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| Author | : ADRIAN. GEORGE |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2024-10-15 |
| Genre | : Art |
| ISBN | : 9780500297612 |
An updated edition of this essential practical handbook for all those involved in or studying the dynamic field of curating.
| Author | : Nicola Pickering |
| Publisher | : Lund Humphries Publishers Limited |
| Total Pages | : 0 |
| Release | : 2020-09-03 |
| Genre | : Museums |
| ISBN | : 9781848223240 |
The Museum Curator's Guide is a practical reference book for emerging arts and heritage professionals working with a wide range of objects (including fine art, decorative arts, social history, ethnographic and archaeological collections), and explores the core work of the curator within a gallery or museum setting. Nicola Pickering provides a clear introduction to current material culture and museum studies theories, and shows the practical application of these theories to museum collections. She considers the role of the curator, their duties and interaction with objects, and also examines the care or preservation of objects and the ways they can be catalogued, displayed, moved, arranged, stored, interpreted and explained in museums today. The Museum Curator's Guide represents an essential and lasting resource for all those working with the collection, preservation and presentation of objects, including students of collections management and curatorship; current gallery and museum professionals; and private collectors.
| Author | : Friedrich Rathgen |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 1905 |
| Genre | : Antiquities |
| ISBN | : |
| Author | : Louisa Buck |
| Publisher | : Thames & Hudson |
| Total Pages | : 304 |
| Release | : 2012-11-19 |
| Genre | : Art |
| ISBN | : 0500771537 |
The definitive guide on everything one needs to know about commissioning contemporary art In an age of blockbuster exhibitions and public art projects, the most exciting artworks are often those that have been specially commissioned for a specific site or event. This invaluable guide reveals and demystifies every stage of the commissioning process—from the initial invitation to an artist and the financing of a project to the final installation of works. Combining theoretical and conceptual considerations with practical ones, the text is supplemented with copious quotations and insights from some of the best-known artists, curators, commissioners, and museum directors of today. It is an essential guide for anyone involved in the process of commissioning new art—private collectors, foundations, public bodies, museums, galleries, and artists themselves—as well as those fascinated by the inner workings of the contemporary art world.
| Author | : David Saunders |
| Publisher | : Getty Publications |
| Total Pages | : 330 |
| Release | : 2021-01-12 |
| Genre | : Art |
| ISBN | : 1606067281 |
Author David Saunders, former keeper of conservation and scientific research at the British Museum, explores how to balance the conflicting goals of visibility and preservation under a variety of conditions. Beginning with the science of how light, color, and vision function and interact, he proceeds to offer detailed studies of the impact of light on a wide range of objects, including paintings, manuscripts, textiles, bone, leather, and plastics. With analyses of the effects of light on visibility and deterioration, Museum Lighting provides practical information to assist curators, conservators, and other museum professionals in making critical decisions about the display and preservation of objects in their collections.
| Author | : Paula Marincola |
| Publisher | : Reaktion Books |
| Total Pages | : 191 |
| Release | : 2007-02-16 |
| Genre | : Business & Economics |
| ISBN | : 1780234864 |
For better or worse, museums are changing from forbidding bastions of rare art into audience-friendly institutions that often specialize in “blockbuster” exhibitions designed to draw crowds. But in the midst of this sea change, one largely unanswered question stands out: “What makes a great exhibition?” Some of the world’s leading curators and art historians try to answer this question here, as they examine the elements of a museum exhibition from every angle. What Makes a Great Exhibition? investigates the challenges facing American and European contemporary art in particular, exploring such issues as group exhibitions, video and craft, and the ways that architecture influences the nature of the exhibitions under its roof. The distinguished contributors address diverse topics, including Studio Museum in Harlem director Thelma Golden’s examination of ethnically-focused exhibitions; and Robert Storr, director of the 2007 Venice Biennale and formerly of the Museum of Modern Art, on the meaning of “exhibition and “exhibitionmaker.” A thought-provoking volume on the practice of curatorial work and the mission of modern museums, What Makes A Great Exhibition? will be indispensable reading for all art professionals and scholars working today.
| Author | : Terry E. Smith |
| Publisher | : |
| Total Pages | : 276 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : |
"'Thinking contemporary curating' is the first publication to comprehensively explore what is distinctive about contemporary curatorial thought. In five essays, art historian, critic, and theorist Terry Smith surveys the international landscape of current discourse; explores a number of exhibitions that show contemporaneity in present, recent, and post art; describes the enormous growth world-wide of exhibitionary infrastructure and the instability that haunts it; re-examines the phenomenon of artist-curators and curator-artists; and assesses a number of key tendencies in curating - such as the reimagined museum, the expanded exhibition, historicization and recuration, infrastructural activism, and engaged spectatorship - as responses to contemporary conditions." -- book cover.
| Author | : Allan deSouza |
| Publisher | : Duke University Press |
| Total Pages | : 336 |
| Release | : 2018-11-09 |
| Genre | : Art |
| ISBN | : 1478002182 |
What terms do we use to describe and evaluate art, and how do we judge if art is good, and if it is for the social good? In How Art Can Be Thought Allan deSouza investigates such questions and the popular terminology through which art is discussed, valued, and taught. Adapting art viewing to contemporary demands within a rapidly changing world, deSouza outlines how art functions as politicized culture within a global industry. In addition to offering new pedagogical strategies for MFA programs and the training of artists, he provides an extensive analytical glossary of some of the most common terms used to discuss art while focusing on their current and changing usage. He also shows how these terms may be crafted to new artistic and social practices, particularly in what it means to decolonize the places of display and learning. DeSouza's work will be invaluable to the casual gallery visitor and the arts professional alike, to all those who regularly look at, think about, and make art—especially art students and faculty, artists, art critics, and curators.
| Author | : Holly Brubach |
| Publisher | : Simon & Schuster |
| Total Pages | : 160 |
| Release | : 2019-09-03 |
| Genre | : Business & Economics |
| ISBN | : 1982126841 |
An illuminating guide to a career as a curator written by acclaimed journalist Holly Brubach and based on the real-life experiences of an expert in the field—essential reading for someone considering a path to this challenging, yet rewarding profession. Go behind the scenes and be mentored by the best to find out what it’s really like, and what it really takes, to become a curator. Esteemed journalist Holly Brubach takes readers to the front lines to offer a candid portrait of the modern curatorial profession. Brubach shadows Elisabeth Sussman of the Whitney Museum of American Art in New York to reveal how a top curator actually works. In Becoming a Curator, Brubach reveals the path to becoming a curator in today’s ultra-competitive art world, from education to exhibition. Sit in on acquisition meetings, plan a splashy new show, go on a studio visit with an up-and-coming artist, and attend an opening at famed David Zwirner gallery in Chelsea. As museums step into the 21st century, the role of curator is changing and more crucial than ever. For those passionate about art, culture, and museums, this is the most valuable informational interview you’ll ever have—required reading for anyone considering this dream career.
| Author | : Sally Anne Duncan |
| Publisher | : Getty Publications |
| Total Pages | : 276 |
| Release | : 2018-08-07 |
| Genre | : Art |
| ISBN | : 1606065696 |
From 1921 until 1948, Paul J. Sachs (1878–1965) offered a yearlong program in art museum training, “Museum Work and Museum Problems,” through Harvard University’s Fine Arts Department. Known simply as the Museum Course, the program was responsible for shaping a professional field—museum curatorship and management—that, in turn, defined the organizational structure and values of an institution through which the American public came to know art. Conceived at a time of great museum expansion and public interest in the United States, the Museum Course debated curatorial priorities and put theory into practice through the placement of graduates in museums big and small across the land. In this book, authors Sally Anne Duncan and Andrew McClellan examine the role that Sachs and his program played in shaping the character of art museums in the United States in the formative decades of the twentieth century. The Art of Curating is essential reading for museum studies scholars, curators, and historians.
