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| Author | : Thomas Benjamin |
| Publisher | : Routledge |
| Total Pages | : 429 |
| Release | : 2004-03 |
| Genre | : Art |
| ISBN | : 1135946639 |
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Thomas Benjamin |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2023 |
| Genre | : |
| ISBN | : |
| Author | : Thomas Benjamin |
| Publisher | : Psychology Press |
| Total Pages | : 216 |
| Release | : 2005 |
| Genre | : Counterpoint |
| ISBN | : 9780415971713 |
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Thomas Benjamin |
| Publisher | : Routledge |
| Total Pages | : 203 |
| Release | : 2005-02-03 |
| Genre | : Music |
| ISBN | : 0203997204 |
The companion book to Benjamin's recently republished Craft of Tonal Counterpoint, this entirely rewritten second edition provides a complete analysis of modal counterpoint - the important musical style that forms the basis of all early music.
| Author | : Johann Fux |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 164 |
| Release | : 1965 |
| Genre | : Music |
| ISBN | : 9780393002775 |
The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.
| Author | : Charles Horton |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 786 |
| Release | : 2020-10-15 |
| Genre | : Music |
| ISBN | : 1538121484 |
Harmony Through Melody:The Interaction of Melody, Counterpoint, and Harmony in Western Music, Second Editionoffers a robust, composition-based approach to tonal music theory, ranging from early modality to recent film and popular music. Charles Horton, David A. Byrne, and Lawrence Ritchey develop techniques and strategies for exploring the fundamental interaction of melody and counterpoint with harmony, and provide students with opportunities to creatively express what they have learned in the writing and analysis of short passages and complete pieces in historical styles. This second edition contains additional examples from the standard literature, film music, and popular song, and features new assignments involving late nineteenth-century chromatic practice. The textbook present a step-by-step method for the composition and analysis of short passages and complete pieces, with more than 1400 musical examples drawn from a variety of styles and genres, plus classroom-tested examples for study and suggested assignments at the end of each chapter. The second edition has an online companion website (textbooks.rowman.com/horton2e) featuring: A student workbook with more than 260 assignments for individual work and classroom use Audio links to 315 newly-recorded live performances of model compositions and fully realized settings An instructor’s manual with guidelines for evaluation of assignments, additional repertoire for in-class analysis and assignments, sample syllabi, and other useful information is also available. Please email [email protected] for more information.
| Author | : Alan Belkin |
| Publisher | : Yale University Press |
| Total Pages | : 273 |
| Release | : 2018-06-19 |
| Genre | : Music |
| ISBN | : 0300218990 |
An invaluable introduction to the art and craft of musical composition from a distinguished teacher and composer This essential introduction to the art and craft of musical composition is designed to familiarize beginning composers with principles and techniques applicable to a broad range of musical styles, from concert pieces to film scores and video game music. The first of its kind to utilize a style-neutral approach, in addition to presenting the commonly known classical forms, this book offers invaluable general guidance on developing and connecting musical ideas, building to a climax, and other fundamental formal principles. It is designed for both classroom use and independent study.
| Author | : Dmitri Tymoczko |
| Publisher | : OUP USA |
| Total Pages | : 469 |
| Release | : 2011-03-21 |
| Genre | : Mathematics |
| ISBN | : 0195336674 |
In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.
| Author | : Henry Martin |
| Publisher | : Scarecrow Press |
| Total Pages | : 152 |
| Release | : 2005 |
| Genre | : Music |
| ISBN | : 9780810854093 |
"Counterpoint proceeds by developing species counterpoint in the tradition of Johann Joseph Fux and his famous Gradus ad Parnassum (1725), but with attention to Schenker's more in-depth study. Everyone from beginning music theory students to composers to graduate composition students will benefit from the methods introduced here. As emphasized in the preface, readers are presented with "exercises for composition." Rather than actually teaching a student to compose, working through these exercises will improve musicianship as it applies to both composition and understanding music theory."--BOOK JACKET.
| Author | : Evan Jones |
| Publisher | : Routledge |
| Total Pages | : 283 |
| Release | : 2015-08-27 |
| Genre | : Music |
| ISBN | : 1317518772 |
The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres. Beginning with an introductory grounding in species counterpoint, tonal harmony, and figured bass, students progress through the study of chorale preludes, invertible counterpoint, and canonic and fugal writing. This textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of tonal counterpoint and familiarizing students with contrapuntal styles from the Baroque period to the 21st century. Also available is a companion volume, The Principles and Practice of Modal Counterpoint, which focuses on 16th-century techniques and covers modal music from Gregorian chant through the 17th century.
