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The Death of Authentic Primitive Art

The Death of Authentic Primitive Art
Author: Shelly Errington
Publisher: Univ of California Press
Total Pages: 338
Release: 2023-09-01
Genre: Art
ISBN: 0520920341

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In this lucid, witty, and forceful book, Shelly Errington argues that Primitive Art was invented as a new type of art object at the beginning of the twentieth century but that now, at the century's end, it has died a double but contradictory death. Authenticity and primitivism, both attacked by cultural critics, have died as concepts. At the same time, the penetration of nation-states, the tourist industry, and transnational corporations into regions that formerly produced these artifacts has severely reduced supplies of "primitive art," bringing about a second "death." Errington argues that the construction of the primitive in the nineteenth and twentieth centuries (and the kinds of objects chosen to exemplify it) must be understood as a product of discourses of progress—from the nineteenth-century European narrative of technological progress, to the twentieth-century narrative of modernism, to the late- twentieth-century narrative of the triumph of the free market. In Part One she charts a provocative argument ranging through the worlds of museums, art theorists, mail-order catalogs, boutiques, tourism, and world events, tracing a loosely historical account of the transformations of meanings of primitive art in this century. In Part Two she explores an eclectic collection of public sites in Mexico and Indonesia—a national museum of anthropology, a cultural theme park, an airport, and a ninth-century Buddhist monument (newly refurbished)—to show how the idea of the primitive can be used in the interests of promoting nationalism and economic development. Errington's dissection of discourses about progress and primitivism in the contemporary world is both a lively introduction to anthropological studies of art institutions and a dramatic new contribution to the growing field of cultural studies.


Primitivism and Twentieth-century Art

Primitivism and Twentieth-century Art
Author: Jack D. Flam
Publisher: Univ of California Press
Total Pages: 514
Release: 2003
Genre: Art
ISBN: 9780520212787

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"This is a much needed, important collection-a goldmine of sources for scholars and students. The texts articulate the key Primitivist aesthetic discourses of the period, offering crucial insight into the complex and always changing nexus between culture, politics, and representation. Because of the breadth of the materials covered and the controversies they raise, this anthology is one of the all too rare volumes that not only will provide reference materials for years to come but also will feature centrally in classroom discussions."--Suzanne Preston Blier, author of African Vodun: Art, Psychology, and Power "For almost a century art historians have fretted about the notion of primitivism in the arts. This comprehensive-in both senses of the word-anthology is a peerless source of the history of responses to works categorized as 'primitive.' In its range, the book touches upon all the troubling questions-formal, anthropological, political, historical-that have bedeviled the study of the arts of Oceania, Africa, and North and South America, and provides the grounds, at last, for intelligent pursuit of keener distinctions. I regard this book as a superb contribution to the study of Modern art; in fact, indispensable."--Dore Ashton, author of Noguchi East and West "An extraordinarily useful and complete collection of primary documents, many translated for the first time into English, and almost all unlikely to be encountered elsewhere without serious effort. Its five sections, each with a lively and scholarly introduction, reveal the diverse views of artists and writers on primitive art from Matisse, Picasso, and Fry to many far less known and sometimes surprising figures. The book also uncovers the politics and aesthetics of the major museum exhibitions that gained acceptance for art that had been both reviled and mythologized. Recent texts included are all germane. This book will be invaluable for any college course on the topic."--Shelly Errington, author of The Death of Authentic Primitive Art and Other Tales of Progress "An exceptionally valuable anthology of seventy documents--most heretofore unavailable in English--on the ongoing controversies surrounding Primitivism and Modern art. Insightfully chosen and annotated, the collection is brilliantly introduced by Jack Flam's essay on the historical progression, contexts, and cultural complexities of more than one hundred years' ideas about Primitivism. Rich, timely, illuminating."--Herbert M. Cole, author of Icons: Ideals and Power in the Art of Africa


Primitive Art

Primitive Art
Author:
Publisher:
Total Pages: 0
Release: 1951
Genre:
ISBN:

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On Aboriginal representation in the Gallery

On Aboriginal representation in the Gallery
Author: Lydia Jessup
Publisher: University of Ottawa Press
Total Pages: 342
Release: 2002-01-01
Genre: Social Science
ISBN: 177282299X

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In recognizing the established intellectual and institutional authority of Aboriginal artists, curators, and academics working in cultural institutions and universities, this volume serves as an important primer on key questions and issues accompanying the changing representational practices of the community cultural center, the public art gallery and the anthropological museum.


Culture and Authenticity

Culture and Authenticity
Author: Charles Lindholm
Publisher: John Wiley & Sons
Total Pages: 198
Release: 2007-12-26
Genre: Social Science
ISBN: 1405124431

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Authenticity is taken-for-granted as an absolute value in contemporary life. In Culture and Authenticity, Charles Lindholm calls upon anthropological case studies from different cultures, historical material, and comparative philosophy, to explore how notions of authenticity develop, what forms it takes, and how it changes over time. Examines the idea of authenticity and its role in modern culture Explores society’s preoccupation with authenticity and the search for ‘real’ experiences Looks at how the concept of authenticity intersects with questions about religion, ethnicity, and race Investigates authenticity in the context of fields such as dance, cuisine, travel, and the modern marketplace


Artifak

Artifak
Author: Hugo DeBlock
Publisher: Berghahn Books
Total Pages: 300
Release: 2018-11-29
Genre: Social Science
ISBN: 1789200431

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In Vanuatu, commoditization and revitalization of culture and the arts do not necessarily work against each other; both revolve around value formation and the authentication of things. This book investigates the meaning and value of (art) objects as commodities in differing states of transit and transition: in the local place, on the market, in the museum. It provides an ethnographic account of commoditization in a context of revitalization of culture and the arts in Vanuatu, and the issues this generates, such as authentication of actions and things, indigenized copyright, and kastom disputes over ownership and the nature of kastom itself.


The Music and Sound of Experimental Film

The Music and Sound of Experimental Film
Author: Holly Rogers (Professor of music)
Publisher: Oxford University Press
Total Pages: 337
Release: 2017
Genre: Music
ISBN: 0190469897

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Holly Rogers is Senior Lecturer in Music at Goldsmiths, University of London. Book jacket.


Primitive Art

Primitive Art
Author: Franz Boas
Publisher:
Total Pages: 372
Release: 1967
Genre:
ISBN:

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Artsense

Artsense
Author: Laodan
Publisher: Lulu.com
Total Pages: 310
Release: 2005-11-01
Genre: Art
ISBN: 1411653653

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Painting is bound to shine again soon the light of wisdom. Some critics declared its death in the seventies and eighties. While shocking their statement was nevertheless right on the mark. Art has indeed lost the societal functionality that has driven it from its early beginnings till sometime after the 2nd World War or over 99.9% of its time-span. Art has indeed always been instrumental at defusing the wisdom of the men of knowledge at the attention of all. Societies need cohesion to survive and, having a far deeper impact on humans than words and theories, visual signs imposed themselves as privileged instruments of that communication. Nowadays ever increasing pace of scientific changes and globalization impose themselves in a vacuum of accepted values which results in a deep shock and a strong need for sensical answers from new visual signs. This book is about a coming Renaissance in painting that will be driven as an answer to that societal need.


Alleviative Objects

Alleviative Objects
Author: David Frohnapfel
Publisher: transcript Verlag
Total Pages: 319
Release: 2020-12-31
Genre: Social Science
ISBN: 3839455928

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The global field of contemporary art is shaped by inter-racial conflicts. Alleviative Objects approaches Caribbean art through intersectional entanglements and combines decolonial epistemologies with critical whiteness studies and affect theory in order to rethink `Euro- and U.S.-centric' perspectives on art, race, and class. David Frohnapfel shows how progressive racism in the discourse on Haitian art recenters Whiteness by performing benign, innocent, and heroic identifications with the artist group Atis Rezistans. While the study turns critically towards Whiteness, it also turns away from it and towards the compelling contributions of Haitian curators and artists to the decentralization of contemporary art.