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The Danse Macabre of Women

The Danse Macabre of Women
Author: Ann Tukey Harrison
Publisher: Kent State University Press
Total Pages: 194
Release: 1994
Genre: Drama
ISBN: 9780873384735

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The 'Danse Macabre' of Women is a 15th-century French poem found in an illuminated late-medieval manuscript. This book contains reproductions of each manuscript folio, a translation and explanatory chapters by Ann Tukey Harrison. Art historian Sandra L. Hindman also contributes a chapter.


Mixed Metaphors

Mixed Metaphors
Author: Stefanie Knöll
Publisher: Cambridge Scholars Publishing
Total Pages: 450
Release: 2015-06-18
Genre: Art
ISBN: 1443879223

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This groundbreaking collection of essays by a host of international authorities addresses the many aspects of the Danse Macabre, a subject that has been too often overlooked in Anglo-American scholarship. The Danse was once a major motif that occurred in many different media and spread across Europe in the course of the fifteenth century, from France to England, Germany, Scandinavia, Poland, Spain, Italy and Istria. Yet the Danse is hard to define because it mixes metaphors, such as dance, di ...


Danse Macabre

Danse Macabre
Author: Laurell K. Hamilton
Publisher: Penguin
Total Pages: 502
Release: 2006-06-27
Genre: Fiction
ISBN: 1101146826

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In the thralls of supernatural passion, Anita Blake faces a most human dilemma.


The Dance of Death

The Dance of Death
Author: Hans Holbein
Publisher:
Total Pages: 138
Release: 1892
Genre: Dance of Death
ISBN:

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Danse Macabre

Danse Macabre
Author: Muriel Box
Publisher:
Total Pages: 18
Release: 1934
Genre:
ISBN:

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Danse Macabre

Danse Macabre
Author: Desmond Manderson
Publisher: Cambridge University Press
Total Pages: 301
Release: 2019-04-18
Genre: Art
ISBN: 1107158664

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A revolutionary approach exploring legal themes such as justice, legitimacy, sovereignty, and power through close readings of major works of art.


John Lydgate's Dance of Death and Related Works

John Lydgate's Dance of Death and Related Works
Author: Megan L Cook
Publisher: Medieval Institute Publications
Total Pages: 210
Release: 2019-10-31
Genre: Literary Collections
ISBN: 1580444083

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This volume joins new editions of both texts of John Lydgate's The Dance of Death, related Middle English verse, and a new translation of Lydgate's French source, the Danse macabre. Together these poems showcase the power of the danse macabre motif, offering a window into life and death in late medieval Europe. In vivid, often grotesque, and darkly humorous terms, these poems ponder life's fundamental paradox: while we know that we all must die, we cannot imagine our own death.


The Dance Macabre (New Edition)

The Dance Macabre (New Edition)
Author: Dr. Steven Parris Ward
Publisher: Xlibris Corporation
Total Pages: 78
Release: 2012-12-28
Genre: Poetry
ISBN: 1479768316

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The Dance Macabre is an epic poem which deals in one respect with the universality of death. Irrespective of one’s class in life, the dance of death unites all. The poem may be linked to a tradition found in many cultures: for Danse Macabre (French), Danza Macabra (Italian and Spanish), or Totentanz (German), were late-medieval allegories which invariably represented a personified Death leading a row of dancing figures to the grave; typically with an emperor, king,youngster, and beautiful girl in the entourage. The intention of such tales and images remind people of how fragile their lives are, and how vain are the glories of earthly life. Its origins derive from illustrated sermon texts; the earliest artistic examples being similar to the one depicted onthe cover, which is adapted from an image found in a cemetery in Paris circa 1424.


Women and Other Monsters

Women and Other Monsters
Author: Jess Zimmerman
Publisher: Beacon Press
Total Pages: 226
Release: 2021-03-09
Genre: Social Science
ISBN: 0807054933

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A fresh cultural analysis of female monsters from Greek mythology, and an invitation for all women to reclaim these stories as inspiration for a more wild, more “monstrous” version of feminism The folklore that has shaped our dominant culture teems with frightening female creatures. In our language, in our stories (many written by men), we underline the idea that women who step out of bounds—who are angry or greedy or ambitious, who are overtly sexual or not sexy enough—aren’t just outside the norm. They’re unnatural. Monstrous. But maybe, the traits we’ve been told make us dangerous and undesirable are actually our greatest strengths. Through fresh analysis of 11 female monsters, including Medusa, the Harpies, the Furies, and the Sphinx, Jess Zimmerman takes us on an illuminating feminist journey through mythology. She guides women (and others) to reexamine their relationships with traits like hunger, anger, ugliness, and ambition, teaching readers to embrace a new image of the female hero: one that looks a lot like a monster, with the agency and power to match. Often, women try to avoid the feeling of monstrousness, of being grotesquely alien, by tamping down those qualities that we’re told fall outside the bounds of natural femininity. But monsters also get to do what other female characters—damsels, love interests, and even most heroines—do not. Monsters get to be complete, unrestrained, and larger than life. Today, women are becoming increasingly aware of the ways rules and socially constructed expectations have diminished us. After seeing where compliance gets us—harassed, shut out, and ruled by predators—women have never been more ready to become repellent, fearsome, and ravenous.


The Dance of Death in the Middle Ages

The Dance of Death in the Middle Ages
Author: Elina Gertsman
Publisher: Brepols Publishers
Total Pages: 384
Release: 2010
Genre: Art
ISBN:

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Elina Gertsman's multifaceted study introduces readers to the imagery and texts of the Dance of Death, an extraordinary subject that first emerged in western European art and literature in the late medieval era. Conceived from the start as an inherently public image, simultaneously intensely personal and widely accessible, the medieval Dance of Death proclaimed the inevitability of death and declared the futility of human ambition. Gertsman inquires into the theological, socio-historic, literary, and artistic contexts of the Dance of Death, exploring it as a site of interaction between text, image, and beholder. Pulling together a wide variety of sources and drawing attention to those images that have slipped through the cracks of the art historical canon, Gertsman examines the visual, textual, aural, pastoral, and performative discourses that informed the creation and reception of the Dance of Death, and proposes different modes of viewing for several paintings, each of which invited the beholder to participate in an active, kinesthetic experience.