United States Code
Author | : United States |
Publisher | : |
Total Pages | : 1508 |
Release | : 1952 |
Genre | : Law |
ISBN | : |
Download United States Code Book in PDF, ePub and Kindle
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Copywrights PDF full book. Access full book title The Copywrights.
Author | : United States |
Publisher | : |
Total Pages | : 1508 |
Release | : 1952 |
Genre | : Law |
ISBN | : |
Author | : Siva Vaidhyanathan |
Publisher | : NYU Press |
Total Pages | : 276 |
Release | : 2003-04 |
Genre | : History |
ISBN | : 9780814788073 |
In this text, the author tracks the history of American copyright law through the 20th century, from Mark Twain's exhortations for 'thick' copyright protection, to recent lawsuits regarding sampling in rap music and the 'digital moment', exemplified by the rise of Napster and MP3 technology.
Author | : Edward C. Greenberg |
Publisher | : CRC Press |
Total Pages | : 392 |
Release | : 2015-02-11 |
Genre | : Photography |
ISBN | : 1317692195 |
If you license or publish images, this guide is as indispensable as your camera. It provides specific information on the legal rights of photographers, illustrators, artists, covering intellectual property, copyright, and business concerns in an easy-to-read, accessible manner. The Copyright Zone, Second Edition covers: what is and isn’t copyrightable, copyright registration, fair use, model releases, contracts and invoices, pricing and negotiation, and much more. Presented in a fun and easy to digest style, Jack Reznicki and Ed Greenberg, LLC help explain the need-to-know facts of the confusing world of legal jargon and technicalities through real world case studies, personal asides, and the clear writing style that has made their blog Thecopyrightzone.com and monthly column by the same name in Photoshop User magazine two industry favorites. The second edition of this well-reviewed text has almost doubled in size to ensure that every legal issue you need to know about as a photographer or artist is covered and enjoyable to learn!
Author | : United States Alien Property Custodian Office |
Publisher | : |
Total Pages | : 16 |
Release | : 1944 |
Genre | : |
ISBN | : |
Author | : William Patry |
Publisher | : Oxford University Press |
Total Pages | : 336 |
Release | : 2012-01-02 |
Genre | : Law |
ISBN | : 0199912912 |
Do copyright laws directly cause people to create works they otherwise wouldn't create? Do those laws directly put substantial amounts of money into authors' pockets? Does culture depend on copyright? Are copyright laws a key driver of competitiveness and of the knowledge economy? These are the key questions William Patry addresses in How to Fix Copyright. We all share the goals of increasing creative works, ensuring authors can make a decent living, furthering culture and competitiveness and ensuring that knowledge is widely shared, but what role does copyright law actually play in making these things come true in the real world? Simply believing in lofty goals isn't enough. If we want our goals to come true, we must go beyond believing in them; we must ensure they come true, through empirical testing and adjustment. Patry argues that laws must be consistent with prevailing markets and technologies because technologies play a large (although not exclusive) role in creating consumer demand; markets then satisfy that demand. Patry discusses how copyright laws arose out of eighteenth-century markets and technology, the most important characteristic of which was artificial scarcity. Artificial scarcity was created by the existence of a small number gatekeepers, by relatively high barriers to entry, and by analog limitations on copying. Markets and technologies change, in a symbiotic way, Patry asserts. New technologies create new demand, requiring new business models. The new markets created by the Internet and digital tools are the greatest ever: Barriers to entry are low, costs of production and distribution are low, the reach is global, and large sums of money can be made off of a multitude of small transactions. Along with these new technologies and markets comes the democratization of creation; digital abundance is replacing analog artificial scarcity. The task of policymakers is to remake our copyright laws to fit our times: our copyright laws, based on the eighteenth century concept of physical copies, gatekeepers, and artificial scarcity, must be replaced with laws based on access not ownership of physical goods, creation by the masses and not by the few, and global rather than regional markets. Patry's view is that of a traditionalist who believes in the goals of copyright but insists that laws must match the times rather than fight against the present and the future.
Author | : United States. Congress. House. Committee on Patents |
Publisher | : |
Total Pages | : 568 |
Release | : 1925 |
Genre | : Copyright |
ISBN | : |
Author | : United States. Congress. House Patents Commmittee |
Publisher | : |
Total Pages | : 1302 |
Release | : 1932 |
Genre | : |
ISBN | : |
Author | : Stephen Fishman |
Publisher | : NOLO |
Total Pages | : 558 |
Release | : 2000 |
Genre | : Art |
ISBN | : 9780873374330 |
Explains how to find and use creative works without permission or fees, describing how to recognize whether or not a work is in the public domain.
Author | : Stephen Fishman |
Publisher | : NOLO |
Total Pages | : 472 |
Release | : 2014-10-31 |
Genre | : Law |
ISBN | : 9781413320480 |
This must-have handbook for writers and artists provides every necessary form to protect written expression under U.S. and international copyright law. With step-by-step instructions, it illustrates how to: register a written work with the copyright office determine what works can be protected transfer copyright ownership define and avoid infringement maintain electronic publishing rights This edition is completely updated to provide the latest case law and copyright regulations, including updates on all the latest cases and changes to copyright law and on electronic filing.
Author | : Robert Spoo |
Publisher | : Oxford University Press |
Total Pages | : 384 |
Release | : 2013-08-08 |
Genre | : Literary Criticism |
ISBN | : 0199344272 |
The names of James Joyce and Ezra Pound ring out in the annals of literary modernism, but few recognize the name of Samuel Roth. A brash, business-savvy entrepreneur, Roth made a name--and a profit--for himself as the founding editor and owner of magazines that published selections from foreign writings--especially the risqué parts--without permission. When he reprinted segments of James Joyce's epochal novel Ulysses, the author took him to court. Without Copyrights tells the story of how the clashes between authors, publishers, and literary "pirates" influenced both American copyright law and literature itself. From its inception in 1790, American copyright law offered no or less-than-perfect protection for works published abroad--to the fury of Charles Dickens, among others, who sometimes received no money from vast sales in the United States. American publishers avoided ruinous competition with each other through "courtesy of the trade," a code of etiquette that gave informal, exclusive rights to the first house to announce plans to issue an uncopyrighted foreign work. The climate of trade courtesy, lawful piracy, and the burdensome rules of American copyright law profoundly affected transatlantic writers in the twentieth century. Drawing on previously unknown legal archives, Robert Spoo recounts efforts by James Joyce, Ezra Pound, Bennett Cerf--the founder of Random House--and others to crush piracy, reform U.S. copyright law, and define the public domain. Featuring a colorful cast of characters made up of frustrated authors, anxious publishers, and willful pirates, Spoo provides an engaging history of the American public domain, a commons shaped by custom as much as by law, and of piracy's complex role in the culture of creativity.