Ó Cadhain’s original, at last brings the pleasures of this great satiric novel to the far wider audience it deserves. In The Dirty Dust all characters lie dead in their graves. This, however, does not impair their banter or their appetite for news of aboveground happenings from the recently arrived. Told entirely in dialogue, Ó Cadhain’s daring novel listens in on the gossip, rumors, backbiting, complaining, and obsessing of the local community. In the afterlife, it seems, the same old life goes on beneath the sod. Only nothing can be done about it—apart from talk. In this merciless yet comical portrayal of a closely bound community, Ó Cadhain remains keenly attuned to the absurdity of human behavior, the lilt of Irish gab, and the nasty, deceptive magic of human connection.
| Author | : John Berendt |
| Publisher | : Random House |
| Total Pages | : 417 |
| Release | : 1994-01-13 |
| Genre | : True Crime |
| ISBN | : 0679429220 |
NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.
| Author | : Mary C. Gillett |
| Publisher | : |
| Total Pages | : 324 |
| Release | : 1981 |
| Genre | : Government publications |
| ISBN | : |
Appendices include laws and legislation concerning the Army Medical Department. Maps include those of territories and frontiers and Continental Army hospital locations. Illustrations are chiefly portraits.
| Author | : Mairtin O Cadhain |
| Publisher | : Yale University Press |
| Total Pages | : 353 |
| Release | : 2021-10-26 |
| Genre | : Fiction |
| ISBN | : 0300262922 |
A collection of the finest stories from the Irish author of The Dirty Dust, published fifty years after his death These colorful tales from renowned Irish author Máirtín Ó Cadhain (1906–1970) whisk readers to the salty western shores of Ireland, where close†‘knit farming communities follow the harsh rhythms of custom, family, and land, even as they dream together of a kinder world. In this collection, the resilient women and men of the Gaeltacht regions struggle toward self†‘realization against the brutal pressures of rural poverty, and later, the hollowing demands of modern city life. Weaving together tradition and modernity, and preserving the earthy cadence of the original language, this rich and heart-rending collection by one of Ireland’s most acclaimed fiction writers is a composite portrait of a country poised at the edge of irreversible transformation.
| Author | : Máirtín Ó Cadhain |
| Publisher | : Yale University Press |
| Total Pages | : 158 |
| Release | : 2019-09-24 |
| Genre | : Fiction |
| ISBN | : 0300249128 |
A riveting English translation the Irish classic tale of heartache, death, and loneliness by the beloved author of The Dirty Dust The final published work by the renowned Máirtín Ó Cadhain, this novella follows a widower as he attempts to plan his wife’s funeral arrangements without money, direction, or whiskey. Thrown into a desert of unknowing, he knows not where to turn or what to do. In a poignant meditation on regret, possibilities, maybes, and avoidances, the author portrays a man hopelessly watching as the people in the world go about their lives around him. With black humor sprinkled throughout, the book, a profound look at psychic loss and puzzlement by a writer at the height of his powers, illustrates Ó Cadhain’s conviction that tragedy and comedy are inextricably connected. Bringing this work to an English-speaking audience for the first time, this volume includes an illuminating introduction by Alan Titley, whose skillful translation captures the spirit and tone of the original.
