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| Author | : William Carlos Williams |
| Publisher | : Wesleyan University Press |
| Total Pages | : 601 |
| Release | : 2003-12-04 |
| Genre | : Literary Collections |
| ISBN | : 0819564907 |
Table of contents
| Author | : Ezra Pound |
| Publisher | : New Directions Publishing |
| Total Pages | : 286 |
| Release | : 1987 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780811210133 |
Pound / Zukofsky is the fifth volume in the ongoing series, The Correspondence of Ezra Pound. Pound (1885-1972) and Zukofsky (1904-1978) met only three times: in Rapallo, Italy, for a few weeks in 1933; for a few hours in New York, in 1939; and briefly again at St. Elizabeths Hospital, in Washington, D.C., in 1954. Yet by the time of their first meeting, they had already exchanged almost 300 letters. over half of their total correspondence. The two poets knew each other quite literally as men of letters.
| Author | : William Carlos Williams |
| Publisher | : New Directions Publishing |
| Total Pages | : 356 |
| Release | : 1984 |
| Genre | : Literary Collections |
| ISBN | : 9780811209342 |
Long unavailable, The Selected Letters of William Carlos Williams is now reissued as a New Directions Paperbook. Spanning fifty-four years, this collection record the creative growth of one of the twentieth century's most influential and versatile writers.
| Author | : William Carlos Williams |
| Publisher | : New Directions Publishing |
| Total Pages | : 300 |
| Release | : 1985 |
| Genre | : Literary Criticism |
| ISBN | : 9780811209557 |
Something to Say: William Carlos Williams on Younger Poets collects all of Williams' known writings--reviews, essays, introductions, and letters to the editor--on the two generations of poets that followed him, from Kenneth Rexroth and Louis Zukofsky to Robert Lowell and Allen Ginsberg. What might have been a random collection of occasional pieces achieves remarkable coherence from the singleness of Williams' poetic vision: his belief that the secret spirit of ritual, of poetry, was trapped in restrictive molds, and, if these could be broken, the spirit would be able to live again in a new, contemporary form. Only a revived clarity and accuracy in sight and expression would enable the modern world to reform social order which Williams saw in complete disarray. To resuscitate American Poetry, Williams concentrated his efforts on the purification of poetic speech--his American idiom--and on remaking the poetic line in a new measure--his variable foot. And while his battles with his contemporaries on these issues could be heated, he was always a nurturing father to the young, "a useful presence," "a model and a liberator." He told Ginsberg to pare down and economize, Roethke to open up, and encouraged Lowell and Levertov to shake off poetic conventions. But in all his emphasis on the poem as a made object of concrete physicality or as a field of action, he would return again and again to this basic advice to young writers: "The only thing necessary is to have something to say when at last the opportunity comes to say it."
| Author | : Denise Levertov |
| Publisher | : New Directions Publishing |
| Total Pages | : 204 |
| Release | : 1998 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780811213929 |
A celebration of the literary correspondence of Denise Levertov and William Carlos Williams - at once a portrait of two geniuses, the testimony of their remarkable friendship, and a seedbed of ideas about American poetry. This volume contains 33 letters from Levertov and 31 from Williams.
| Author | : Ezra Pound |
| Publisher | : New Directions Publishing |
| Total Pages | : 380 |
| Release | : 1996 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780811213011 |
Contains 170 letters selected from the surviving correspondence of two of Modernism's legendary poets. Dating from 1907 until Williams' death in 1963, each letter is reproduced in full and accompanied by explanatory notes. Includes a historical introduction setting the letters in context. Annotation copyright by Book News, Inc., Portland, OR
| Author | : Bruce Holsapple |
| Publisher | : University of New Mexico Press |
| Total Pages | : 456 |
| Release | : 2016-12-01 |
| Genre | : Literary Criticism |
| ISBN | : 082635761X |
William Carlos Williams first spoke to the issue of form shortly after the publication of “The Wanderer” in 1914—his move to vers libre—and didn’t stop talking about form until his death in 1963. His poetry shows, decade after decade, persistent formal innovation. Bruce Holsapple’s The Birth of the Imagination relates the form, structure, and content of Williams’s poetry to demonstrate how his formal concerns bear upon the content, namely, how form testifies to a vision that the style verifies. Tracing the development of Williams’s work from Poems in 1909 through The Wedge in 1944, Holsapple aligns emerging aesthetic concepts and procedures with shifts in Williams’s writing to disclose how meaning becomes refigured, affecting what the poems “say.” While focusing primarily on Williams’s experimental works, including the novellas, this innovative study charts how significant features in Williams’s poetry result from specific imaginative practices.
| Author | : Lawrence Rainey |
| Publisher | : John Wiley & Sons |
| Total Pages | : 1217 |
| Release | : 2005-07-15 |
| Genre | : Literary Criticism |
| ISBN | : 0631204482 |
Modernism: An Anthology is the most comprehensive anthology of Anglo-American modernism ever to be published. Amply represents the giants of modernism - James Joyce, Gertrude Stein, Virginia Woolf, T.S. Eliot, Ezra Pound, Wallace Stevens, Marianne Moore, Samuel Beckett. Includes a generous selection of Continental texts, enabling readers to trace modernism’s dialogue with the Futurists, the Dadaists, the Surrealists, and the Frankfurt School. Supported by helpful annotations, and an extensive bibliography. Allows readers to encounter anew the extraordinary revolution in language that transformed the aesthetics of the modern world .
| Author | : Jenny Penberthy |
| Publisher | : Cambridge University Press |
| Total Pages | : 406 |
| Release | : 1993-09-24 |
| Genre | : Literary Collections |
| ISBN | : 9780521443692 |
The forty-year correspondence between Lorine Niedecker and Louis Zukofsky is one of the closest and most productive in recent literary history. Beginning in 1931, the correspondence was tutelary but it quickly grew into a collaborative enterprise of emotional and artistic significance for both poets. This volume presents Niedecker's side of the correspondence. It opens with a substantial introduction tracing the life and work of Niedecker and how her relationship with Zukofsky influenced her poetry. At the same time Jenny Penberthy attempts to disengage Niedecker from her own myth of Zukofsky. She examines the emergence of Niedecker's quiet but rigorously experimental poetry: her rejection of hierarchies of genre, structure, and syntax, and her questioning of relationships among author, world, and text. Penberthy also reconstructs the early years of Niedecker's career, looking particularly at her surrealism and its impact on her poems. The book is not only about the impact Zukofsky had on Niedecker's work, it is also about a woman poet's struggle for recognition both within and without.
| Author | : Andrew Rippeon |
| Publisher | : Modern & Contemporary Poetics |
| Total Pages | : 348 |
| Release | : 2019 |
| Genre | : Biography & Autobiography |
| ISBN | : 0817359346 |
Gathers some of the most intimate, personal writing on life and the art of poetry by a crucial figure in late twentieth-century American letters Celebrated by both the Black Mountain poets in the 1950s and 1960s and the Language poets in the 1970s and 1980s, Larry Eigner's poems occupy an important place in American poetry and poetics, and his reputation and legacy grow seemingly stronger with each passing year. Letters to Jargon collects all of the known correspondence between Larry Eigner and Jonathan Williams, the influential publisher of Jargon Society Press and himself a poet. Eigner's correspondence with Williams began in the early 1950s, as the two were in conversation over the manuscript of On My Eyes, published by Jargon in 1960. Their correspondence continued for many years thereafter, extending into the period when Eigner's work started to gain recognition from the nascent movement that would become known as "Language" writing. The letters are quite broad in their range of reference and provide a fuller context for Eigner's poetry and thinking. Eigner and Williams discuss their own poetic practices, including the source material for specific poems, general writing practices, and small press and little magazine publication. This volume offers considerable insight into their shared literary communities as Eigner reports on his readings in contemporary poetry and poetics, as well as his correspondence and contact with other poets including Charles Olson, Vincent Ferrini, Robert Duncan, Denise Levertov, Robert Grenier, and Barrett Watten. Also recorded are Eigner's reactions to current events and explications of his own poems, including the contexts for appropriated lines and distinctions of character spacing. Eigner also shares with Williams details of his home life, his financial difficulties and the daily challenges of his cerebral palsy. Finally, the book features a series of images of the original letters, enabling readers to see Eigner's specific material-textual practices.
