The Composing Of Music In The Twelve Tone Technique And A Study Of The Operative Procedures Employed PDF Download

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Series and Structure

Series and Structure
Author: Will Ogdon
Publisher:
Total Pages: 698
Release: 1955
Genre: Composition (Music)
ISBN:

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From Musical Folklore to Twelve-tone Technique

From Musical Folklore to Twelve-tone Technique
Author: Georg von Albrecht
Publisher: Scarecrow Press
Total Pages: 174
Release: 2004
Genre: Biography & Autobiography
ISBN: 9780810849693

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"His reports of encounters with such composers as Taneyev, Glazunov, Scriabin, Stravinsky, Hindemith, Frommel, and David, and his thorough discussion of tonal systems and compositional methods reflect the approach and critical response to many procedures typical of music of the era.


A History of Twentieth-Century Music in a Theoretic-Analytical Context

A History of Twentieth-Century Music in a Theoretic-Analytical Context
Author: Elliott Antokoletz
Publisher: Routledge
Total Pages: 526
Release: 2014-03-14
Genre: Music
ISBN: 1135037302

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A History of Twentieth-Century Music in a Theoretic-Analytical Context is an integrated account of the genres and concepts of twentieth-century art music, organized topically according to aesthetic, stylistic, technical, and geographic categories, and set within the larger political, social, economic, and cultural framework. While the organization is topical, it is historical within that framework. Musical issues interwoven with political, cultural, and social conditions have had a significant impact on the course of twentieth-century musical tendencies and styles. The goal of this book is to provide a theoretic-analytical basis that will appeal to those instructors who want to incorporate into student learning an analysis of the musical works that have reflected cultural influences on the major musical phenomena of the twentieth century. Focusing on the wide variety of theoretical issues spawned by twentieth-century music, A History of Twentieth-Century Music in a Theoretic-Analytical Context reflects the theoretical/analytical essence of musical structure and design.


Clusters, Clouds, and Constellations

Clusters, Clouds, and Constellations
Author: Jessica R. Barnett
Publisher:
Total Pages: 405
Release: 2015
Genre:
ISBN:

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In the late 1950s and early 1960s, Alberto Ginastera turned to twelve-tone composition. The personal twelve-tone language he developed during this time was largely an extension of the motivically-driven, sequentially-patterned, chromatic language he favored in his earlier, non-twelve-tone works. The primary objective of this study is twofold: (1) it illustrates the general characteristics of Ginastera's compositional approach that remain consistent regardless of whether or not he uses a twelve-tone row as a point of departure; and (2) it demonstrates specific twelve-tone organizational strategies in the context of two of his earliest serial works, the Piano Concerto No. 1, Op. 28 (1961) and Violin Concerto, Op. 30 (1963).