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The Concept of the Animal and Modern Theories of Art

The Concept of the Animal and Modern Theories of Art
Author: Roni Grén
Publisher: Routledge
Total Pages: 274
Release: 2017-07-31
Genre: Art
ISBN: 1351671723

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This book examines the importance of the animal in modern art theory, using classic texts of modern aesthetics and texts written by modern artists to explore the influence of the human-animal relationship on nineteenth and twentieth century artists and art theorists. The book is unique due to its focus on the concept of the animal, rather than on images of animals, and it aims towards a theoretical account of the connections between the notions of art and animality in the modern age. Roni Grén’s book spans various disciplines, such as art theory, art history, animal studies, modernism, postmodernism, posthumanism, philosophy, and aesthetics.


Art Historical Perspectives on the Portrayal of Animal Death

Art Historical Perspectives on the Portrayal of Animal Death
Author: Roni Grén
Publisher: Taylor & Francis
Total Pages: 203
Release: 2024-04-22
Genre: Art
ISBN: 1040018564

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This study concentrates on the discourses around animal death in arts and the ways they changed over time. Chapter topics span from religious symbolism to natural history cabinets, from hunting laws to animal rights, from economic history to formalist views on art. In other words, the book asks why artists have represented animal death in visual culture, maintaining that the practice has, through the whole era, been a crucial part of the understanding of our relation to the world and our identity as humans. This is the first truly integrative book-length examination of the depiction of dead animals in Western art. The book will be of interest to scholars working in art history, animal studies, and cultural history.


Perception and Agency in Shared Spaces of Contemporary Art

Perception and Agency in Shared Spaces of Contemporary Art
Author: Cristina Albu
Publisher: Routledge
Total Pages: 306
Release: 2017-12-15
Genre: Art
ISBN: 1315437112

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This book examines the interconnections between art, phenomenology, and cognitive studies. Contributors question the binary oppositions generally drawn between visuality and agency, sensing and thinking, phenomenal art and politics, phenomenology and structuralism, and subjective involvement and social belonging. Instead, they foreground the many ways that artists ask us to consider how we sense, think, and act in relation to a work of art.


Of Jews And Animals

Of Jews And Animals
Author: Andrew Benjamin
Publisher: Edinburgh University Press
Total Pages: 208
Release: 2010-04-08
Genre: Art
ISBN: 0748642315

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By developing his own conception of the 'figure' Andrew Benjamin has written an innovative and provocative study of the complex relationship between philosophy, the history of painting and their presentation of both Jews and animals.As Benjamin makes clear the 'Other' is never abstract. He underscores the means by which the ethical imperative, arising from the way the history of philosophy and the history of art are constructed, shows us how to respond to an already identified, even if unacknowledged, determinant other.


Art and Animals

Art and Animals
Author: Giovanni Aloi
Publisher: Bloomsbury Publishing
Total Pages: 193
Release: 2011-11-30
Genre: Art
ISBN: 0857720643

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'Art is continually haunted by the animal', wrote Deleuze and Guattari. Over the past two decades, animals have quite literally invaded the gallery space, from Joseph Beuys' co-habiting with a coyote, Janis Kounelli's instillation of live horses, Damien Hirst's shark in formaldehyde to Mark Dion's natural history displays and Marco Evaristti's 'goldfish in a blender'. In this latest addition to the highly acclaimed 'Art and...' series, Giovanni Aloi surveys the insistent presence of animals in the world of contemporary art, exploring the leading concepts which inform this emerging practice. From exhibitions featuring live animals, to taxidermy, and interspecies communication, Giovanni Aloi explores how animals feature in modern art with a range of thought-provoking and innovative visual representations. Art and Animals challenges ideas of identity, 'otherness' and civilisation by explaining the role animals have occupied in our cultural development and illustrating their presence in the visual arts today.


Modern Theories of Art

Modern Theories of Art
Author: Moshe Barasch
Publisher: NYU Press
Total Pages: 466
Release: 1990
Genre: Art
ISBN: 0814711766

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An analytical survey of the thought about painting and sculpture as it unfolded from the early 18th- to the mid-19th centuries. This was the period during which the intellectual foundations of our modern views on the arts was formed. Barasch traces for the reader the entire development of modernism in art and art theory. *Lightning Print On Demand Title


An Art for the Other

An Art for the Other
Author: Leonardo Caffo
Publisher:
Total Pages: 115
Release: 2015
Genre: Art
ISBN: 9781590565124

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An art historian and a philosopher face a series of visual, ethical, and cultural issues relating to the idea of animality. In doing so, they offer a plea for a change of attitude toward nunhuman animals, particularly in how they are presented and re-presented in the visual tradition. Ranging widely across continental philosophy, art theory, and cultural criticism, An Art for the Other is a compelling work of contemporary ideas about the depiction of animals.


Contemporary British Ceramics and the Influence of Sculpture

Contemporary British Ceramics and the Influence of Sculpture
Author: Laura Gray
Publisher: Taylor & Francis
Total Pages: 147
Release: 2018-01-02
Genre: Art
ISBN: 1351626418

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This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery. This development has been accompanied (and perhaps propelled) by the kind of critical discussion usually reserved for the 'higher' discipline of sculpture. Ceramics is now encountering and colliding with sculpture, both formally and intellectually. Laura Gray examines what this means for the old hierarchies between art and craft, the identity of the potter, and the character of a discipline tied to a specific material but wanting to participate in critical discussions that extend far beyond clay.


Modern Theories of Art 2

Modern Theories of Art 2
Author: Moshe Barasch
Publisher: NYU Press
Total Pages: 400
Release: 1998-03-01
Genre: Art
ISBN: 0814739482

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In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.


Modern Theories of Art: From impressionism to Kandinsky

Modern Theories of Art: From impressionism to Kandinsky
Author: Moshe Barasch
Publisher: NYU Press
Total Pages: 400
Release: 1990
Genre: Art
ISBN: 0814712738

Download Modern Theories of Art: From impressionism to Kandinsky Book in PDF, ePub and Kindle

In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.