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Four Contemporary Korean Plays

Four Contemporary Korean Plays
Author: Yun-tʻaek Yi
Publisher:
Total Pages: 174
Release: 2007
Genre: Drama
ISBN:

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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Commentary (stories not included). Pages: 32. Chapters: The Santaroga Barrier, The Lathe of Heaven, The Colour Out of Space, Spacehounds of IPC, Trullion: Alastor 2262, The Skylark of Space, Triplanetary, The Second Trip, Armageddon 2419 A.D., The Master Mind of Mars, Skylark Three, I, Robot, Breakfast at Twilight, After 12,000 Years, Tarzan and the Foreign Legion, Anniversary, The Planet Savers, Llana of Gathol, Savage Pellucidar, The Sunken World, The Crime and the Glory of Commander Suzdal, The Weapon Too Dreadful to Use, Marooned Off Vesta, Gateway to Strangeness, What is This Thing Called Love?, Robot AL-76 Goes Astray, Time Enough, The Builder, One Million Tomorrows, Satisfaction Guaranteed, The Return of Tharn, The Crystal Horde, The Hidden Universe, The Days of Perky Pat, Sshhh ..., Billennium, Islands of Space, The Bridge of Light, Seeds of Life, Birth of a Notion, The Ship Who Searched, Project Nightmare, Encounter in the Dawn, Divided We Fall, Uphill Climb, Whatll We Do with Ragland Park'. Excerpt: The Lathe of Heaven is a 1971 science fiction novel by Ursula K. Le Guin. The plot revolves around a character whose dreams alter reality. The story was first serialized in the American science fiction magazine Amazing Stories. The novel received nominations for the 1972 Hugo and the 1971 Nebula Award, and won the Locus Award for Best Novel in 1972. Two television film adaptations have been released: the acclaimed PBS production, The Lathe of Heaven (1980); and Lathe of Heaven (2002), a remake produced by the A&E Network. The title is taken from the writings of Chuang Tzu - specifically a passage from Book XXIII, paragraph 7, quoted as an epigraph to Chapter 3 of the novel: To let understanding stop at what cannot be understood is a high attainment. Those who cannot do it will be destroyed on the lathe of heaven. ( ...


Innovations of Modern Korean Theatre in the 20th Century

Innovations of Modern Korean Theatre in the 20th Century
Author: Meewon Lee
Publisher: Taylor & Francis
Total Pages: 240
Release: 2024-09-25
Genre: Social Science
ISBN: 1040145000

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Lee provides a comprehensive insight into important topics within modern Korean theatre and conducts an in-depth evaluation of the major discourses that shaped Korean theatre during the 20th century. The book adopts a topical approach to explore modern Korean theatre through a more focused lens. Examining key subjects such as Korean Playwrights. Korean adaptations of Shakespeare, the National Theatre, feminist theatre, and the intercultural potential of a Far Eastern theatrical bloc, it provides a rigorous understanding of the evolution of Korean theatre during the 20th century and explores the moments of rupture and innovation within the chronological history of theatre. The book is a vital resource of interest to scholars and students interested in East Asian culture and theatre, specifically Korean culture.


Contemporary Korean Theatre

Contemporary Korean Theatre
Author: Mi-wŏn Yi
Publisher: 연극과인간
Total Pages: 252
Release: 2000
Genre: Dramatists
ISBN:

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Korean Theatre

Korean Theatre
Author: Oh-Kon Cho
Publisher: Jain Publishing Company
Total Pages: 344
Release: 2019-02-18
Genre: Performing Arts
ISBN: 0895818418

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"Korean Theatre: From Rituals to the Avant-Garde is the most comprehensive book on Korean theatre which covers from ancient rituals to the modern theatre. It is an essential book for anyone who is interested in theatre or Korean theatre . . . The research that went in to make this book possible can only be described as phenomenal." Alyssa Kim, Ph.D. Hankuk University of Foreign Studies "The book has a clear, understandable organization. Professor Cho’s prose is succinct, readable, and void of fashionable academic jargon. I find the chapter beginning-historical context very useful, most especially those surrounding and shaping Korean theatre since the ‘50s. The early chapters on masked-dance plays and puppet theatre provide important information about Korean culture and the later chapters on Madanggŭk and North Korean proletarian drama shed light on area little known or understood by Western students of Korea. This book promises to be a singular contribution to English-language materials on Korean theatre, one written by a scholar with an encyclopedic knowledge of his subject." Richard Nichols, Ph.D. Emeritus Professor of Theatre Pennsylvania State University


Modern Asian Theatre and Performance 1900-2000

Modern Asian Theatre and Performance 1900-2000
Author: Kevin J. Wetmore, Jr.
Publisher: A&C Black
Total Pages: 313
Release: 2014-05-08
Genre: Performing Arts
ISBN: 140817720X

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Modern Asian Theatre and Performance 1900 – 2000 is a ground-breaking survey, tracking the advent of modern drama in Japan, India, China, Korea and Southeast Asia. It considers the shaping power of realism and naturalism, the influence of Western culture, the relationship between theatrical modernisation and social modernisation, and how theatre operates in contemporary Asian society. Organised by period, nation and region, each chapter provides: ·a historical overview of the culture; ·an outline of theatre history; ·a survey of significant playwrights, actors, directors, companies, plays and productions. With contributions from an international team of scholars, this authoritative introduction will uniquely equip students and scholars with a broad understanding of the modern theatre histories of Asia.


Modern Korean Drama

Modern Korean Drama
Author: Richard Nichols
Publisher: Columbia University Press
Total Pages: 350
Release: 2011
Genre: Drama
ISBN: 0231149476

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Carefully selected and represented, the plays in this collection showcase both the fantastic and the realistic innovations of Korean dramatists during a time of rapid social and historical change. Stretching from 1962 to 2004, these seven works tackle major subjects, such as the close of the Choson dynasty and the aftermath of the Korean War, while delving into trenchant cultural issues, such as the marginalization of students who rebel against mainstream education and the role of traditional values in a materialistic society. Longtime scholar of Korea and its vibrant, politically acute theater, Richard Nichols opens with a general overview of modern Korean drama since 1910 and concludes with an appendix describing theater production and audience attendance in Seoul. He chooses works that aren't just for Korean audiences. These texts confront universal themes and situations, tackling the problem of ambition, the trouble with fidelity, and the complexity of sexual and interpersonal relationships. Nichols situates each work critically, historically, and culturally, including brief biographies of playwrights and extensive notes. A bibliography also provides alternative readings and the titles of additional plays currently available in English. Primed for production, these skillful translations provide Western directors with exciting new material for the stage. At the same time, they offer students and scholars a sophisticated survey of the modern Korean dramatic tradition.


Korean Musical Drama: P'ansori and the Making of Tradition in Modernity

Korean Musical Drama: P'ansori and the Making of Tradition in Modernity
Author: Dr Haekyung Um
Publisher: Ashgate Publishing, Ltd.
Total Pages: 273
Release: 2014-02-28
Genre: Music
ISBN: 147241456X

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P’ansori is the quintessential traditional Korean musical drama, in which epic tales are sung and narrated by a solo singer accompanied by a drummer. Drawing on her extensive research in Korea and its diasporas, Haekyung Um describes and analyses the creative processes of p’ansori, weaving into her discussion musical, social and cultural aspects that include the evolution of p’ansori performance, origins and historical development, textual and musical materials, stylistic features of different p’ansori schools, transmission of knowledge, aesthetics, and changing interpretations of tradition. Also explored is the complexity of historical and contemporary influences that give shape to p’ansori as a ‘living tradition’ across the ages and into the present, and as a cultural icon with an enduring narrative and emotional impact. Social, economic and political dynamics are created in the nexus of traditional feudal values, colonial modernity and nationalism. The impact of aspects of late modernity such as technology, mass media, migration and globalization, has transported p’ansori into digital and transnational domains. By bringing all these creative and contextual processes together, Haekyung Um explains how a tradition is created, maintained and redefined by the dynamic interactions of agents, values, meanings, strategies, identities and artistic hybridity.