The Dijon Art Gallery
Author | : Albert Joliet |
Publisher | : |
Total Pages | : 72 |
Release | : 1926 |
Genre | : Art museums |
ISBN | : |
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Author | : Albert Joliet |
Publisher | : |
Total Pages | : 72 |
Release | : 1926 |
Genre | : Art museums |
ISBN | : |
Author | : Emmanuel Starcky |
Publisher | : |
Total Pages | : 127 |
Release | : 1992 |
Genre | : |
ISBN | : |
Author | : Sandrine Balan |
Publisher | : |
Total Pages | : 256 |
Release | : 2019 |
Genre | : Art |
ISBN | : 9782359062830 |
Author | : Pierre Quarré |
Publisher | : |
Total Pages | : 9 |
Release | : 1978 |
Genre | : |
ISBN | : |
Author | : Sophie Jugie |
Publisher | : Yale University Press |
Total Pages | : 138 |
Release | : 2010 |
Genre | : Art |
ISBN | : |
The Dukes of Burgundy (1363/1477): the political and artistic adventure of a noble dynasty in the late Middle Ages -- The Chartreuse de Champmol -- The tombs of Philip the Bold and John the Fearless -- The mourners -- Mourners from the tomb of John the Fearless -- From charterhouse to museum -- The Salle des gardes: Burgundy & apos;s locus memoriae -- Conclusion -- Selected readings on the Chartreuse de Champmol, the tombs of the Dukes of Burgundy, and the mourners
Author | : J. Magnin |
Publisher | : Forgotten Books |
Total Pages | : 338 |
Release | : 2017-10-21 |
Genre | : Art |
ISBN | : 9780265564073 |
Excerpt from Picture in the Museum of Dijon: 159 Illustrations The purpose of gathering together in the same building all the precious works, paintings, prints, statues, bas reliefs, ancient cameos and engraved stones, of collecting all the instruments relating to science, all the necessary fittings for natural History and the artistical works worthy to be handed down to posterity, of overlooking churches and monasteries, colleges, manorhouses of the ci-devant exiled noblemen and generally all the sup pressed public buildings. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : Albert Joliet |
Publisher | : |
Total Pages | : 0 |
Release | : 1926 |
Genre | : |
ISBN | : |
Author | : Monique Geiger |
Publisher | : |
Total Pages | : 8 |
Release | : 1978 |
Genre | : Drawing |
ISBN | : |
Author | : Musée des Beaux-Arts (DIJON) |
Publisher | : |
Total Pages | : 103 |
Release | : 1957 |
Genre | : |
ISBN | : |
Author | : Daniel J. Sherman |
Publisher | : |
Total Pages | : 362 |
Release | : 1989 |
Genre | : Art |
ISBN | : |
Attracting controversy as readily as they do crowds, art museums--the Grand Louvre project and the new Orsay in Paris, or the proposed Whitney and Guggenheim additions in New York, for example--occupy a curious but central position in world culture. Choosing the art museums of provincial France in the previous century as a paradigm, Daniel Sherman reaches toward an understanding of the museum's place in modern society by exploring its past. He uses an array of previously unstudied archival sources as evidence that the museum's emergence as an institution involved not only the intricacies of national policy but also the political dynamics and social fabric of the nineteenth-century city. The author ascertains that while the French state played an important role in the creation of provincial museums during the Revolutionary era, for much of the next century it was content simply to send works of art to the provinces. When in the 1880s the new Republican regime began to devote more attention to the real purposes and functions of provincial museums, officials were surprised to learn that the initiative had already passed into the hands of local elites who had nurtured their own museums from their inception. Sherman devotes particular attention to the museums of Bordeaux, Dijon, Marseilles, and Rouen. From their origins as repositories for objects confiscated during the Revolution, they began to attract the attention of local governments, which started to add objects purchased at regional art exhibitions. In the period 1860-1890, monumental buildings were constructed, and these museums became identified with the cities' bourgeois leaders. This central connection with local elites has continued to our own day, and leads into the author's stimulating reflections on the art museum's past, present, and future. This original and highly readable account should attract those with an interest in cultural institutions and art history in general as well as those who study the history and sociology of modern France.