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The Cultural Politics of Twentieth-century Spanish Theatre

The Cultural Politics of Twentieth-century Spanish Theatre
Author: Carey Kasten
Publisher: Lexington Books
Total Pages: 261
Release: 2012
Genre: Literary Criticism
ISBN: 1611483816

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The Cultural Politics of Twentieth-Century Spanish Theater argues that twentieth-century artists used the Golden Age Eucharist plays called autos sacramentales to reassess the way politics and the arts interact in the Spanish nation's past and present, and to posit new ideas for future relations between the state and the national culture industry. The book traces the phenomenon of the twentieth-century auto to show how theater practitioners revisited this national genre to manifest different, oftentimes opposing, ideological and aesthetic agendas. It follows the auto from the avant-garde stagings and rewritings of the form in the early twentieth century, to the Francoist productions by the Teatro Nacional de la Falange, to postmodern parodies of the form in the era following Franco's death to demonstrate how twentieth-century Spanish dramatists use the auto in their reassessment of the nation's political and artistic past, and as a way of envisioning its future.


The Cultural Politics of Twentieth-Century Spanish Theater

The Cultural Politics of Twentieth-Century Spanish Theater
Author: Carey Kasten
Publisher: Lexington Books
Total Pages: 261
Release: 2012-02-16
Genre: Performing Arts
ISBN: 1611483824

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The Cultural Politics of Twentieth-Century Spanish Theater argues that twentieth-century artists used the Golden Age Eucharist plays called autos sacramentales to reassess the way politics and the arts interact in the Spanish nation’s past and present, and to posit new ideas for future relations between the state and the national culture industry. The book traces the phenomenon of the twentieth-century auto to show how theater practitioners revisited this national genre to manifest different, oftentimes opposing, ideological and aesthetic agendas. It follows the auto from the avant-garde stagings and rewritings of the form in the early twentieth century, to the Francoist productions by the Teatro Nacional de la Falange, to postmodern parodies of the form in the era following Franco’s death to demonstrate how twentieth-century Spanish dramatists use the auto in their reassessment of the nation’s political and artistic past, and as a way of envisioning its future.


Cervantes, the Golden Age, and the Battle for Cultural Identity in 20th-Century Spain

Cervantes, the Golden Age, and the Battle for Cultural Identity in 20th-Century Spain
Author: Ana María G. Laguna
Publisher: Bloomsbury Publishing USA
Total Pages: 256
Release: 2021-07-29
Genre: Literary Criticism
ISBN: 150137494X

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Studies that connect the Spanish 17th and 20th centuries usually do so through a conservative lens, assuming that the blunt imperialism of the early modern age, endlessly glorified by Franco's dictatorship, was a constant in the Spanish imaginary. This book, by contrast, recuperates the thriving, humanistic vision of the Golden Age celebrated by Spanish progressive thinkers, writers, and artists in the decades prior to 1939 and the Francoist Regime. The hybrid, modern stance of the country in the 1920s and early 1930s would uniquely incorporate the literary and political legacies of the Spanish Renaissance into the ambitious design of a forward, democratic future. In exploring the complex understanding of the multifaceted event that is modernity, the life story and literary opus of Miguel de Cervantes (1547-1616) acquires a new significance, given the weight of the author in the poetic and political endeavors of those Spanish left-wing reformists who believed they could shape a new Spanish society. By recovering their progressive dream, buried for almost a century, of incipient and full Spanish modernities, Ana María G. Laguna establishes a more balanced understanding of both the modern and early modern periods and casts doubt on the idea of a persistent conservatism in Golden Age literature and studies. This book ultimately serves as a vigorous defense of the canonical as well as the neglected critical traditions that promoted Cervantes's humanism in the 20th century.


'Other' Spanish Theatres

'Other' Spanish Theatres
Author: Maria M. Delgado
Publisher: Manchester University Press
Total Pages: 356
Release: 2003-11-08
Genre: Literary Criticism
ISBN: 9780719059766

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'Other' Spanish Theatres challenges established opinions on modern Iberian theatre through a consideration of the roles of contrasting figures and companies who have impacted upon both the practice and the perception of Spanish and European stages. In this broad and detailed study, Delgado selects six subjects which map out alternative readings of a nation's theatrical innovation through the last century. These six subjects include Margarita Xirgu, Enrique Rambal, María Casarest and Nuria Espert.


From the Theater to the Plaza

From the Theater to the Plaza
Author: Matthew I. Feinberg
Publisher: McGill-Queen's Press - MQUP
Total Pages: 168
Release: 2022-05-15
Genre: Performing Arts
ISBN: 0228012376

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Lavapiés - diverse, multicultural, and one of Madrid’s most iconic neighbourhoods - has emerged as a locus of resistance movements and of cultural flourishing. Poised at the intersection of theatre studies and cultural geography, this innovative study sketches its physical and imaginary contours. In From the Theater to the Plaza Matthew Feinberg guides readers on a journey through the development of the theatre, as both art and space, in Lavapiés. Offering a detailed analysis of dramatic texts and productions, performance spaces, urban planning documents, and the cultural activities of squatters, Feinberg sheds new light on the lead-up to Spain’s economic crisis and the emergence in 2011 of the 15-M anti-austerity protest movement. The result is a multidisciplinary account of how the spectacle of the contemporary city connects local, municipal, and global geographies. By linking the neighbourhood’s unique role as both a site and a subject of Madrid’s theatre tradition with its contemporary struggles over gentrification, From the Theater to the Plaza offers new approaches for understanding how culture and capital produce the twenty-first-century city.


Mutuality in El Barrio

Mutuality in El Barrio
Author: Carey Kasten
Publisher: Fordham Univ Press
Total Pages: 223
Release: 2024-05-07
Genre: Social Science
ISBN: 1531506453

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The stories of 18 immigrant families from East Harlem and their experiences with one of New York’s deeply-rooted organizations On any given weekday, people stream in and out of Little Sisters of the Assumption Family Health Service’s bright, airy building on 115th Street. They are mostly mothers who find their way to LSA, sometimes only weeks after crossing the border from Mexico, having heard of the support that las hermanitas (“the little sisters”) offer. Opening a window into the world of New York’s Spanish-speaking newcomers, Mutuality in El Barrio combines oral histories with archival research of the history, spirituality, and ministry of LSA to present how this well-established organization serves vulnerable populations with a unique approach they call “mutuality.” LSA is part of a network of East Harlem’s powerful grassroots organizations that draws from the remarkable strengths of local families in its community. It is a place of healing and empowerment focused on the overall holistic health of resident families. Long-term relationships are cultivated here rather than quick fixes, and it is a place that nurtures people’s full potential as leaders, parents, and advocates for themselves. In Mutuality in El Barrio, eighteen mothers share how, through the help of LSA, they managed to navigate a strange city and an unfamiliar language in a neighborhood that has long been a site of incredible challenges and extraordinary strength, creativity, and cultural vitality. These personal accounts of mothers, long-time LSA staff, and nuns reveal how these women found solidarity, accompaniment, care, neighborhood transformation, and binding connections through mutuality that helped them grow and connect in East Harlem. Their stories shine a light on an organization that began as a small community of vowed nuns who, like these mothers, also trace their origins abroad.


The Theatre in Nineteenth-Century Spain

The Theatre in Nineteenth-Century Spain
Author: David Thatcher Gies
Publisher: Cambridge University Press
Total Pages: 408
Release: 1994-08-11
Genre: Literary Criticism
ISBN: 0521380464

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This is the first comprehensive study of the theatre of nineteenth-century Spain, a most important genre which produced more than 10,000 plays during the course of the century. David Gies assesses this mass of material - much of it hitherto unknown - as text, spectacle, and social phenomenon. His book sheds light on political drama during Napoleonic times, the theatre of dictatorship (1820s), Romanticism, women dramatists, socialist drama, neo-Romantic drama, the relationship between parody and the dominant literary currents of the day, and the challenging work of Galdós. A chapter on the battle to create a National Theatre reveals the deep conflicts generated by the various interested factions in the middle of the century. This readable account will at last allow students and scholars properly to re-evaluate the canon of texts.


Music Theater and Popular Nationalism in Spain, 1880-1930

Music Theater and Popular Nationalism in Spain, 1880-1930
Author: Clinton D. Young
Publisher: LSU Press
Total Pages: 311
Release: 2016-01-11
Genre: History
ISBN: 0807161055

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From its earliest appearance in the mid-1600s, the lyric theater form of zarzuela captivated Spanish audiences with its witty writing and lively musical scores. Clinton D. Young’s Music Theater and Popular Nationalism in Spain, 1880–1930 persuasively links zarzuela’s celebration of Spanish history and culture to the development of concepts of nationalism and national identity at the dawn of the twentieth century. As a weak Spanish government focused its energy on preventing a recurrence of mid-nineteenth-century political upheavals, the project of articulating a national identity occurred at the popular level, particularly in cultural venues such as the theater. Zarzuela suited this aim well, depicting the lives of everyday citizens amid the rapidly changing norms brought about by industrialization and urbanization. It also integrated regional differences into a unified vision of Spanish national identity: a zarzuela performance set in Madrid could incorporate forms of music and folk dancing native to areas of the country as far distant as Andalucía and Catalonia. A true “music of the people” (música popular), zarzuela offered its audiences an image of what a more modern Spain might look like. Zarzuela alone could not create a unified concept of Spanish identity, particularly with competition from new forms of mass culture and the rise of the Primo de Rivera dictatorship in the 1920s. Yet, as this riveting study shows, it made an indelible contribution to popular culture and nationalism. Young’s history brings to life the stories, songs, and evolving contexts of a uniquely Spanish art form.


A History of Theatre in Spain

A History of Theatre in Spain
Author: Maria M. Delgado
Publisher: Cambridge University Press
Total Pages: 0
Release: 2015-07-09
Genre: Drama
ISBN: 9781107533660

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Leading theater historians and practitioners map a theatrical history that moves from the religious tropes of Medieval Iberia to the postmodern practices of twenty-first-century Spain. Considering work across the different languages of Spain, from vernacular Latin to Catalan, Galician and Basque, this history engages with the work of actors and directors, designers and publishers, agents and impresarios, and architects and ensembles, in indicating the ways in which theater has both commented on and intervened in the major debates and issues of the day. Chapters consider paratheatrical activities and popular performance, such as the comedia de magia and flamenco, alongside the works of Spain's major dramatists, from Lope de Vega to Federico García Lorca. Featuring revealing interviews with actress Nuria Espert, director Lluís Pasqual and playwright Juan Mayorga, it positions Spanish theater within a paradigm that recognizes its links and intersections with wider European and Latin American practices.


Theatre Censorship in Spain, 19311985

Theatre Censorship in Spain, 19311985
Author: Catherine O'Leary
Publisher: University of Wales Press
Total Pages: 543
Release: 2023-05-15
Genre: Performing Arts
ISBN: 1786839849

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This is a comprehensive study of the impact of censorship on theatre in twentieth-century Spain. It draws on extensive archival evidence, vivid personal testimonies and in-depth analysis of legislation to document the different kinds of theatre censorship practised during the Second Republic (1931–6), the civil war (1936–9), the Franco dictatorship (1939–75) and the transition to democracy (1975–85). Changes in criteria, administrative structures and personnel from these periods are traced in relation to wider political, social and cultural developments, and the responses of playwrights, directors and companies are explored. With a focus on censorship, new light is cast on particular theatremakers and their work, the conditions in which all kinds of theatre were produced, the construction of genres and canons, as well as on broader cultural history and changing ideological climate – all of which are linked to reflections on the nature of censorship and the relationship between culture and the state.