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| Author | : Martin A. S. Hume |
| Publisher | : DigiCat |
| Total Pages | : 461 |
| Release | : 2022-05-29 |
| Genre | : History |
| ISBN | : |
The Court of Philip IV.: Spain in Decadence is a book by Martin Andrew Sharp Hume. It serves as a biography on Philip IV, who was King of Spain from 1621 to his death in 1665.
| Author | : Martin Andrew Sharp Hume |
| Publisher | : |
| Total Pages | : 566 |
| Release | : 1907 |
| Genre | : Spain |
| ISBN | : |
| Author | : R. A. Stradling |
| Publisher | : Cambridge University Press |
| Total Pages | : 424 |
| Release | : 2002-10-03 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780521530552 |
This book concentrates on the political history of the reign of Philip IV, and the role of the king within it. Philip is kept near the forefront, and issues and events are often seen - if sometimes critically - from his viewpoint. It is, therefore, a work of revision and rehabilitation, representing an attempt (against all other extant accounts) to establish Philip IV as a positive figure, with an autonomous character and political identity. A secondary, supportive, intention is to demonstrate that after the fall of Olivares, the king ruled and governed without a favourite (valido). This is the central theme in the most detailed treatment of the second half of the reign available in any language. Reference is made throughout to Philip's own words and actions. At the same time, the Olivares period itself is approached from a new perspective, some issues being examined with the use of new material. Although not intended as a conventional biography, the book retains several characteristics of the form, in that it is a 'career-study', part thematic, part chronological. Philip IV is examined also in relation to the political writing of the age, and to his court and capital in Madrid.
| Author | : Laura Cumming |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Biography |
| ISBN | : 9780701188443 |
In 1845, a Reading bookseller named John Snare came across the dirt-blackened portrait of a prince at a country house auction. Suspecting that it might be a long-lost Velazquez, he bought the picture and set out to discover its strange history. When Laura Cumming stumbled on a startling trial involving John Snare, it sent her on a search of her own. At first she was pursuing the picture, and the life and work of the elusive painter, but then she found herself following the bookseller's fortunes too - from London to Edinburgh to nineteenth-century New York, from fame to ruin and exile. An innovative fusion of detection and biography, this book shows how and why great works of art can affect us, even to the point of mania. And on the trail of John Snare, Cumming makes a surprising discovery of her own. But most movingly, The Vanishing Man is an eloquent and passionate homage to the Spanish master Velazquez, bringing us closer to the creation and appreciation of his works than ever before
| Author | : Sarah Schroth |
| Publisher | : |
| Total Pages | : 360 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : |
Published in conjunction with an exhibition held at the Museum of Fine Arts, Boston, Apr. 20-July 27, 2008 and at the Nasher Museum of Art at Duke University, Aug. 21-Nov. 9, 2008.
| Author | : Martin Andrew Sharp HUME |
| Publisher | : |
| Total Pages | : 527 |
| Release | : 1927 |
| Genre | : |
| ISBN | : |
| Author | : Amy Sackville |
| Publisher | : |
| Total Pages | : 319 |
| Release | : 2019-04 |
| Genre | : Painters |
| ISBN | : 9781783783922 |
This is a portrait of Diego Velázquez, from his arrival at the court of King Philip IV of Spain in May 1622, to his death 38 years and several hundred paintings later. It is a portrait of a relationship that is not quite a friendship, between a king and his subject and between an artist and his subject. It is a portrait of a ruler, always on duty, and increasingly burdened by a life of public expectation and repeated private grief. And it is a portrait of a court collapsing under the weight of its own excess.
| Author | : Tanya J. Tiffany |
| Publisher | : Penn State Press |
| Total Pages | : 255 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 0271053798 |
"Explores the early works of seventeenth-century Spanish painter Diego Velâazquez. Focuses on works from 1617 to 1623, examining the painter's critical engagement with the artistic, religious, and social practices of his native Seville"--Provided by publisher.
| Author | : Stuart M. McManus |
| Publisher | : Cambridge University Press |
| Total Pages | : 315 |
| Release | : 2021-04-08 |
| Genre | : Political Science |
| ISBN | : 110890498X |
An exploration of the culture of public speaking in the Iberian world, which places the classical rhetorical tradition within the context of Iberian global expansion in Europe, the Americas, Asia and Africa between the sixteenth and eighteenth centuries.
| Author | : Philip Francis Esler |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 247 |
| Release | : 2017-11-06 |
| Genre | : Religion |
| ISBN | : 1625649088 |
First Enoch is an ancient Judean work that inaugurated the genre of apocalypse. Chapters 1–36 tell the story of the descent of angels called “Watchers” from heaven to earth to marry human women before the time of the flood, the chaos that ensued, and God’s response. They also relate the journeying of the righteous scribe Enoch through the cosmos, guided by angels. Heaven, including the place and those who dwell there (God, the angels, and Enoch), plays a central role in the narrative. But how should heaven be understood? Existing scholarship, which presupposes “Judaism” as the appropriate framework, views the Enochic heaven as reflecting the temple in Jerusalem, with God’s house replicating its architecture and the angels and Enoch functioning like priests. Yet recent research shows the Judeans constituted an ethnic group, and this view encourages a fresh examination of 1 Enoch 1–36. The actual model for heaven proves to be a king in his court surrounded by his courtiers. The major textual features are explicable in this perspective, whereas the temple-and-priests model is unconvincing. The author was a member of a nontemple, scribal group in Judea that possessed distinctive astronomical knowledge, promoted Enoch as its exemplar, and was involved in the wider sociopolitical world of their time.
