The Criers and Hawkers of London
| Author | : Marcellus Laroon |
| Publisher | : |
| Total Pages | : 274 |
| Release | : 1990 |
| Genre | : Cries |
| ISBN | : |
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The Criers and Hawkers of London
| Author | : Marcellus Laroon |
| Publisher | : |
| Total Pages | : 252 |
| Release | : 1990 |
| Genre | : Art |
| ISBN | : 9780804715065 |
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Fascination with the lives of pedlars and hawkers first expressed itself in English art around 1600. Marcellus Laroon's Cryes of the City of London drawne after the Life was published in 1687 and became a best-seller the day it appeared, remaining popular for nearly a century and a half - eight editions followed the first until it finally went out of print after 1821. Laroon's volume of designs remains the most sophisticated and influential collection of street cries with its detailed chronicling of London working life. The present volume makes the Cryes available once again as a valuable document for the scholars of popular British art, social history and costume studies; more so because of the inclusion of plates from the 1760 edition in which designs were updated to provide us with a unique comparison of the changes in art and costume between 1687 and the late eighteenth century. The book also contains nineteen hitherto unpublished sketches by Laroon held at Blenheim Palace.
Images of the Outcast
| Author | : Sean Shesgreen |
| Publisher | : Manchester University Press |
| Total Pages | : 252 |
| Release | : 2002 |
| Genre | : Art |
| ISBN | : 9780719062933 |
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'Cries', artistic representations of the various denizens of London's streets including prostitutes, beggars and tinkers, were produced between 1580 and 1900. This study analyses the representation behind the art of the 'Cries' in a social, cultural and historical context.
Images of the Outcast
| Author | : Sean Shesgreen |
| Publisher | : Rutgers University Press |
| Total Pages | : 252 |
| Release | : 2002 |
| Genre | : Art |
| ISBN | : 9780813531526 |
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This lavishly illustrated volume, featuring 170 images, offers a comprehensive and original survey of a fascinating collection of images of the lower orders of London. The London Cries is a body of graphic art produced between the sixteenth and nineteenth centuries that provided continually changing representations of the tradesmen and street hawkers that roamed London from its beginnings right up to the present. Analyzing prints, drawings, lithographs, and paintings done during this time period, Sean Shesgreen traces portraits of ordinary men and women who made their living on the streets of this bustling city; characters include milkmaids, cheapjacks, beggars, prostitutes, Merry Andrews, religious fanatics, and other colorful figures of their stripe. Images of the Outcast examines the Cries in relationship to the historical actualities of street trading, bourgeois attitudes toward the poor, and other forms of art. Through a lively discussion of the prints, drawings, sketches and oils of artists, from the anonymous craftsmen of the sixteenth century to Theodore Gericault and others, Shesgreen provides an important overview of this significant genre. Many of the riveting images the author discusses have never been published or analyzed before.
Laboring Mothers
| Author | : Ellen Malenas Ledoux |
| Publisher | : University of Virginia Press |
| Total Pages | : 264 |
| Release | : 2023-11-10 |
| Genre | : Literary Criticism |
| ISBN | : 0813950295 |
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Motherhood inherently involves labor. The seemingly perennial notion that paid work outside the home and motherhood are incompatible, however, grows out of specific cultural conditions established in Britain and her colonies during the long eighteenth century. With Laboring Mothers, Ellen Malenas Ledoux synthesizes and expands on two feminist dialogues to deliver an innovative transatlantic cultural history of working motherhood. Addressing both actual historical women and fabricated representations of a type, Ledoux demonstrates how contingent ideas about the public sphere and maternity functioned together to create systems of power and privilege among working mothers. Popular culture has long thrown doubt on the idea that women can be both productive and reproductive at the same time. Although the critical task of raising and providing for a family should, in theory, foster solidarity, this has not historically proven the case. Laboring Mothers demonstrates how contemporary associations surrounding economic status, race, and working motherhood have their roots in an antiquated and rigid system of inequality among women that dates back to the Enlightenment.
Hawkers, Beggars and Quacks - Portraits from the Cries of London
| Author | : Sean Shesgreen |
| Publisher | : |
| Total Pages | : 240 |
| Release | : 2021-06-18 |
| Genre | : |
| ISBN | : 9781851245512 |
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Royalism, Print and Censorship in Revolutionary England
| Author | : Jason McElligott |
| Publisher | : Boydell Press |
| Total Pages | : 300 |
| Release | : 2007 |
| Genre | : History |
| ISBN | : 9781843833239 |
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A study of the content and methods of royalist propaganda via newsbooks in the crucial period following the end of the first civil war. This is a study of a remarkable set of royalist newsbooks produced in conditions of strict secrecy in London during the late 1640s. It uses these flimsy, ephemeral sheets of paper to rethink the nature of both royalism and Civil War allegiance. Royalism, Print and Censorship in Revolutionary England moves beyond the simple and simplistic dichotomies of 'absolutism' versus 'constitutionalism'. In doing so, it offers a nuanced, innovative and exciting visionof a strangely neglected aspect of the Civil Wars. Print has always been seen as a radical, destabilizing force: an agent of social change and revolution. Royalism, Print and Censorship in Revolutionary England demonstrates, bycontrast, how lively, vibrant and exciting the use of print as an agent of conservatism could be. It seeks to rescue the history of polemic in 1640s and 1650s England from an undue preoccupation with the factional squabbles of leading politicians. In doing so, it offers a fundamental reappraisal of the theory and practice of censorship in early-modern England, and of the way in which we should approach the history of books and print-culture. JASON McELLIGOTT is the J.P.R. Lyell Research Fellow in the History of the Early Modern Printed Book at Merton College, Oxford.
Merchants, Barons, Sellers and Suits
| Author | : Christa Mahalik |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 350 |
| Release | : 2010-08-11 |
| Genre | : Literary Criticism |
| ISBN | : 1443824623 |
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Merchants, Barons, Sellers and Suits: The Changing Images of the Businessman through Literature originally began as a conversation about a hybrid course at Quinnipiac University. Its purpose was to take an online English course for non-traditional business majors and create a theme that would be relevant to the business world. Being given the task to create this course from the ground up was exciting and intriguing. There turned out to be a lot more material that could be used for this theme than previously thought. To gauge the temperature of the topic, a panel was set up with the theme of businessmen (or women) and their changing image through literature. At the 2009 NeMLA (Northeast Modern Language Association) conference in Boston, the panel was held and many ideas, such as some of the ones presented in this book, were discussed. A secondary theme evolved out of the construction of the first. Participants discussed the environment as a catalyst in the change of “what a person actually thinks a businessman (or woman) looks like.” Many of these images were formed based upon pop culture, such as the traveling salesman in the Looney Tunes cartoons who sells brushes door to door and hails from Walla Walla, Washington. Others were based on the images read about in books, such as Willy Loman from Death of a Salesman. The essays included in this volume, presented by doctoral candidates and scholars from across a range of geographical regions and disciplines, result in a collection that investigates the idea of the changing image of the businessman throughout literature both in America and in Europe. The arrangement of the collection is a comparative timeline allowing the changing images of business to evolve with each essay.
Down and Out in Eighteenth-Century London
| Author | : Tim Hitchcock |
| Publisher | : A&C Black |
| Total Pages | : 360 |
| Release | : 2004-11-01 |
| Genre | : History |
| ISBN | : 0826427154 |
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London in the 18th century was the greatest city in the world. It was a magnet that drew men and women from the rest of England in huge numbers. For a few the streets were paved with gold, but for the majority it was a harsh world with little guarantee of money or food. For the poor and destitute, London's streets offered little more than the barest living. Yet men, women and children found a great variety of ways to eke out their existence, sweeping roads, selling matches, singing ballads and performing all sorts of menial labor. Many of these activities, apart from the direct begging of the disabled, depended on an appeal to charity, but one often mixed with threats and promises. Down and Out in Eighteenth-Century London provides a remarkable insight into the lives of Londoners, for all of whom the demands of charity and begging were part of their everyday world.
The Routledge History of Poverty, c.1450–1800
| Author | : David Hitchcock |
| Publisher | : Routledge |
| Total Pages | : 409 |
| Release | : 2020-12-30 |
| Genre | : History |
| ISBN | : 1351370995 |
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The Routledge History of Poverty, c.1450–1800 is a pioneering exploration of both the lives of the very poorest during the early modern period, and of the vast edifices of compassion and coercion erected around them by individuals, institutions, and states. The essays chart critical new directions in poverty scholarship and connect poverty to the environment, debt and downward social mobility, material culture, empires, informal economies, disability, veterancy, and more. The volume contributes to the understanding of societal transformations across the early modern period, and places poverty and the poor at the centre of these transformations. It also argues for a wider definition of poverty in history which accounts for much more than economic and social circumstance and provides both analytically critical overviews and detailed case studies. By exploring poverty and the poor across early modern Europe, this study is essential reading for students and researchers of early modern society, economic history, state formation and empire, cultural representation, and mobility.
