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| Author | : Jeremy Gilbert-Rolfe |
| Publisher | : Allworth Press |
| Total Pages | : 188 |
| Release | : 1999-12 |
| Genre | : Art |
| ISBN | : |
This book offers an unpredictable, humorous, and politically unconstrained perspective on today's heated debates about the meaning and role of beauty in art and contemporary society.
| Author | : Philip Shaw |
| Publisher | : Routledge |
| Total Pages | : 192 |
| Release | : 2007-01-24 |
| Genre | : Literary Criticism |
| ISBN | : 1134493185 |
Often labelled as ‘indescribable’, the sublime is a term that has been debated for centuries amongst writers, artists, philosophers and theorists. Usually related to ideas of the great, the awe-inspiring and the overpowering, the sublime has become a complex yet crucial concept in many disciplines. Offering historical overviews and explanations, Philip Shaw looks at: the legacy of the earliest, classical theories of the sublime through the romantic to the postmodern and avant-garde sublimity the major theorists of the sublime such as Kant, Burke, Lyotard, Derrida, Lacan and Zizek, offering critical introductions to each the significance of the concept through a range of literary readings including the Old and New testaments, Homer, Milton and writing from the romantic era how the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch’s neo-noir. This remarkably clear study of what is, in essence, a term which evades definition, is essential reading for students of literature, critical and cultural theory.
| Author | : Emily Brady |
| Publisher | : Cambridge University Press |
| Total Pages | : 241 |
| Release | : 2013-08-12 |
| Genre | : Philosophy |
| ISBN | : 1107276268 |
In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.
| Author | : Temenuga Trifonova |
| Publisher | : Routledge |
| Total Pages | : 479 |
| Release | : 2017-09-22 |
| Genre | : Philosophy |
| ISBN | : 1315299135 |
In the course of its long and tumultuous history the sublime has alternated between spatial and temporal definitions, from its conceptualization in terms of the grandeur and infinity of Nature (spatial), to its postmodern redefinition as an "event" (temporal), from its conceptualization in terms of our failure to "cognitively map" the decentered global network of capital or the rhizomatic structure of the postmetropolis (spatial), to its neurophenomenological redefinition in terms of the new temporality of presence produced by network/real time (temporal). This volume explores the place of the sublime in contemporary culture and the aesthetic, cultural, and political values coded in it. It offers a map of the contemporary sublime in terms of the limits—cinematic, cognitive, neurophysiological, technological, or environmental—of representation.
| Author | : Timothy M. Costelloe |
| Publisher | : Cambridge University Press |
| Total Pages | : 319 |
| Release | : 2012-07-30 |
| Genre | : History |
| ISBN | : 0521143675 |
This volume offers readers a unique and comprehensive overview of different theoretical and interdisciplinary perspectives on 'the sublime'.
| Author | : Suzanne Ramljak |
| Publisher | : Rizzoli Publications |
| Total Pages | : 0 |
| Release | : 2018-06-12 |
| Genre | : Art |
| ISBN | : 084786314X |
Artists such as Maya Lin, Roxy Paine, and Dustin Yellin show the impact of human interventionon our ecosystem through a mix of installations, video, photography, and sculpture. Natural Wonders spotlights the works of thirteen artists who work in various media to depict themes of nature—both its beauty and its more disquieting aspects—from painting and sculpture to 3-D landscapes and botanical replications to dioramas and lenticular prints. The range of works encourages us to be more attentive to our natural surroundings and address timely issues such as habitat loss, environmental toxins, bioengineering, and increasing alienation from nature. Ramljak’s essay provides a broad cultural and historical context for the contemporary artworks, complemented by artist statements and an interview between environmentally minded artists Mark Dion and Alexis Rockman.
| Author | : Roald Hoffmann |
| Publisher | : Oxford University Press |
| Total Pages | : 192 |
| Release | : 2011-02-01 |
| Genre | : Science |
| ISBN | : 0199750564 |
Throughout its long history, and not just as the key aesthetic category for the Romantic Movement, the sublime has created the necessary link between aesthetic and moral judgment, offering the prospect of transcending the limits of measurement, even imagination. The best of science makes genuine claims to the sublime. For in science, as in art, every day brings the entirely new, the extreme, and the unrepresentable. How does one depict negative mass, for example, or the folding of a protein that is contagious? Can one capture emergent phenomena as they emerge? Science is continually faced with describing that which is beyond. This book, through contributions from nine prominent scholars, tackles that challenge. The explorations within Beyond the Finite range from the images taken by the Hubble Telescope to David Bohm's quantum romanticism, from Kant and Burke to a "downward spiraling infinity" of the 21st century sublime, all lucid yet transcendent. Squarely positioned at the interface between science and art, this volume's chapters capture a remarkable variety of perspectives, with neuroscience, chemistry, astronomy, physics, film, painting and music discussed in relation to the sublime experience, topics surely to peak the interest of academics and students studying the sublime in various disciplines.
| Author | : Stephen Zepke |
| Publisher | : Edinburgh University Press |
| Total Pages | : 296 |
| Release | : 2017-07-28 |
| Genre | : Art |
| ISBN | : 0748670009 |
Stephen Zepke shows how the idea of sublime art waxes and wanes in the work of Jean-François Lyotard, Gilles Deleuze and Felix Guattari, Jacques Derrida, Jacques Rancière and the recent Speculative Realism movement.
| Author | : Matthew Spokes |
| Publisher | : Emerald Group Publishing |
| Total Pages | : 193 |
| Release | : 2020-08-28 |
| Genre | : Computers |
| ISBN | : 1838674330 |
Gaming and the Virtual Sublime considers the ‘virtual sublime’ as a conceptual toolbox for understanding our affective engagement with contemporary interactive entertainment.
| Author | : David Weissman |
| Publisher | : Walter de Gruyter |
| Total Pages | : 129 |
| Release | : 2013-05-02 |
| Genre | : Philosophy |
| ISBN | : 311032038X |
Philosophic attention shifted after Hegel from Kant’s emphasis on sensibility to criticism and analyses of the fine arts. The arts themselves seemed as ample as nature; a disciplined science could devote as much energy to one as the other. But then the arts began to splinter because of new technologies: photography displaced figurative painting; hearing recorded music reduced the interest in learning to play it. The firm interiority that Hegel assumed was undermined by the speed, mechanization, and distractions of modern life. We inherit two problems: restore quality and conviction in the arts; cultivate the interiority—the sensibility—that is a condition for judgment in every domain. What is sensibility’s role in experiences of every sort, but especially those provoked when art is made and enjoyed?
