The Composing Of Music In The Twelve Tone Technique And A Study Of The Operative Procedures Employed PDF Download
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Author | : Eugene Farris |
Publisher | : |
Total Pages | : 64 |
Release | : 1966 |
Genre | : Composition (Music) |
ISBN | : |
Download The Composing of Music in the Twelve Tone Technique and a Study of the Operative Procedures Employed Book in PDF, ePub and Kindle
Author | : Will Ogdon |
Publisher | : |
Total Pages | : 698 |
Release | : 1955 |
Genre | : Composition (Music) |
ISBN | : |
Download Series and Structure Book in PDF, ePub and Kindle
Author | : Donna Levern Lynn |
Publisher | : |
Total Pages | : 838 |
Release | : 1992 |
Genre | : |
ISBN | : |
Download Genesis, Process, and Reception of Anton Werbern's Twelve-tone Music Book in PDF, ePub and Kindle
Author | : |
Publisher | : |
Total Pages | : 156 |
Release | : 2004 |
Genre | : Music theory |
ISBN | : |
Download A Composition as a Problem IV: Luigi Dallapiccola's method of twelve-tone composition, some observations from the years 1951-1952 Book in PDF, ePub and Kindle
Author | : Ernst Krenek |
Publisher | : |
Total Pages | : 37 |
Release | : 1940 |
Genre | : |
ISBN | : |
Download Studies ; Based on the Twelve-tone Technique Book in PDF, ePub and Kindle
Author | : James K. Vosicky |
Publisher | : |
Total Pages | : 50 |
Release | : 1968 |
Genre | : Composition (Music) |
ISBN | : |
Download A Twelve-tone Composition for a Grade School Band Book in PDF, ePub and Kindle
Author | : Georg von Albrecht |
Publisher | : Scarecrow Press |
Total Pages | : 174 |
Release | : 2004 |
Genre | : Biography & Autobiography |
ISBN | : 9780810849693 |
Download From Musical Folklore to Twelve-tone Technique Book in PDF, ePub and Kindle
"His reports of encounters with such composers as Taneyev, Glazunov, Scriabin, Stravinsky, Hindemith, Frommel, and David, and his thorough discussion of tonal systems and compositional methods reflect the approach and critical response to many procedures typical of music of the era.
Author | : Elliott Antokoletz |
Publisher | : Routledge |
Total Pages | : 526 |
Release | : 2014-03-14 |
Genre | : Music |
ISBN | : 1135037302 |
Download A History of Twentieth-Century Music in a Theoretic-Analytical Context Book in PDF, ePub and Kindle
A History of Twentieth-Century Music in a Theoretic-Analytical Context is an integrated account of the genres and concepts of twentieth-century art music, organized topically according to aesthetic, stylistic, technical, and geographic categories, and set within the larger political, social, economic, and cultural framework. While the organization is topical, it is historical within that framework. Musical issues interwoven with political, cultural, and social conditions have had a significant impact on the course of twentieth-century musical tendencies and styles. The goal of this book is to provide a theoretic-analytical basis that will appeal to those instructors who want to incorporate into student learning an analysis of the musical works that have reflected cultural influences on the major musical phenomena of the twentieth century. Focusing on the wide variety of theoretical issues spawned by twentieth-century music, A History of Twentieth-Century Music in a Theoretic-Analytical Context reflects the theoretical/analytical essence of musical structure and design.
Author | : Benjamin Preston Clark |
Publisher | : |
Total Pages | : 568 |
Release | : 1969 |
Genre | : |
ISBN | : |
Download The Functions of Twelve-tone Procedure in the Formal Design and Structural Logic of the Third String Quartet, Op. 30 Book in PDF, ePub and Kindle
Author | : Jessica R. Barnett |
Publisher | : |
Total Pages | : 405 |
Release | : 2015 |
Genre | : |
ISBN | : |
Download Clusters, Clouds, and Constellations Book in PDF, ePub and Kindle
In the late 1950s and early 1960s, Alberto Ginastera turned to twelve-tone composition. The personal twelve-tone language he developed during this time was largely an extension of the motivically-driven, sequentially-patterned, chromatic language he favored in his earlier, non-twelve-tone works. The primary objective of this study is twofold: (1) it illustrates the general characteristics of Ginastera's compositional approach that remain consistent regardless of whether or not he uses a twelve-tone row as a point of departure; and (2) it demonstrates specific twelve-tone organizational strategies in the context of two of his earliest serial works, the Piano Concerto No. 1, Op. 28 (1961) and Violin Concerto, Op. 30 (1963).